Wars in Words

New books forthcoming from Duke University Press (for my money, one of the most interesting and innovative of university presses – beautifully produced and at accessible prices too: UK publishers please note….)

First, Achille Mbembe‘s keenly awaited Necropolitics (coming in October):

In Necropolitics Achille Mbembe, a leader in the new wave of Francophone critical theory, theorizes the genealogy of the contemporary world—a world plagued by ever-increasing inequality, militarization, enmity, and terror, as well as by a resurgence of racist, fascist, and nationalist forces determined to exclude and kill. He outlines how democracy has begun to embrace its dark side, or what he calls its “nocturnal body,” which is based on the desires, fears, a ects, relations, and violence that drove colonialism. is shi has hollowed out democracy, thereby eroding the very values, rights, and freedoms liberal democracy routinely celebrates. As a result, war has become the sacrament of our times, in a conception of sovereignty that operates by annihilating all those considered to be enemies of the state. Despite his dire diagnosis, Mbembe draws on post-Foucault debates on biopolitics, war, and race, as well as Fanon’s notion of care as a shared vulnerability, to explore how new conceptions of the human that transcend humanism might come to pass. These new conceptions would allow us to encounter the Other not as a thing to exclude, but as a person with whom to build a more just world.

Contents:

Introduction. The Ordeal of the World
1. Exit from Democracy
2. The Society of Enmity
3. Necropolitics
4. Viscerality
5. Fanon’s Pharmacy
6. This Stifling Noonday
Conclusion. Ethics of the Passerby

And here’s Judith Butler on the book:

“The appearance of Achille Mbembe’s book, Necropolitics, will change the terms of debate within the English-speaking world. Trenchant in his critique of racism and its relation to the precepts of liberal democracy, Mbembe continues where Foucault left off, tracking the lethal afterlife of sovereign power as it subjects whole populations to what Fanon called ‘the zone of non-being.’ In these pages we find Mbembe not only engaging with biopolitics, the politics of enmity, and the state of exception, but he also opens up the possibility of a global ethic, one that relies less on sovereign power than on the transnational resistance to the spread of the death-world.”

Second, Ronak Kapadia‘s Insurgent Aesthetics: Security and the Queer Life of the Forever War (also October):

In Insurgent AestheticsRonak K. Kapadia theorizes the world-making power of contemporary art responses to U.S. militarism in the Greater Middle East. He traces how new forms of remote killing, torture, con nement, and sur- veillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the U.S. War on Terror’s violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and per- formance works, Kapadia reveals queer feminist decolonial critiques of the U.S. security state that visualize subjugated histories of U.S. militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.

Contents:

Introduction. Sensuous Affiliations: Security, Terror, and the Queer Calculus of the Forever War
1. Up in the Air: US Aerial Power and the Visual Life of Empire in the Drone Age
2. On the Skin: Drone Warfare, Collateral Damage, and the Human Terrain
3. Empire’s Innards: Conjuring “Warm Data” in the Archives of US Global Military Detention
4. Palestine(s) in the Sky: Visionary Aesthetics and Queer Cosmic Utopias from the Frontiers of US Empire
Epilogue. Scaling Empire: Insurgent Aesthetics n the Wilds of Imperial Decline

And here’s Chandan Reddy on the book:

“At its core, Insurgent Aesthetics reminds us that war and security are—despite the modern ideologies that would declare otherwise—fundamentally racialized social practices that seek to manage their violence in everyday life through controlling what can be felt and known. By looking at the ways diasporic communities interfere with sovereign and statist logics that conserve the knowledge of loss for the national community alone, this exquisitely written book powerfully argues for the insurgent abilities of culture to interrupt, deform, and repopulate our felt and known worlds in ways that force a reckoning and connection with the racialized death and detritus that U.S. security at once creates and tries to disappear.”

Next month sees the publication of Leah Zani‘s Bomb Children: Life in the former battlefields of Laos:

Half a century after the CIA’s Secret War in Laos—the largest bombing campaign in history—explosive remnants of war continue to be part of people’s everyday lives. In Bomb Children Leah Zani offers a perceptive analysis of the long-term, often subtle, and unintended effects of massive air warfare. Zani traces the sociocultural impact of cluster submunitions—known in Laos as “bomb children”—through stories of explosives clear- ance technicians and others living and working in these old air strike zones. Zani presents her ethnography alongside poetry written in the field, crafting a startlingly beautiful analysis of state terror, authoritarian revival, rapid development, and ecological contamination. In so doing, she proposes that postwar zones are their own cultural and area studies, offer-ing new ways to understand the parallel relationship between ongoing war violence and postwar revival.

You can read the devastating, exquisitely compelling introduction (pdf) here.

Here’s Ann Laura Stoler on the book:

Bomb Children is a riveting and reflexive account of war remains, military waste, and ‘development’ in contemporary Laos. As a document it bears/bares the hazardous conditions of its making, poised on the edge of blasts in the margins of safety zones that are never safe, in the collision and convergence between social ecologies riddled with minefields, and between remains and (economic) revival. Tacking between these ‘paired conceptual frames’ and a set of parallelisms that collapse war and peace and life and death, Bomb Children labors in an ethnographic mode that eschews the pornography of detailing mutilated bodies and instead looks to the war damages that are not over and that remain viscerally present in the everyday of people’s lives.”

Also in August, Jairus Victor Grove‘s Savage Ecology War and Geopolitics at the End of the World:

Jairus Victor Grove contends that we live in a world made by war. In Savage Ecology he offers an ecological theory of geopolitics that argues that contemporary global crises are better understood when considered within the larger history of international politics. Infusing international relations with the theoretical interventions of fields ranging from new materialism to political theory, Grove shows how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes. Grove analyzes a variety of subjects—from improvised explosive devices and drones to artificial intelligence and brain science—to outline how geopolitics is the violent pursuit of a way of living that comes at the expense of others. Pointing out that much of the damage being done to the earth and its inhabitants stems from colonialism, Grove suggests that the Anthropocene may be better described by the term Eurocene. The key to changing the planet’s trajectory, Grove proposes, begins by acknowledging both the earth-shaping force of geopolitical violence and the demands apocalypses make for fashioning new ways of living.

You can read the introduction (pdf) here, and here is the Table of Contents:

Aphorisms for a New Realism

Part I. The Great Homogenization
1. The Anthropocene as a Geopolitical Fact
2. War as a Form of Life
3. From Exhaustion to Annihilation: A Martial Ecology of the Eurocene
Part II. Operational Spaces
4. Bombs: An Insurgency of Things
5. Blood: Vital Logistics
6. Brains: We Are Not Who We Are
7. Three Images of Transformation as Homogenization
Part III. Must We Persist to Continue?
8. Apocalypse as a Theory of Change
9. Freaks or the Incipience of Other Forms of Life
Conclusion. Ratio feritas: From Critical Responsiveness to Making New Forms of Life
The End: Visions of Los Angeles, California, 2061

Here’s James Der Derian on the book:

“What Beck did for risk society, Hardt and Negri for empire, and Barad for technoscience, Jairus Victor Grove does brilliantly for global violence, delivering an ecology of warfare that is not only a corrosive critique of the three horsemen of our now daily apocalypse—geopolitics, biopolitics, and cybernetics—but a creative strategy for sustaining life now and thereafter. Grove is a philosopher with a hammer, writer with a stiletto, and artist with a spray can.”

Finally, we have to wait until December for a mammoth reader on Militarization, edited by Roberto J. González, Hugh Gusterson and Gustaaf Houtman.  No word on the contents just yet.

1 thought on “Wars in Words

  1. Pingback: Achille Mbembe, Necropolitics – Duke University Press, October 2019 | Progressive Geographies

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