Noises off

Good Kill

Matt Gallagher has an excellent double review of George Brant‘s play Grounded and Andrew Niccol‘s film Good Kill at The Intercept here:

‘[B]oth leave viewers with only keyhole snippets, stories of American homefront trauma with little reckoning of life on the receiving end of the unmanned aerial campaigns…

As Americans funding the largest war machine the world has ever known, it’s not just about us, even when we’re the ones pulling the trigger on the ground or pressing the joystick in Nevada. It’s also about them, because they are the ones living with the consequences of what our post-9/11 wars have wrought. Perhaps ironically, perhaps not, recent creative work produced by veterans of Iraq and Afghanistan, such as Maurice DeCaul’s play Dijla Wal Furat and Elliot Ackerman’s novel Green on Blue, recognize this. We’re well past time the rest of America recognizes it, too.’

As I’ve noted before, ‘popular culture continues to be preoccupied with what happens in Nevada – and what happens on the ground is left shrouded in so many shades of grey.’

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If you’re wondering about Matt’s recommendations (he is the author of Kaboom: embracing the suck in a savage little war, incidentally), then you can find discussion and reviews of Dijla Wal Furat: between the Tigris and the Euphrates (which had its premiere in February) here, here and here, and Green on Blue here and (especially) here.

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