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More news from Paul Amar about the inaugural research program launched by the Arab Council of Social Sciences (headquartered in Beirut; more at Jadaliyya here) on ‘Producing the Public in Arab Societies: space, media, participation.’

Formulating new understandings of public life in societies within conditions of twenty- first century globalization is an urgent priority for the social sciences. The insecurity of global and national financial systems, the increased violence and securitization of social and political life and the new modes and practices of making collective and social/cultural claims require rethinking concepts such as the “public sphere,” “public culture,” “public institutions,” “public access (e.g. to information)” and “the public good.” In addition, calls within some disciplines for the importance of “public knowledge” (e.g. “public sociology” and “public anthropology”) means that the social sciences themselves are part, and not only observers and analyzers, of re- conceptualizing public life. Knowledge production in general is integral to the development and maintenance of a vibrant public sphere in which different opinions, identities and political positions can be explored without recourse to violence. At least this is the hope embedded in these reformulations.

In this context, the Arab Council of the Social Sciences (ACSS) is launching a research program entitled “Producing the Public in Arab Societies,” that will enable projects to examine political, social and cultural issues in relation to one another while focusing on specific topics. This multidisciplinary program will explore the new possibilities, spaces and means for political action and practice in different Arab societies that bring to light, and create, new publics. The political and social imaginaries that are being produced not only open up new futures but also reread histories and reconfigure relations between different groups and actors in society, including the relationship between the intelligentsia and the rest of society. The retaking and remaking of the state, the new modes of inclusion and exclusion and the role of diasporas are among the issues raised by this research program. All these processes have profound implications for the societies in question but also for the social sciences in general.

The Program will consist of three Working Groups, one focusing on space, another on media, and a third on participation. These three Working Groups will be relatively autonomous, but will engage in regular dialogue with each other, occasionally come together for joint meetings; and they may develop cross-cutting research collaborations or products. In addition, there may be opportunities for cross-regional collaboration with researchers in Asia, Africa and Latin America.

Paul will co-ordinate the working group on Space, Tarik Sabry the working group on media, and Sherene Seikaly the working group on participation.

Producing the public in Arab societies

Here is the summary prospectus for the Space working group:

“Producing the Public: Spaces of Struggle, Embodiments of Futurity” This Working Group will research public spaces and spatializing embodiments that reverse class, sectarian, and gender segregation, foster social equalization, revive previous intersectional public subjectivities, and/or create future utopias. Our research will explore the context and legacies of the “Arab Spring”-era events; but we will largely (but not exclusively) focus on countries identified more with war and counterrevolution rather than with the triumphant social uprisings of 2011. Thus we aim to bridge gaps between analyses of spaces of war and armed intervention (in Syria, Libya, Iraq, Bahrain, etc.), and embodiments of future hope, inclusion, and justice across the Arab region.

Very exciting work has been done in the last generation shedding critical light on regimes of power, cultures of fear, and technologies of planning that have transformed public spaces. This work has focused on deconstructing neoliberal policies and discourses, exposing the techniques and economies of war and occupation, and articulating the spatial dimensions of postcolonial moral, ethno-sectarian, and religious regimes. This generation of scholarship has asked: How have social classes have been polarized by new kinds of space and public morality; how have built forms and spatial performances exacerbated sectarian divisions or even “invented” them; how have regimes of public-space regulation instituted regimes of puristic or pietist morality; and how have shifting norms of public-versus-private space restricted gender identities and issues of sexuality to an ever-narrowing private sphere where consumer and patriarchal values dominate. However, this set of research innovations have tended to neglect the kinds of spatial practices, movements, public embodiments, and policy regimes that can reverse or generate spatial alternatives that counter these segregatory dynamics and territorialization practices. In this light, “Producing the Public: Spaces of Struggle, Embodiments of Futurity” aims to produce a new body of comparative case studies. This Working group will be oriented explicitly toward positive alternatives, even in the most fraught contexts, and will offer new analyses of spatial and historical relations of power, war, control, and subjectivation.

Paul is particularly keen to include scholars working on Libya, though anyone who meets the critera (below) is welcome to apply.   Questions about the Space working group to Paul at amar@global.ucsb.edu and about the program in general to grants@theacss.org.

Working group meetings start in September; those participating will receive full support for travel to and accommodations at all research workshops/group meetings, which will be held twice per year (usually held in the Arab Region or perhaps in Cyprus or Turkey), together with around $10,000 in research funds.  This is a marvellous and rare opportunity, and so not surprisingly the criteria are stringent:

1) Due to the specialized mandate of the ACSS itself, all applicants must be either (1) a current or former citizen of one of the member states of the League of Arab States; OR (2) of Arab origin or part-Arab descent (or of any other ethnic, national, sectarian or minority “identity” within any Arab League country). Applicants who meet the above criteria and are living in the Arab region are encouraged to apply. Those living outside the Arab region are also welcome to apply, but they should demonstrate that they spend a significant part of each year in the region, engaged substantively with publics in a particular site, and be fully committed to public movements, cultures, and organizations in the region.

2) Applicants for the “Space” Working Group must be either in the final stages of receiving their PhD (“ABD” or prospectus finished), or be a professor or lecturer in the first seven years after completing their PhD. Applicants should have a social science degree, or a degree in a field within the “humanistic social studies” such as history, cultural studies, legal studies, etc.

3) Applicants for the “Participation” Working Group can be practitioners, media workers, journalists, techies, and scholars engaged in participatory work that both critiques and engages social sciences in the Arab world. 

4) Applicants for the “Media” Working Group should have a degree in the ‘humanistic social sciences’. They will need to have published and conducted research in the Arab region, focusing on the relationships between media, culture and society. They will also be expected to think beyond disciplinary boundaries by engaging critically with scholars specializing in different fields of the humanities and the social sciences, including anthropology, media studies, cultural studies and philosophy. They must also be fluent in Arabic.

5) All applicants should be proficient in Arabic as well as English and/or French. Much of the readings and some of the conversations will be conducted in English, due to the overwhelming use of English in the relevant academic, political, and technical literatures. However ACSS encourages and permits writings and publications in Arabic, French or English. And each group will, of course, constantly engage public expressions, leaders, and research meetings in Arabic.

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Incidentally, anyone who finds the idea of ‘producing’ the public an unfamiliar one should read Michael Warner‘s classic work, The letters of the Republic: publication and the public sphere in eighteenth-century America; you can also find a snappy essay by him, ‘Publics and counterpublics’, at Public culture (2002).  As this suggests, so many of the available models and substantive treatments of these issues traffic in the public spheres of Europe and the shadows of Habermas, and it will be exceptionally interesting to see what happens when the focus and language of the discussion travels beyond these too familiar waters and also addresses the formation of transnational public spheres.  And I’m also drawn to the way in which Paul’s working group will move the research frontier towards sites of war, counter-revolution and resistance.  Do contact him if you’re interested.

EgyptianRevolutionManual (dragged) 1

An update to my post earlier this week on Tahrir Square and the Arab uprisings: I’ve now (at last!) added the manuscript version of my essay, ‘Tahrir: politics, publics and performances of space’, forthcoming in Middle East Critique, to the DOWNLOADS page.  As always, I’d welcome any comments or suggestions.

The image above is taken from a 26-page pamphlet circulated in Cairo in January 2011, ‘How to protest intelligently’: you can download the whole thing here and find a side-by-side English and Arabic version of some of the pages here.  I discuss the significance of all this in the essay.

I’ve been putting the finishing touches to the extended version of my essay on Tahrir Square and the Egyptian uprisings, which focuses on performance, performativity and space through an engagement with Judith Butler‘s ‘Bodies in alliance and the politics of the street’ essay/lecture (originally delivered in Venice in 2011).

Tahrir Square (Mohamed Elshahed)Much of the existing discussion of Tahrir treats performance in conventional dramaturgical terms, and owes much more to Erving Goffman‘s classic work than to Judith’s recent contributions, so that spatiality is more or less reduced to a stage: see, for example, Charles Tripp, ‘Performing the public: theatres of power in the Middle East’, Constellations (2013) doi: 10.1111/cons.12030 (early view).  Others have preferred to  analyse the spatialities of Tahrir through the work of Henri Lefebvre: I’m thinking of Ahmed Kanna, ‘Urban praxis and the Arab Spring’, City 16 (3) (2012) 360-8; Hussam Hussein Salama, ‘Tahrir Square: a narrative of public space’, Archnet – IJAR 7 (1) (2013) 128-38;and even, en passant, W.J.T.Mitchell, ‘Image, space, revolution: the arts of occupation’, Critical Inquiry 39 (1) (2012) 8-32.

None of these seem to me to convey the way in which, as Judith has it, the presence of bodies in the square becomes the performance of a new spatiality through which people

‘seize upon an already established space permeated by existing power, seeking to sever the relation between the public space, the public square, and the existing regime. So the limits of the political are exposed, and the link between the theatre of legitimacy and public space is severed; that theatre is no longer unproblematically housed in public space, since public space now occurs in the midst of another action, one that displaces the power that claims legitimacy precisely by taking over the field of its effects…. In wresting that power, a new space is created, a new “between” of bodies, as it were, that lays claim to existing space through the action of a new alliance, and those bodies are seized and animated by those existing spaces in the very acts by which they reclaim and resignify their meanings.’

I see a similar conception at work in Adam Ramadan‘s emphasis on Tahrir as at once a space and an act – a space-in-process, if you like – of encampment: ‘From Tahrir to the world: the camp as a political public space’, European Urban and Regional Studies 20 (2013) 145-9.  I’m drawn to these formulations partly because they connect performance to the possibility of performativity through space-in-process, and partly because these ideas, attentive as they are to ‘space’, also pay close attention to ‘time’ (or rather space-time) (for a suggestive discussion of the temporalities of Tahrir, which I think have been marginalised in too many ‘spatialising’ discussions, see Hanan Sabea, ‘A “time out of time”‘, here.)

These comments are little more than place-holders, I realise, and I hope my reworked essay will clarify them; I’ll post the final version on the Downloads page as soon as it’s ready – in the next day or two, I hope. [UPDATE: The manuscript version, to appear in Middle East Critique, is now available under the DOWNLOADS tab: 'Tahrir: politics, publics and performances of space']

In the meantime, if you’re interested in the Egyptian uprisings, there’s an excellent online bibliography at Mark Allen Peterson‘s equally excellent Connected in Cairo here; Mark also provides a listing of documentary films here (including YouTube feeds).

Tahrir Squared

Part of my discussion addresses the imbrications of the digital and the physical, the virtual and the visceral.  For a quick overview, see Mohamed Elshahed here (from whom I’ve borrowed the wonderful image at the head of this post), but for a remarkable online platform that, amongst other things, seeks to ‘multiply the Tahir Effect around the globe’, capitalising on the transformations from the digital to the physical and back again, try Tahrir Squared:

‘T2 is a one-stop shop for reliable and enlightening information about the Arab uprisings, revolutions and their effects. It combines both original content by leading analysts, journalists and authoritative commentators, and curated content carefully selected from across the web to provide activists, researchers, observers and policy makers a catch-all source for the latest on the Arab revolutions and related issues through an interactive, virtual multimedia platform.
 
Unattached to governments or political entities, Tahrir Squared is concerned with ‘multiplying the Tahrir Effect around the globe’: an Effect which reawakened civic consciousness and awareness. An Effect which led to neighbourhood protection committees, and created those scenes in Tahrir of different religions, creeds and backgrounds engaging, assisting, and protecting one another. 
 
That Effect still lives inside those who believe in the ongoing revolutions that called for ‘bread, freedom, social justice and human dignity’. This website is a part of that broader initiative, seeking to provide people with the knowledge and information to assist and stimulate that process of reawakening, through the provision of reliable news reports, thoughtful commentary, and useful analysis.

Judith Butler‘s Wall Exchange ‘Bodies on the street’, delivered at the Vogue Theatre in Vancouver last year, has now been posted on YouTube:

And a Q&A the following day with UBC faculty at the Peter Wall Institute for Advanced Studies is here:

You can access the text of an early version of the lecture here and here.

Adam Gopnik writing in the New Yorker discusses the revival of what he calls ‘geographical history’.  He starts with the prospect of a ‘history of spaces’ moving us beyond the intimacies of the sort of ‘place history’ displayed in Le Roy Ladurie‘s mesmerizing Montaillou, but then shoots over the cliff and into the waiting arms of Robert Kaplan.  Is there no escape from the man? And yet it turns out that Gopnik’s not as enthralled as he first appears:

Important as geography might be, the idea of geography’s importance seems still more important. Though geography is offered as a sobering up after the intoxications of end-of-history ideology, it soon reveals itself as another brandy bottle, with intoxications of its own. See, the Chinese are making a pincer move there, and—look!—the Indians are once again seeking to dominate the Gurdaspur-Kathiawar salient. Kaplan luxuriates in phrases of this kind: “Some years back I was in Ashgabat, the capital of Turkmenistan, from whose vantage point Tehran and Mashad over the border in Iranian Khorasan have always loomed.” It’s the same language that you find in John Buchan novels of the Great War era; the Chinese are on their way here, Russia is probing the hinterland, the Germans conspire with the Balts. “I have reports from agents everywhere—peddlers in Samarkand and bullion dealers in Cologne” is the way Buchan might put it.

And then we’re off, following a ‘cartographic turn’ into a ‘space history’ – not exactly the spatial history lovingly demonstrated in Paul Carter‘s wonderful Road to Botany Bay, but still – before hurtling into Timothy Snyder‘s chronicle of the calculated murder of 14 million people in the borderlands between Berlin and Moscow from 1944 to 1945, Bloodlands: Europe between Hitler and Stalin.

And yet, ultimately Gopnik votes for intimacy over distance – in a smooth rebuke to Kaplan, he insists that ‘conversation shapes us more than mountains and monsoons can’: you can almost hear the third, this time affirmative “M”, Montaillou, suspended in the silence – and so returns his ‘history of space’ to the history of place:

‘[T]he argument for the primacy of geography is always an argument about trains. It’s always about technology, and the question of whether new machines make modern times different from all other times. Modern productivity is technology applied, and technology is, among other things, a repudiation of geography: it’s a way of insisting that the limits of the planet are not the limits of our lives. A train, or a telegraph, or a jet or a rocket ship, not to mention the Internet, collapses space and terrain. Flying machines get us over very high mountains. Borders disappear to bombers…’

It’s a wonderfully vivid image, but technology doesn’t ‘collapse’ space, still less ‘repudiate’ geography: these processes of time-space compression have their own geographies and produce their own frictions of distance. As I’ve noted before, contrary to Thomas Friedman‘s nostrums, the world isn’t flat – even for the US military.  What interests me most, though, is precisely the historical curve of the entanglement of distance with intimacy, particularly in times of war and especially in the bloodlands/borderlands – the leitmotif of my ‘Deadly embrace’ project…