From the University of California Press in February, Thomas Stubblefield‘s Drone Art: the everywhere war as medium:
What happens when a drone enters a gallery or appears on screen? What thresholds are crossed as this weapon of war occupies everyday visual culture? These questions have appeared with increasing regularity since the advent of the War on Terror, when drones began migrating into civilian platforms of film, photography, installation, sculpture, performance art, and theater. In this groundbreaking study, Thomas Stubblefield attempts not only to define the emerging genre of “drone art” but to outline its primary features, identify its historical lineages, and assess its political aspirations. Richly detailed and politically salient, this book is the first comprehensive analysis of the intersections between drones, art, technology, and power.
Caren Kaplan on the book: ‘”Do representations of drones that circulate in contemporary media reinforce or subvert the logic of distance warfare? Stubblefield takes a brilliantly nuanced approach in a text replete with stimulating examples to argue that ‘drone power’ in such media is always ‘distributed and elusive’ yet open to reimagination and, therefore, critique.”
From the same publisher in March, Joseba Zulaika‘s Hellfire from Paradise Ranch: on the front lines of drone warfare:
In this intimate and innovative work, terror expert Joseba Zulaika examines drone warfare as manhunting carried out via satellite. Using Creech Air Force Base near Las Vegas as his center of study, he interviews drone operators as well as resisters to the war economy of the region to expose the layers of fantasy on which counterterrorism and its self-sustaining logic are grounded.
Hellfire from Paradise Ranch exposes the terror and warfare of drone killings that dominate our modern military. It unveils the trauma drone operators experience, in part due to their visual intimacy with their victims, and explores the resistance to drone killings in the same apocalyptic Nevada desert where nuclear testing, pacifist militancy, and Shoshone tradition overlap.
Stunning and absorbing, Zulaika offers a richly detailed account of how we continue to manufacture, deconstruct, and perpetuate terror.
Prologue: Slaughterhouse 359
1: The Real: Home of the hunters
2: Fantasy and the art of drone assassination
3: Drone wars returning from the future
4: Trauma: the killer as voyeur
5: Resistance: a harsh and dreadful love
Epilogue: Obama’s Troy: Kill me a son
Joseph Masco on the book: “Hellfire from Paradise Ranch details how the drone revolution has moved the politics of terror into an entirely new techno-political domain. We should all be grateful to Joseba Zuilaika for once again analyzing the politics of terror and seeing its revolutionary import — war always comes home. His account of drone warfare is required reading for anyone attempting to understand U.S. militarism in the 21st century.”
Coming from Rutgers University Press, also in March, Katherine Chandler‘s Unmanning: how humans, machines and media perform drone warfare:
Unmanning studies the conditions that create unmanned platforms in the United States through a genealogy of experimental, pilotless planes flown between 1936 and 1992. Characteristics often attributed to the drone—including machine-like control, enmity and remoteness—are achieved by displacements between humans and machines that shape a mediated theater of war. Rather than primarily treating the drone as a result of the war on terror, this book examines contemporary targeted killing through a series of failed experiments to develop unmanned flight in the twentieth century. The human, machine and media parts of drone aircraft are organized to make an ostensibly not human framework for war that disavows its political underpinnings as technological advance. These experiments are tied to histories of global control, cybernetics, racism and colonialism. Drone crashes and failures call attention to the significance of human action in making technopolitics that comes to be opposed to “man” and the paradoxes at their basis.
2 American Kamikaze
4 Buffalo Hunter
Conclusion Nobody’s Perfect
Coming from Oxford University Press in May/June, Michael J. Boyle‘s The Drone Age: how drone technology will change war and peace:
Over the last decade, the rapid pace of innovation with drone technology has led to dozens of new and innovative commercial and scientific applications, from Amazon drone deliveries to the patrolling of national parks with drones. But what is less understood is how the spread of unmanned
technology will change the patterns of war and peace in the future. Will the use of drones produce a more stable world or will it lead to more conflict? Will drones gradually replace humans on the battlefield or will they empower soldiers to act more precisely, and humanely, in crisis situations? How will drones change surveillance around the world and at home?
This book examines how unmanned technology alters the decision-making and risk calculus of its users both on and off the battlefield. It shows that the introduction of drones changes the dynamics of wars, humanitarian crises and peacekeeping missions, empowering some actors while making others more vulnerable to surveillance and even attack. The spread of drones is also reordering geopolitical fault lines and providing new ways for states to test the nerves and strategic commitments of their rivals. Drones are also allowing terrorist groups like the Islamic State to take to the skies and to level the playing field against their enemies. Across the world, the low financial cost of drones and the reduced risks faced by pilots is making drone technology an essential tool for militaries, peacekeeping forces, and even private companies. From large surveillance drones to insect-like micro-drones, unmanned technology is revolutionizing the way that states and non-state actors compete with each other and is providing game-changing benefits to those who can most rapidly adapt unmanned technology to their own purposes.
An essential guide to a potentially disruptive force in modern world politics, The Drone Age shows how the mastery of drone technology will become central to the ways that governments and non-state actors seek power and influence in the coming decades.
Chapter 1: The Drone Age
Chapter 2: Automated Warfare
Chapter 3: Death from Above
Chapter 4: Eyes in the Sky
Chapter 5: Terrorist Drones
Chapter 6: The All-Seeing Drone
Chapter 7: Dull, Dirty and Dangerous
Chapter 8: The New Race
Chapter 9: The Future