No Safe Place

PHR Gaza 2014

Physicians for Human Rights has published a ‘First Experts’ report on Israel’s military assault on Gaza last summer, Gaza 2014: No Safe Place.  It provides a much more detailed accounting of the attacks on the medical infrastructure of Gaza than I was able to do in Gaza 101 and subsequent posts.  Here is PHR’s description of the mission:

On 8 July 2014, Israel initiated a military offensive in the Gaza Strip. Although accounts vary, most estimates put the number of residents of Gaza killed in the 50-day armed conflict at over 2,100, of whom at least 70% were civilians, including over 500 children. Over 11,000 were wounded and over 100,000 made homeless. According to Israeli official accounts, 73 Israelis were killed: 67 soldiers and 6 civilians, including one child and one migrant worker. 469 soldiers and 255 civilians were wounded.

Questions arose regarding violations of international human rights and humanitarian law in the course of the conflict. In July 2014, following discussions with Al-Mezan, Physicians for Human Rights-Israel (PHR-Israel) commissioned a fact-finding mission (hereafter ‘FFM’) to Gaza, whose aim was to gather evidence and draw preliminary conclusions regarding types, causes and patterns of injuries and attacks; attacks on medical teams and facilities; evacuation; impact of the conflict on the healthcare system; and longer-term issues including rehabilitation of the wounded, mental health, public health and displacement.

PHR-Israel recruited 8 independent international medical experts, unaffiliated with Israeli or Palestinian parties involved in the conflict: four with special expertise in the fields of forensic medicine and pathology; and four experts in emergency medicine, public health, paediatrics and paediatric intensive care, and health and human rights.

The team made three visits to Gaza between August and November last year:

Meetings and site visits were held in medical facilities and in the community, and included interviews with victims, witnesses, healthcare professionals and human rights workers, officials from the Gaza Ministries of Health and Justice, and representatives of international health organisations in Gaza and the West Bank. Wherever possible, forensic, medical and other material evidence was collected to support oral testimonies.

They interviewed 68 patients, and the chart below (from p. 36 of the report) explains why there was indeed ‘no safe place’ in Gaza.  As I argued previously, the Israeli military turned Gaza into a vast death zone extending far beyond the so-called ‘restricted areas’:

Location of incident leading to patient's injury PNG

Here are the summary conclusions from the report [the emphases are mine]:

The attacks were characterised by heavy and unpredictable bombardments of civilian neighbourhoods in a manner that failed to discriminate between legitimate targets and protected populations and caused widespread destruction of homes and civilian property. Such indiscriminate attacks, by aircraft, drones, artillery, tanks and gunships, were unlikely to have been the result of decisions made by individual soldiers or commanders; they must have entailed approval from top-level decision-makers in the Israeli military and/or government.

The initiators of the attacks, despite giving some prior warnings of these attacks, failed to take the requisite precautions that would effectively enable the safe evacuation of the civilian population, including provision of safe spaces and routes. As a result, there was no guaranteed safe space in the Gaza Strip, nor were there any safe escape routes from it.

In numerous cases double or multiple consecutive strikes on a single location [double tap] led to multiple civilian casualties and to injuries and deaths among rescuers.

Coordination of medical evacuation was often denied and many attacks on medical teams and facilities were reported. It is not clear whether such contravention of medical neutrality was the result of a policy established by senior decision-makers, a general permissive atmosphere leading to the flouting of norms, or the result of individual choices made on the ground during armed clashes.

In Khuza’a, the reported conduct of specific troops in the area is indicative of additional serious violations of international human rights and humanitarian law.

Ha’aretz‘s English-language coverage of the report is here.

Freedom fries, anyone?

Three more contributions to the Charlie Hebdo debate to think about.  The first is from Pankaj Mishra at the Guardian.  Not sure about his call for a ‘new Enlightenment’ – though there was certainly much wrong with the old one – but it’s a luminously (sic) intelligent argument.  He writes about ‘a profound clash – not between civilisations, or the left and the right, but a clash of old and new visions of the world in the space we call the west, which is increasingly diverse, unequal and volatile.’

It is not just secular, second-generation immigrant novelists [Hari Kunzru, Laila Lalami and Teju Cole] who express unease over the unprecedented, quasi-ideological nature of the consensus glorifying Charlie Hebdo’s mockery of Islam and Muslims. Some Muslim schoolchildren in France refused to observe the minute-long silence for the victims of the attack on Charlie Hebdo mandated by French authorities.

It seems worthwhile to reflect, without recourse to the clash of civilisations discourse, on the reasons behind these striking harmonies and discords. Hannah Arendt anticipated them when she wrote that “for the first time in history, all peoples on earth have a common present … Every country has become the almost immediate neighbour of every other country, and every man feels the shock of events which take place at the other end of the globe.” Indeed, it may be imperative to explore this negative solidarity of mankind – a state of global existence in which people from different pasts find themselves thrown together in a common present.’

Construction of Statue of Liberty in Paris.comI think that’s right, which is why I’m disconcerted by Pankaj’s focus on Europe; I certainly don’t think the murders in Paris can be assimilated to ‘an assault on American values’ (far from it), but the complicated and often confounding relations between the two republics need excavation too.  They go back far beyond the gift of the Statue of Liberty to the US in the 1880s – I discussed this in what is still my favourite chapter in Geographical Imaginations – and reach forward to include the double, displaced misadventures in Indochina (not least the conviction that the US would sort out Vietnam after France had failed to do) and, still more proximately, France’s refusal to support the US-led invasion of Iraq (“freedom fries“, anyone?).

NIVAT Bagdad zone rougePankaj is simply brilliant on the ghosts of the colonial past, as you would expect, and they reappear in a different spectral guise in a short essay by Anne Nivat at Warscapes.  She provided some of the most reflective reporting from occupied Iraq (see her Bagdad, zone rouge), and in ‘Charlie Hebdo and the Boomerang Effect’ she mines that rich vein of experience to reflect on the knee-jerk responses to the murders in Paris:

In a democracy, one has the privilege of freedom of expression, and it is in the name of this that, for years, I have been traveling to the lands of “Islamist” wars.

For some time, I have been amazed, and even hurt, to hear friendly voices claim not to understand why I continue to give the floor to “the other side”; to those who make us afraid; to the “bad guy”; the “barbarian”; the “jihadist”; the Taliban; the “Islamic fighters” – the ones our allies have sought out to fight, or to “bump off in the outhouse,” as Russian President Vladimir Putin so elegantly put it in 2000 in reference to Chechen separatist fighters (Western military and political leaders typically use less violent vocabulary, but the meaning remains the same).

I regret that the attempts to know the “enemy” – my work, and others’ – have not been sufficient, as evidenced by the onslaught of hate on social networks.

And at the same site Andrew Ryder explores the multiform versions of ‘hate’ in ‘Charlie Hebdo and the limits of nihilism’.  He maps the gavotte between iconoclasm and nationalism and in so doing returns us to the figure of the Republic and to the dilemmas exposed by Pankaj Mishra.

Three years ago, [the editor of Charlie Hebdo] said, “If we say to religion, ‘You are untouchable,’ we’re fucked.” His idea was that no religion should be free from mockery, because to allow this is to permit the continuing subjugation of human freedom by religious superstition…

However, Charb also said, that same year, “I don’t blame Muslims for not laughing at our drawings. I live under French law. I don’t live under Koranic law.” This is the point where this apparent commitment to freedom actually masks French nationalism. What he is really saying, whether he was conscious of it or not, is that traditional French secularism, the products of a distinct national revolutionary tradition, should take absolute precedence over the values of immigrants. The secularism takes the shape of social chauvinism. In this context, it’s no longer a progressive contribution to the liberation of human beings. The apparent irreverence is bound to a greater advocacy of European heritage over the cultural character of the immigrants who now comprise such a large part of its society, and who were traditionally colonized and exploited by the ostensibly progressive and liberal nations whose secular values are then rhapsodized… [T]his complicity with racism was probably unrecognizable to him. We can see this today in the irony of the French right, paying homage to a magazine that hated them.

Torture and raison d’état

statue-of-liberty-waterboardingMelanie Richter-Montpetit has an essay at The disorder of things, ‘Why Torture When Torture Does Not Work? Orientalism, Anti-Blackness and the Persistence of White Terror‘, which repays careful reading.

[L]ocating the findings of the Senate Torture Report within the racial-sexual grammars of chattel slavery and its afterlife opens up our analyses beyond explanatory and moral frameworks such as failed intelligence-gathering, “state of exception” or “human rights abuses” towards a more comprehensive understanding of seemingly illiberal security practices in the War on Terror. This genealogy indicates the fundamental role and value of force for the consolidation of the sovereign authority of the U.S. settler imperial formation ‘at home’ and abroad, and suggests the stubborn persistence of certain racial-sexual grammars of legitimate violence and suffering in this age of “post-racial triumph.” For “[w]ithout the capacity to inspire terror, whiteness no longer signifies the right to dominate.”

The immediate provocation for her essay, which is rooted in her recent York PhD thesis Beyond the Erotics of Orientalism: Homeland Security, Liberal War and the Pacification of the Global Frontier, was the Senate Torture Report (see my earlier post on ‘Tortured geographies’ here).

GTMO Statue of LibertyAt Just Security Jameel Jaffer has a brief, important post about the release of these documents – and, crucially, the Obama administration’s attempt to prevent the publication of photographs documenting the abuse of detainees at US military facilities – that loops back to the debate over the Charlie Hebdo cartoons.  He argues that it is at the very least ironic that some of the same voices calling for the freedom to publish cartoons whatever their consequences are now demanding the suppression of other images ‘because of the possibility that their release will provoke violence’…

And speaking of violence and torture in the global war prison, Mohamedou Ould Slahi‘s Guantanamo Diary, which is being serialised in the Guardian and was published in book form earlier this week, provides more evidence of its routinised, banalised practice.

Slahi Unclassified Manuscript scan

Slahi is still incarcerated at Guantanamo even though he was approved for release in 2010.  Spencer Ackerman reports:

Slahi’s manuscript was subjected to more than 2,500 redactions before declassification, ostensibly to protect classified information, but with the effect of preventing readers from learning the full story of his ordeal. The book is being published with all the censor’s marks in place, and the publishers – Canongate in the UK and Little, Brown in the US – hope they will be able to publish an uncensored edition when Slahi is eventually released.

The full manuscript is available here.  You can find Tim Stanley‘s review at the Telegraph here (‘a necessary book’ that ‘reminds us that the evil we’re fighting can be found in ourselves as well as in our enemies’), Mark Danner‘s extended review at the New York Times here (‘Slahi’s memoirs are filled with numbingly absurd exchanges that could have been lifted whole cloth from “The Trial”’), and Deborah Perlstein‘s review at the Washington Post here (‘Slahi’s descriptions of … torture are the book’s most compelling, and difficult, passages [and] … are closely consistent with descriptions in official investigations of the treatment of other U.S.-held detainees’.)

In the face of these horrors, it’s necessary to consider this blunt reminder from Peter Beinart:

Torture, declared President Obama … in response to the newly released Senate report on CIA interrogation, is “contrary to who we are.” Maine Senator Angus King added that, “This is not America. This is not who we are.” According to Kentucky Congressman John Yarmuth, “We are better than this.”

No, actually, we’re not. There’s something bizarre about responding to a 600-page document detailing systematic U.S. government torture by declaring that the real America—the one with good values—does not torture. It’s exoneration masquerading as outrage. Imagine someone beating you up and then, when confronted with the evidence, declaring that “I’m not really like that” or “that wasn’t the real me.” Your response is likely to be some variant of: “It sure as hell seemed like you when your fist was slamming into my nose.” A country, like a person, is what it does.

And in the face of evasion and denial – and redaction and suppression – here is Chase Madar from February’s Bookforum:

Though the [Senate] report has blacked out the names of the torturers, refusing even to use pseudonyms, torture watchers have been able to identify one of the agents, a model for Maya in Zero Dark Thirty. Her record of malfeasance, misrepresentation, incompetence, and gratuitous participation in waterboarding was blisteringly detailed by NBC News and [Jane Mayer at] the New Yorker, though neither outlet would name her. But far from being sanctioned or even demoted, she has risen to the civilian-rank equivalent of general inside the CIA. She has, unbelievably, served as the recent head of the agency’s “global jihad unit.”

It’s tempting to compare this to Latin American–style police impunity, but that would be unfair to the societies that have punished at least some of the abuses of their past dictatorships. In the same week that the SSCI released its report, Brazil published its own investigation into state torture of political dissidents under its long dictatorship. Indeed, one of that torture regime’s victims, Dilma Rousseff, is now the head of state. Latin American nations have been chipping away at, or simply ignoring, the amnesty deals made with the authoritarian rulers of the ’70s and ’80s and have brought many of their torturers to justice.

The United States would face a very different reckoning with its record of torture, should it elect to take a genuine, closer look at it. In our case, the impact of torture has largely been muffled by the military adventurism that has underwritten it…

Divided societies and connected spaces

Following my last post, Mustafa Dikeç has sent me a link to his brilliant reflections on ‘Hate’ at the Society & Space website here.  Written from Paris, it takes us to the heart of modern French society and its divided spaces:

DIKEÇ Badlands… if we are troubled about what has happened, troubled enough to take a hard look at, rather than falling in love with, ourselves, then it is important to inquire about the conditions that made such a mobilisation of hate possible. In the highly emotional aftermath of the incidents, it is hard not to feel moved by the extraordinary mobilisation of citizens. Newspapers are full of comments about how proud we should be as French citizens, how a united and solidaristic people we are, how the spirit of May 1968 continues despite the attack on its inheritors, how we value equality and freedom of expression, and so on. If all were nice and dandy, then what made such radicalisation of these three French-born and raised citizens possible? Why, a decade ago, did 300 cities go up in flames for two weeks, and what has been done since? How is it that the extreme right has become the second major political force in this land of freedom, equality and fraternity? …

This is not at all to suggest that the murderers’ actions can be justified by the circumstances. But to warn that despite the timely and admirable display of unity under an alleged one and indivisible republic, the French society is deeply divided, owing to its long history of discrimination and the increasing hostility towards immigrants – a poisonous mix of xenophobia and Islamophobia that several French politicians, endowed with the authority of the state, have unashamedly mobilised for their political ends. Muslims are the most stigmatised group of this divided society, spared neither by satire nor political discourse and action.

thursdaytoonMustafa’s essay begins not with the murders in Paris but with a bomb explosion in Yemen, and a second e-mail from Tim Raeymaekers has alerted me to his equally indispensable post ‘”Us” against “Them”‘ over at Liminal Geographies here.  Tim moves in the opposite direction to Mustafa, zooming out above the arc of that explosion to provide a contrapuntal geography that reads the murders in Paris in concert with the global violence of contemporary wars, most of them fought under the tattered banners of counter-terrorism, undeclared in their particulars and less than covert in their killing.  He ends with this reminder from Teju Cole‘s incandescent essay on ‘Unmournable bodies’ at the New Yorker:

BUTLER Precarious LifeFrance is in sorrow today, and will be for many weeks to come. We mourn with France. We ought to.

But it is also true that violence from “our” side continues unabated. By this time next month, in all likelihood, many more “young men of military age” and many others, neither young nor male, will have been killed by U.S. drone strikes in Pakistan and elsewhere. If past strikes are anything to go by, many of these people will be innocent of wrongdoing. Their deaths will be considered as natural and incontestable as deaths like Menocchio’s, under the Inquisition. Those of us who are writers will not consider our pencils broken by such killings. But that incontestability, that unmournability, just as much as the massacre in Paris, is the clear and present danger to our collective liberté.

Je ne suis pas Charlie

Once you decide you want to engage with audiences beyond the academy – one of my reasons for starting this blog, which also spirals in to my presentations and (I hope) my other writing – you run the risk of accepting invitations to comment on issues that lie far beyond your competence.  Even supposed ‘experts’ can be caught out, of course: think of  Steven Emerson‘s extraordinary claim earlier this week on Fox News (where else?) that in the UK ‘there are actual cities like Birmingham that are totally Muslim where non-Muslims just simply don’t go in…’  Emerson is the founder and Executive Director of the Investigative Project on Terrorism, and ‘is considered one of the leading authorities on Islamic extremist networks, financing and operations’ – or so he says on his website – and he subsequently apologised for his ‘inexcusable error’.

Emerson was being interviewed as part of Fox News’s continuing coverage of the murders at the office of Charlie Hebdo and a kosher supermarket in Paris on 7 January, and specifically about the supposed proliferation of what he called ‘no-go zones … throughout Europe’.

A good rule is to treat areas you know nothing about as ‘no-go zones’ until you’ve done the necessary research.

Academics need to take that seriously too, especially as universities become ever busier pumping up their public affairs, boosting their media profiles and offering journalists ready access to the specialised knowledge of their faculty.  Don’t get me wrong: I believe passionately in the importance of public geography, especially with a little g, and I also understand how producers and journalists racing to meet a deadline need talking heads.  But we need to be careful about the simulation of expertise.

This is, in part, why I haven’t said anything so far about the murders in Paris.  But on Thursday I was invited to lead a lunch-time discussion about them at the Peter Wall Institute for Advanced Studies; one of the many wonderful things about the place is the trust that emerges out of a commitment to the irredeemably social nature of intellectual work, and so – beyond the cameras, the microphones and the notebooks – I tried to sort out what I had been reading and thinking.    In many ways, it was an extended riff on Joe Sacco‘s cartoon that appeared in the Guardian just two days after the attacks (if you want to know the reactions of Arab cartoonists, then see Jonathan Guyer here and here):

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My starting-points were provided by The colonial present.  First, many commentators have suggested that the attacks were ‘France’s 9/11’; Le Monde‘s banner headline declared emphatically ‘Le 11 Septembre Français’.

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I think this absurd for many reasons, but there are several senses in which the comparison is worth pursuing, particularly if we focus on the response to the attacks in New York and Paris.  Both events, or more accurately television and video feeds of the developing situations, were relayed to watching audiences in real time.  This sense of immediacy is important, because it says something about the ways in which viewers were drawn in to the visual field and interpellated as subjects who were enjoined to respond – and crucially to feel – in particular ways.

Since this is emphatically not what Dominique Moisi, author of The geopolitics of emotion, had in mind when he insisted that ‘the attacks in Paris and in New York share the same essence’, that both cities ‘incarnate a similar universal dream’ of ‘light and freedom’, perhaps a different comparison will clarify what I mean.  Think of the killing of hundreds, even thousands of people by Boko Haram in Baga in northern Nigeria two weeks ago; reports began to appear in Europe and North America just one day after the murders in Paris, but the focus on France remained relentless.  There were surely many reasons for that (see Maeve Shearlaw‘s discussion here and Samira Sawlani‘s here), but the contrast between the live feeds from Paris and the scattered, inchoate and verbal reports from Baga is part of it – particularly when you realise that the scale of that distant atrocity was eventually  ‘laid bare’, as the Guardian put it, by satellite photographs released by Amnesty International showing more than 3,000 houses (‘structures’) burned or razed in Baga and Doron Baga.  For all the importance of surveillant witnessing in otherwise difficult to reach locations, the distance between bodies and buildings, an ordinary camera and a satellite, and live television and static imagery is telling, and sustains an affective geopolitics that is at once divided and divisive.

(Imagery is important to the Paris attacks in another sense too: when the murderers stormed in to the offices of Charlie Hebdo the focus of their rage was a series of cartoons mocking Mohammed – but they were radicalised by quite other documentary images, including coverage of the wars in Iraq and photographs showing the atrocities committed by American troops in Abu Ghraib: see here and here, and look at Joe Sacco’s cartoon again).

My second borrowing from The colonial present was a re-borrowing of Terry Eagleton‘s spirited invocation of ‘the terrible twins’, amnesia and nostalgia: ‘the inability to remember and the incapacity to do anything else’.  In the book I suggested that these are given a special significance within the colonial memory theatre, where the violence of colonialism is repressed and replaced by a yearning for the culture of domination and deference that it sought to instill.   And in much (fortunately not all) of the commentary on the Paris attacks, France’s colonial past has been effaced.  But here is Tim Stanley writing in the Telegraph:

The ability of a society to forget its recent past is like the amnesia that follows an accident – the body’s way of protecting itself against trauma. Yet in the 1950s and 1960s, as France tried to cling on to its African colonial possessions, political violence was far more common than today. Muslim Algerian nationalists (their race and religion regarded as interchangeable by the French) bombed the mainland, assassinated officials and killed colonialists en masse. The reaction of the state was shocking. In 1961, 12,000 Algerian immigrants were arrested in Paris and held in a football stadium [and at other sites: see the map below]. Many were tortured; more than a hundred disappeared. For days, bodies were found floating in the Seine.

Carte.ParisAlgerie1961Bis

EINAUDI Bataille de ParisYou can find more on the events of 17 October 1961 – on the arrests, torture and summary executions following a mass rally to protest against a curfew imposed on Algerians in Paris – here and here, but the definitive account remains Jean-Luc Einaudi‘s Bataille de Paris (1991).

DIKEÇ BadlandsThis is but one episode in a violent and immensely troubled colonial history.  To point to this past – as Robert Fisk also did, in much more detail, in the Independent – is to loop back to 9/11 again, when attempts to provide similar contextual explanations were dismissed (or worse) as ‘exoneration’.  To be sure, one must be careful: although Chérif and Said Kouachi were the Paris-born sons of Algerian immigrants, Arthur Asseraf is right to reject attempts to draw a straight line between violence in the past and violence in the present.  But can the continued marginalisation of Muslims in metropolitan France, particularly young men in Paris’s banlieus, be ignored?  (Here there is no better place to start than Mustafa Dikeç‘s work, especially Badlands of the Republic).  Doesn’t it matter that more than 60 per cent of prisoners in French jails are Muslims? For the Economist all this means is that jihadists ‘share lives of crime and violence‘ so that structural violence disappears from view, but Tithe Bhattacharya provides a different answer in which the ghosts of a colonial past continue to haunt the colonial present.

And doesn’t the responsive assertion of a ‘freedom of expression’ that is, again, highly particularistic seek to absolutize a nominally public sphere whose exclusions would have been only too familiar to France’s colonial subjects?  Ghasan Hage reads its triumphalist restatement in the aftermath of the Paris murders as a colonial narcissism – a sort of colonial nostalgia through the looking-glass – fixated on what he calls a strategy of ‘phallic distinction’ in which ‘freedom of expression’ is flashed at radicalised Muslims to tell them: ‘look what we have and you haven’t, or at best yours is very small compared to ours.’  (And whose governments have done so much to prop up authoritarian regimes in the Arab world and beyond that thrive on the suppression and punishment of free speech?)

There are, as Joe Sacco’s cartoon makes clear, real limitations on what can be said or shown in France too, including how somebody can present themselves in public – think of the arguments over the veil and the headscarf.  There are also limitations elsewhere in the world, of course, which is why the sacularisation of Charlie Hebdo and, in particular, the march in Paris on 11 January seemingly headed by politicians from around the world, arm in arm (in some cases arms in arms would be more accurate), processing down the Boulevard Voltaire (symbolism is everything), was a scene that, as Seumas Milne noted, was beyond satire:

from Nato war leaders and Israel’s Binyamin Netanyahu to Jordan’s King Abdullah and Egypt’s foreign minister, who between them have jailed, killed and flogged any number of journalists while staging massacres and interventions that have left hundreds of thousands dead, bombing TV stations from Serbia to Afghanistan as they go.

True enough, but here too appearance is everything: the photograph was artfully staged (even before one ‘newspaper’ airbrushed the women from the frame) and took place in an otherwise empty side-street.

Paris photo-op PNG

If I can make one last nod to The colonial present, not surprisingly many of these politicians have also used the murders to justify the continued violence of the wars being fought in the shadows of 9/11; if you are in the mood to reverse the looking-glass, then Markha Valenta‘s sobering reflection at Open Democracy is indispensable:

[E]verything that might be said about revolutionary Islamist movements – when it comes to global violence – could be said about global Americanism and US foreign policy. It has been ruthless, cruel, illiberal, anti-democratic. It has wreaked havoc, killed innocents, raped women, men and youths, tortured viciously, violated the rule of law and continues to do so…

It does so in our name. In the name of democracy. And those who expose this … are shut up ruthlessly, cruelly and in ways designed to degrade. (Yet we did not march then.)

This matters because it clarifies what our condition is today, the condition under which last week’s violence took place: an extended and expanding global war between those who claim the right to intervention, brutality and terror in the name of democracy and those who do so in the name of Islam.

No less predictably, one of the immediate and dismally common responses to the murders, amidst the clamour for freedom of speech, was a renewed call for more state surveillance and regulation.  As Teju Cole wrote in the New Yorker,

The only person in prison for the C.I.A.’s abominable torture regime is John Kiriakou, the whistle-blower. Edward Snowden is a hunted man for divulging information about mass surveillance. Chelsea Manning is serving a thirty-five-year sentence for her role in WikiLeaks. They, too, are blasphemers, but they have not been universally valorized, as have the cartoonists of Charlie Hebdo.

But it’s not only politicians who are guilty of appropriation.  Putting on one (far) side the extraordinary attempts to turn “Je suis Charlie” to commercial account – to ‘trademark the tragedy and its most resonant refrain‘ – there are other, less venal and more complicated appropriations.

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Heat map of #jesuischarlie hashtag; animation is available here

So back to the looking-glass.  You might think that “Je suis Charlie” is an affirmative gesture born of anger and horror but also of sympathy and compassion, a simple human reflex that has become virtually commonplace – comparable to, say, “We are all Palestinians“.  That was my first thought too. But the trouble is that such a rhetorical claim comes with a lot of baggage.  David Palumbo-liu suggests that  “I am Charlie” can be an assertion of empathy, solidarity or identification.  Even empathy is far from straightforward – why do we extend our fellow feeling to these people and not those? – but, as he shows, the other two progressively raise the stakes.    Sarah Keenan and Nadine El-enany wire this to appropriation with exquisite clarity in a short essay at Critical Legal Thinking:

The #JesuisCharlie hashtag and its social media strategy of solidarity through identification with the victim is … an appropriation of what was a creative and subversive tool for fighting structural violence and racist oppression, perhaps most famously in the “I am Trayvon Martin” campaign. When young black men stood up and said “I am Trayvon Martin”, they were demonstrating the persistent and deeply entrenched demonisation of black men which not only sees them killed in the street on their way to the local shop, but also deems their killers innocent of any wrongdoing. When predominantly white people in France and around the world declare “Je Suis Charlie”, they are not coming together as fellow members of a structurally oppressed and marginalised community regularly subjected to violence, poverty, harassment and hatred. Rather, they are banding together as members of the majority, as individuals whose identification with Charlie Hebdo, however well-​meaning, serves to reproduce the very structures of oppression, marginalisation and demonisation that allowed the magazine’s most offensive images to be consumed and celebrated in the first place.

As the invocations of Voltaire should have demonstrated, there is a substantial difference between defending the right to draw a cartoon and celebrating what is drawn.  Too many commentators clearly want to elide the difference, but there is another distinction to be made too.  A Muslim friend who lives in Paris was distraught at the murders, but when he heard the calls for the cartoons to be re-published immediately after the killings he told me he felt brutalised all over again.  Those who made such demands, who casually sneered at the ‘cowardice’ of those who failed to comply, either forgot or chose to ignore the existence of a far, far larger Muslim audience than the terrorists against whom they vented their spleen: or, still worse, it never occurred to them that there is a difference between the two.

So: je ne suis pas Charlie; I think I’d rather ‘be’ Joe.

***

I am grateful to my friends and colleagues who helped me think through these issues – I realise there’s a lot more thinking to be done, so please treat this as a first, fumbling attempt – and to Jaimie.

‘That others may die’

As I am (at last) moving into the finishing stages of my ‘Dirty Dancing’ essay on CIA-directed drone strikes in Pakistan’s Federally Administered Tribal Areas, it’s time to round up some of the latest work on drones and civilian casualties across multiple theatres.

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First, Afghanistan: the principal theatre of US remote operations.  I’ve noted Larry Lewis‘s remarkable work before (here and here), based on classified sources, and in particular this claim (see also here):

Drone strikes in Afghanistan were seen to have close to the same number of civilian casualties per incident as manned aircraft, and were an order of magnitude more likely to result in civilian casualties per engagement.

usaf_mq_9_reaper_1024x1024As I said at the time, the distinction between an ‘incident’ and an ‘engagement’ is crucial, though most commentators who have seized on Larry’s work have ignored it and focused on the dramatic difference in civilian casualties per engagement. Despite my best efforts, the Pentagon were unwilling to clarify the difference, so here is what Larry himself has told me:

An engagement is probably intuitively what you would expect – the use of force against a target. The distinction is the term incident, which is borrowed from ISAF definitions. I should have said “civilian casualty incident.” This refers to an engagement that results in civilian casualties.

This means that, if you look at the collection of civilian casualty incidents, the average number of civilian casualties is close to the same for manned and unmanned platforms. At the same time, the rate of civilian casualties for the two platforms is markedly different, with unmanned platforms being ten times more likely to cause civilian casualties than manned platforms. That doesn’t mean that drones caused more civilian casualties than manned aircraft, by the way, since the denominators (number of engagements of manned aircraft versus drones) can and in fact were very different. But it does suggest that the relative risk of civilian casualties was higher for one kind of platform versus the other.

And this is in the specific context of Afghanistan and for a specific time. I wouldn’t want to say that this specific rate would be repeated, necessarily. Yet there were certain risk factors I observed in the civilian casualty incidents that I would expect to continue to be factors unless steps were taken to mitigate them.

Larry’s most recent report, Improving lethal action: learning and adapting in US Counterterrorism Operations, is available here.  It includes an analysis of the Uruzgan air strike that is central to my ‘Angry Eyes’ essay (next on my to-do list).

[The short clip above is from Baden Pailthorpe‘s stunning animation MQ-9 Reaper (That Others May Die) (2014) – you can find much more here]

You might think that all of this is now of historical interest since President Obama has declared the end of the Afghanistan war.  Not so.  Here is John Knefel writing in Rolling Stone this week:

Though many Americans may not have realized it, December 28th marked what the U.S. government called the official end of the war in Afghanistan. That war has been the longest in U.S. history – but despite the new announcement that the formal conflict is over, America’s war there is far from finished. In fact, the Obama administration still considers the Afghan theater an area of active hostilities, according to an email from a senior administration official – and therefore exempts it from the stricter drone and targeted killing guidelines the president announced at a major speech at the National Defense University in 2013.

“Afghanistan will continue to be considered an ‘area of active hostilities’ in 2015,” the official tells RS. “The PPG does not apply to areas of active hostilities.” (PPG stands for Presidential Policy Guidelines, the formal name for the heightened drone rules.)

That perplexing distinction – that formal combat operations are over but that the U.S. still remains in an armed conflict – in many ways exemplifies the lasting legacy of Obama’s foreign policy.

If you assume the situation in Pakistan is somehow less ambiguous, read Ryan Goodman on ‘areas of active hostilities’ over at Just Security here (I’m having to sort all this out for ‘Dirty Dancing’, of course).

Second, the Bureau of Investigative Journalism has released its end-of-year report on US drone strikes in Pakistan, Yemen and Somalia in 2014, which includes these tabulations of casualty rates for the first two countries:

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cas-rate-yemen-02-14

The Bureau comments:

While there have been more strikes [in Pakistan] in the past six years, the casualty rate has been lower under Obama than under his predecessor. The CIA killed eight people, on average, per strike during the Bush years. Under Obama, it is less than six. The civilian casualty rate is lower too – more than three civilians were reported killed per strike during the past presidency. Under Obama, less than one.  There were no confirmed civilian casualties in Pakistan in the past year, as in 2013….

The frequency of strikes [in Yemen] may have fallen in 2014 but more people were killed, on average, per strike than in any previous year.  The casualty rate for last year even outstrips 2012 – the bloodiest year recorded in the US’s drone campaign in Yemen when at least 173 people were reported killed in 29 strikes. In 2014 at least 82 people were reported to have died in just 13 strikes.

You can find the Long War Journal‘s tabulations for Pakistan here and Yemen here.

unammed-rogershillThird, Israel.  I’ve commented previously on an interview with an Israeli drone pilot, but it’s been difficult to put his observations in context (though see here and scroll down to the tabulations). Now Ann Rogers, who wrote Unmanned: drone warfare and global security (Pluto, 2014) with John Hill – as good an introduction to drone wars as you will find – has just released an essay on ‘Investigating the Relationship Between Drone Warfare and Civilian Casualties in Gaza‘.  It’s in a special issue of the open-access Journal of Strategic Security 7 (4) (2014) on ‘Future challenges in drone geopolitics’.  Here’s the abstract:

Unmanned aerial vehicles (UAVs), better known as drones, are increasingly touted as ‘humanitarian’ weapons that contribute positively to fighting just wars and saving innocent lives. At the same time, civilian casualties have become the most visible and criticized aspect of drone warfare. It is argued here that drones contribute to civilian casualties not in spite of, but because of, their unique attributes. They greatly extend war across time and space, pulling more potential threats and targets into play over long periods, and because they are low-risk and highly accurate, they are more likely to be used. The assumption that drones save lives obscures a new turn in strategic thinking that sees states such as Israel and the US rely on large numbers of small, highly discriminating attacks applied over time to achieve their objectives. This examination of Israel’s 2014 war in Gaza argues that civilian casualties are not an unexpected or unintended consequence of drone warfare, but an entirely predictable outcome.

Drone-flying-above-me-Friday-afternoon-400-x-300It’s an interesting essay, but I fear that it takes the Israeli military at its word.  Ann repeatedly refers to Israel’s ‘discriminating’ targeting:

‘The central point is that drones enabled the IDF to undertake detailed, extensive, and discriminating targeting of Gaza, before and during the actual fighting. The killing of civilians may be down to differing interpretations of military necessity, or in some cases, in how combatants and non-combatants are distinguished from one another. But it is the drone gaze that enables these targets to be ‘called into being’ (p. 102)…

‘As Israeli targeting of Gaza appears to have been highly discriminating, a more serious problem may lie in how its view of legitimate attacks differs from the global “norm.” (p. 104).’

I commented on Israeli attacks on hospitals and ambulances last summer here, here and here, and on the wholesale destruction of  Gaza here and here, so I confess I am at a loss for words.  But she is right to emphasise the operative power of international humanitarian law and its protocols of distinction (discrimination) and proportionality – though, as often as not, these seem to have been inoperative in anything other than a rhetorical sense.  For much more on this, and the way in which military lawyers are incorporated into Israel’s kill-chains, you should click across to Craig Jones‘s War, Law and Space.  All of which makes the Palestinian decision to seek membership of the International Criminal Court all the more important (there’s a good commentary on the wider legal issues by David Luban at Jus Security here and by a clutch of commentators at the Middle East Research and Information Project‘s blog here).  Perhaps not surprisingly, Daniel Reisner, the former head of the Israeli military’s International Law Department, has condemned the Palestinian application as ‘a belligerent act within the framework of the non-physical and kinetic world of lawfare.’

Finally, the US-led air strikes on IS/ISIL targets in Iraq and Syria.  Here we know much less than we should, not least because the Pentagon knows much less than it should.  Here is Nancy Youssef reporting earlier this week:

In a war fought largely from the air and in places no one can safely go, the impact is as opaque as the war itself, making it difficult to measure whether the U.S. and coalition effort is working.

“We don’t have the ability to count the nose of every guy we schwack,” as Pentagon spokesman Adm. John Kirby told reporters Tuesday, using military jargon [sic] for killing. “That’s not the goal.”

Presumably, that also means the Pentagon can’t count how many civilians it has accidentally killed in the name of ridding the region of ISIS.

Drone Wars UK has an excellent survey of the logistics of air operations over Iraq and Syria from Chris Cole here, and the New York Times has produced a useful interactive map of US-led air strikes from which I’ve snipped this summary:

Iraq:Syria air strikes 4 August to 31 December 2014

We don’t know how many of these were carried out by drones or even orchestrated by them, but as their limitations are becoming clearer it’s reasonable to assume that most involved conventional strike aircraft.  We do know that targeting involves the analysis of video feeds from both remote and conventional platforms, and that CENTCOM has had considerable difficulty in juggling the competing demands for ISR from Afghanistan and from Iraq/Syria.

According to a report this week from W.J. Hennigan, who visited the USAF’s 480th Intelligence, Surveillance and Reconnaissance Wing at Langley Air Force Base in Virginia:

In a vast windowless room, several dozen intelligence analysts worked under the glow of more than 100 computer screens, quietly studying video streaming from U.S. drones and spy planes hunting for Islamic State militants in Iraq and Syria.

One team searched the incoming video to find a firefight underway between Iraqi security forces and militants somewhere south of the insurgent-held city of Mosul in northern Iraq.

For four hours, the analysts pored over the imagery before identifying 20 positions where the militants were dug in with machine guns and other weaponry. After the analysts called in the coordinates, 15 jets from five countries pounded the targets with more than two dozen bombs.

The Dec. 5 airstrike, one of 462 last month, underscores the Pentagon’s increased reliance on personnel far from the battlefield…  Air Force analysts here stand — or rather sit — on the virtual front lines by tracking Islamic State fighters in a war zone some 6,000 miles away.

But here’s the rub:

Unlike in past wars, when U.S. troops on the ground helped provide targeting information and intelligence, commanders in the battle against Islamic State rely chiefly on airborne surveillance, captured communications chatter, signals intelligence and other material that is processed by analysts here.

U.S. officers said the video-watching analysts working half a world away are no match for spotters and other troops feeding intelligence from the front lines.

“We don’t have anywhere near the level of intelligence we used to,” Lt. Col. Marc Spinuzzi, a senior intelligence officer, wrote in an email from Baghdad. The analysts are under “a lot of pressure … to clearly distinguish friend from foe, and to pick out the enemy from the civilian population” on the battlefield.

That is precisely how mistakes are made and civilians killed.  And, as Robert Naiman pointed out,

“There is a big danger here that U.S. air strikes in Syria are going to resemble the drone strikes in Pakistan and Yemen in the sense that there is no accountability for who is killed. We have reports of civilian casualties from people in the area and the U.S. government says, ‘No, they are bad guys.’ There has to be some public accountability for what happens when there are allegations of civilian casualties.”

At least the Pentagon has now gone some way towards recognising the problem.  Previously it had insisted that it was unaware of any civilian casualties, which is disingenuous: it beggars belief that 1,000 air strikes could have resulted in no civilian casualties – but if your ISR is inadequate it’s scarcely surprising that you would be ‘unaware’ of the consequences.  Even so, on 6 January the Pentagon announced that it had investigated 18 allegations of coalition airstrikes causing civilian casualties between 8 August and 30 December.  It determined that 13 were ‘not credible’, but was continuing to review three others; a further two, one in Iraq and one in Syria, are now the subject of formal military investigations.  But before you gold your breath, both Iraq and Syria are also exempt from the Presidential Policy Guidelines that require a ‘near certainty that no civilians will be killed or injured’.  Here is Harold Koh (really):

‘They seem to be creating this grey zone…  If we’re not applying the strict rules [to prevent civilian casualties] to Syria and Iraq, then they are of relatively limited value.’

Object lessons

DRONE

Adam Rothestein‘s Drone, the latest contribution to the Object Lessons series co-published by the Atlantic and Bloomsbury Academic, is out at the end of this month.

Drones are in the newspaper, on the TV screen, swarming through the networks, and soon, we’re told, they’ll be delivering our shopping. But what are drones? The word encompasses everything from toys to weapons. And yet, as broadly defined as they are, the word ‘drone’ fills many of us with a sense of technological dread. Adam Rothstein cuts through the mystery, the unknown, and the political posturing, and talks about what drones really are: what technologies are out there, and what’s coming next; how drones are talked about, and how they are represented in popular culture.

It turns out that drones are not as scary as they appear – but they are more complicated than you might expect. Drones reveal the strange relationships that humans are forming with their new technologies.

Here’s the Contents list:

Introduction

Chapter One: Four Technology Stories

Chapter Two: The Military Drone

Chapter Three: The Commercial Drone (or the hole where it ought to be)

Chapter Four: Blinking Lights

Chapter Five: Software and Hardware

Chapter Six: The Non-Drone

Chapter Seven: What the Drone is For

Chapter Eight: The Drone in Discourse

Chapter Nine: Drone Fiction

Chapter Ten: Ourselves and the Drone

Chapter Eleven: Aesthetics of the Drone

Chapter Twelve: The Drone as Meme

The book comes with this enthusiastic endorsement from Geoff Manaugh of (richly deserved) BLDGBLOG fame:

“Adam Rothstein’s Drone presents this iconic figure of contemporary warfare-the disconcertingly alluring autonomous airborne machine-through the lens of a different kind of history. Privacy and tracking algorithms run side by side with the ethics of self-guided munitions, activist political programs butt heads with emerging corporate business strategies, and all of it is tied back to the earliest experiments in driverless vehicles, quaint ancestors of today’s over-mythologized UAVs. In the end, Rothstein’s book is an exploration of technical agency: Where did drones come from-and what do they want?”

You can find some of Adam’s preliminary ideas about what he then called ‘Drone ethnography’ at rhizome here, an interview with the lovely people at Bard here, and what Terraform calls his ‘future fiction, ‘Targeted strike 2: Judgment Database’, here.

The Object Lessons essay and book series, edited by Ian Bogost and Christopher Schaberg, is about ‘the hidden lives of ordinary things’.  If you want a different take on drones as objects, I suggest starting with William Walters, ‘Drone strikes, dingpolitik and beyond: Furthering the debate on materiality and security’ in Security dialogue 45 (2) (2014) 101-118.

Inhumanned

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Better late than never…  I talked about Robert Greenwald‘s Unmanned before – the video documentary he produced to accompany the Stanford/NYU report Living under Drones – and I’ve now discovered you can still watch all 61 minutes here.

Beginning at 39:08 there is a harrowing account of the murder of Mamana Bibi in Waziristan on 24 October 2012.  There is a detailed investigation in Amnesty’s Will I be next? and its forensic detail is compelling, but watching and listening to the surviving members of her family adds a new dimension to the horror.

So too, though in a radically different way, does reading C. Christine Fair‘s partisan dismissal of both the Amnesty report and the testimony of the Rehman family here.  It was published under the title ‘Ethical and methodological issues in assessing drones’ civilian impacts in Pakistan’ – without a trace of irony – but for once the comments below the line give me hope…

FOOTNOTE:  I’ve been asked to elaborate that last paragraph.  Fair suggests – on the flimsiest of bases – that the strike was carried out by the Pakistan Air Force, and clumsily attempts to discredit both Reprieve and Amnesty’s research.  I’ve written before about the PAF’s repeated assaults on the FATA – here and here for example – but here is part of a report from the Guardian on the murder of Mamana Bibi that describes how Amnesty’s local researcher Mustafa Qadri went about his work:

Qadri reached out to trusted sources in North Waziristan. The family members and their neighbors were interviewed independently on multiple occasions, unaware that a human-rights group was behind the questions they were asked. Over the course of many weeks, Qadri found the family’s account to be consistent. He determined it was highly unlikely that any militants were present at the time of the strike and that the missiles were likely fired by a US drone.

“It was a number of things,” Qadri told the Guardian. “We got the missiles, the large fragments that the family has that we got analyzed by [an] expert who says this is very likely to be a Hellfire missile. We also had family members who saw drones physically. We also have the eyewitness of the family who said they heard the noise of missiles fired from the sky and then separate noises of missiles impacting on the ground. We have the evidence of a double sound, with each single strike.”

I doubt that he needs any lessons on ethics or methodology.

Bodies on the line

The more I think about corpography (see also ‘Corpographies under the DOWNLOADS tab) – especially as part of my project on casualty evacuation from war zones – the more I wonder about Grégoire Chamayou‘s otherwise artful claim that with the advent of armed drones the ‘body becomes the battlefield’.  He means something very particular by this, of course, as I’ve explained before (see also here).

But let me describe the journey I’ve been taking in the last week or so that has prompted this post. Later this month I’m speaking on ‘Wounds of war, 1914-2014‘, where I plan to sketch a series of comparisons between casualty evacuation on the Western Front (1914-18) and casualty evacuation from Afghanistan.  I’ve already put in a lot of work on the first of these, which will appear on these pages in the weeks and months ahead, but it was time to find out more about the second.

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En route I belatedly discovered the truly brilliant work of David Cotterrell who is, among many other things, an installation artist and Professor of Fine Art at Sheffield Hallam University.  He became interested in documenting the British military casualty evacuation chain from Afghanistan, and in 2007 secured access to the Joint Medical Forces’ operations at Camp Bastion in Helmand.  He underwent basic training, a course in even more basic battlefield first-aid, and then found himself on an RAF transport plane to Bastion.  The Role 3 Hospital was, as he notes, a staging-ground. ‘Field hospitals are islands between contrasting environments,’ he wrote in his diary, ‘between the danger and dirt of the Forward Operating Bases and the order and convention of civilian healthcare.’  You can read a long, illustrated extract from the diary (3 – 26 November 2007) here, follow the photo-essay as a slideshow here, and explore David’s many other projects on his own website here.

THEY-WERE-SOLDIERS_by-Ann-Jones_72The diary is immensely interesting and informative in its own right, not least about the exceptional personal and professional difficulties involved in documenting the evacuation process.  Here there’s a helpful comparison to be made with journalist Ann Jones‘s no less brilliant They were soldiers: how the wounded return from America’s wars (more on this in a later post), which starts at the US military’s own Level III Trauma Center, the Craig Joint Theater Hospital at Bagram, and moves via Landstuhl Regional Medical Center in Germany, the largest US hospital outside the United States, to the Walter Reed Army Medical Center in Washington DC.

David’s visual record is even more compelling, as you would expect from a visual artist, not only in its documentary dimension but also in the installations that have been derived from it.  In Serial Loop, for example, we are confronted with a looped film showing the endless arrival of casualties at Bastion: ‘The sound of a continuously arriving and departing Chinook helicopter accompanies images of a bleak and wasted landscape; the banality of the film’s fixed perspective masks the dramas that unfold within the ambulances as they travel to triage.’

9-liner explores what David calls ‘the abstraction of experience within conflict’:

9-Liner explores the dislocation between the parallel experiences of casualties within theatre. It is a quiet study of a dramatic event: the attempt to bring an injured soldier to the tented entrance of the desert field hospital. The screens show apparently unrelated information. JCHAT – a silent scrolling codified message – runs on a central screen. Our interpretation of it is enabled through its relationship between one of two radically different but equally accurate views of the same event. To the left we see the Watchkeeper – a soldier manning phones and reading computer screens in a crowded office. On the right we view the MERT flight – the journey of the Medical Emergency Response Team in a Chinook helicopter.

SHU’s REF submission includes this summary of David’s work (one of the very few useful things to come out of that otherwise absurdist exercise):

The research made clear that soldiers recovering from life-changing injuries had limited means of reconstructing the narrative of their transformative experiences. From the time of wounding through to secondary operations in the UK, many soldiers remained sedated or unconscious for a period of up to five days. The radical physical transformation that had occurred during this period was not adequately reconciled through medical notes, and the embargo on photographic documentation of incident and subsequent medical procedures served further to obscure this period of lost memory.

A culture of secrecy meant that medical professionals were unable to access documentation of the expanded care pathway with which they, and their colleagues, were engaged. This fragmentation of experience and understanding within the process of evacuation, treatment and rehabilitation meant that the assessment of the contradictions and disorientation experienced by casualties and medical practitioners was denied to front-line staff.

Family members, colleagues and members of the public outside the immediate environment of the military were unable to visualise or understand the transformative effects of conflict on directly affected civilians and soldiers. Partly as a result, the scope for public debate to engage meaningfully with the longer term societal cost of contemporary conflict was limited.

The submission goes on to list an impressive series of debriefings, presentations to military and medical professionals, major exhibitions, and follow-through research in Birmingham.

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And it’s one of those follow-throughs that prompted me to think some more about corpographies.  I’d noted the connection between corpography and choreography in my original post, but David’s extraordinary collaboration with choreographer Rosie Kay and her dance company gives that a much sharper edge.  Again, there’s a comparison to be drawn – this time with Owen Sheers‘s impressively researched and executed body of work, not only the astonishing Pink Mist but also The Two Worlds of Charlie F (2012)which was a stage play based on the experiences of wounded soldiers who also made up the majority of the cast (see my discussion of these two projects here).

5 Soldiers started life as a stage presentation in 2010 (watch some extracts here):

A dance theatre work with 5 dancers, it looks at how the human body is essential to, and used in, warfare. 5 SOLDIERS explores the physical training that prepares you for war, as well as the possible effects on the body, and the injury caused by warfare.

Featuring Kay’s trademark intense physicality and athleticism, 5 SOLDIERS weaves a journey of physical transformation, helping us understand how soldiers are made and how war affects them.

5 SOLDIERS is a unique collaboration between award-winning choreographer Rosie Kay, visual artist David Cotterrell and theatre director Walter Meierjohann. It follows an intense period of research, where Rosie learnt battle training with The 4th Battalion The Rifles and David spent time in Helmand Province with the Joint Forces Medical Group.

Rosie explained her commitment to the project (and her training with The Rifles) like this:

“I wanted to look at how the physicality of a soldier’s job defines them –like a dancer, the soldier is drilled, trained, their responses becoming automatic, but can anything prepare you for the realities of war? It is young soldiers and their bodies that are the ultimate weapon in war – their strength and weaknesses may win or lose a battle, their ability to harm or injure others is key to victory. While war is surrounded with weaponry, uniforms, history and ceremony, the real business is human, dirty, messy, painful and happening right now.”

(She is, not coincidentally, an affiliate of the School of Anthropology at Oxford).

5 Soldiers installation PNG

And now there’s a film version that works as a multi-screen installation (screen shot above).

Instead of just creating a short film, the team wanted the web user to get a truly interactive way to watch dance, and actually feel that they can go inside the minds and the body of the work. The 80-minute work was cut to just 10 minutes long, and the company spent one week filming in a huge aircraft hangar at Coventry Airport…

Using a variety of cutting edge filming techniques, the collaborative team have created a 13 angle edit that takes you into the heart of the work, follows each of the dancers, and zooms out so that the performers appear to be like ants in a huge empty landscape.

You can see the interactive, multi-perspectival version here.  This relied on helmetcams, and there’s a fine, more general commentary on this in Kevin McSorley‘s ‘Helmetcams, militarized sensation and “somatic war”‘ here.  But here’s the short, ‘director’s cut’ version:

And look at the tag-line: ‘The body is the frontline’.  It’s not only drones that make it so.

Crossing the line

435px-Atlas_frontview_2013News from Lucy Suchman of an important essay she’s just completed with Jutta Weber on Human-Machine Autonomies, available from Academia.edu here.

This is how they begin:

This paper takes up the question of how we might think about the increasing automation of military systems not as an inevitable ‘advancement’ of which we are the interested observers, but as an effect of particular world-making practices in which we need urgently to intervene. We begin from the premise that the foundation of the legality of killing in situations of war is the possibility of discrimination between combatants and non-combatants. At a time when this defining form of situational awareness seems increasingly problematic, military investments in the automation of weapon systems are growing. The trajectory of these investments, moreover, is towards the development and deployment of lethal autonomous weapons; that is, weapon systems in which the identification of targets and initiation of fire is automated in ways that preclude deliberative human intervention. Challenges to these developments underscore the immorality and illegality of delegating responsibility for the use of force against human targets to machines, and the requirements of International Humanitarian Law that there be (human) accountability for acts of killing. In these debates, the articulation of differences between humans and machines is key.

Our aim in this paper is to strengthen arguments against the increasing automation of weapon systems, by expanding the frame or unit of analysis that informs these debates. We begin by tracing the genealogy of concepts of autonomy within the philosophical traditions that inform Artificial Intelligence (AI), with a focus on the history of early cybernetics and contemporary approaches to machine learning in behaviour-based robotics. We argue that while cybernetics and behaviour-based robotics challenge the premises of individual agency, cognition, communication and action that comprise the Enlightenment tradition, they also reiterate aspects of that tradition in the design of putatively intelligent, autonomous machines. This argument is made more concrete through a close reading of the United States Department of Defense Unmanned Systems Integrated Roadmap: FY2013-2038, particularly with respect to plans for future autonomous weapon systems. With that reading in mind, we turn to resources for refiguring agency and autonomy provided by recent scholarship in science and technology studies (STS) informed by feminist theory. This work suggests a shift in conceptions of agency and autonomy, from attributes inherent in entities, to effects of discourses and material practices that variously conjoin and/or delineate differences between humans and machines. This shift leads in turn to a reconceptualization of autonomy and responsibility as always enacted within, rather than as separable from, particular human- machine configurations. We close by considering the implications of these reconceptualizations for questions of responsibility in relation to automated/autonomous weapon systems. Taking as a model feminist projects of deconstructing categorical distinctions while also recognising those distinctions’ cultural-historical effects, we argue for simultaneous attention to the inseparability of human-machine agencies in contemporary war fighting, and to the necessity of delineating human agency and responsibility within political, legal and ethical/moral regimes of accountability.

LRASM (Lockheed-Martin photo) PNG

It’s a must-read, I think, especially in the light of a report from the New York Times of the Long Range Anti-Ship Missile (above) developed for the US military by Lockheed Martin:

On a bright fall day last year off the coast of Southern California, an Air Force B-1 bomber launched an experimental missile that may herald the future of warfare.

Initially, pilots aboard the plane directed the missile, but halfway to its destination, it severed communication with its operators. Alone, without human oversight, the missile decided which of three ships to attack, dropping to just above the sea surface and striking a 260-foot unmanned freighter…

The Pentagon argues that the new antiship missile is only semiautonomous and that humans are sufficiently represented in its targeting and killing decisions. But officials at the Defense Advanced Research Projects Agency, which initially developed the missile, and Lockheed declined to comment on how the weapon decides on targets, saying the information is classified.

“It will be operating autonomously when it searches for the enemy fleet,” said Mark A. Gubrud, a physicist and a member of the International Committee for Robot Arms Control, and an early critic of so-called smart weapons. “This is pretty sophisticated stuff that I would call artificial intelligence outside human control.”

Paul Scharre, a weapons specialist now at the Center for a New American Security who led the working group that wrote the Pentagon directive, said, “It’s valid to ask if this crosses the line.”

And the Israeli military and armaments industry, for whom crossing any line is second nature, are developing what they call a ‘suicide drone’ (really).  At Israel Unmanned Systems 2014, a trade fair held in Tel Aviv just three weeks after Israel’s latest assault on Gaza, Dan Cohen reported:

Lieutenant Colonel Itzhar Jona, who heads Israel Aerospace Industries, spoke about “loitering munitions” — what he called a “politically correct” name for Suicide Drones. They are a hybrid of drone and missile technology that have “autonomous and partially autonomous” elements, and are “launched like a missile, fly like an UAV [unmanned aerial vehicle],” and once they identify a target, revert to “attack like a missile.” Jona called the Suicide Drone a “UAV that thinks and decides for itself,” then added, “If you [the operator] aren’t totally clear on the logic, it can even surprise you.”

Jona praised the advantage of the Suicide Drone because the operator “doesn’t have to bring it home or deal with all sorts of dilemmas.” The Suicide Drone will quickly find a target using its internal logic, which Jona explained in this way: “It carries a warhead that eventually needs to explode. There needs to be a target at the end that will want to explode. Or it won’t want to and we will help it explode.”

So thoughtful to protect ‘the operator’ from any stress (even if s/he might be a little ‘surprised’).  Here is Mondoweiss‘s subtitled clip from the meeting, which opens with a short discussion of the major role played by UAVs in the air and ground attacks on Gaza, and then Jona describes how ‘we always live on the border’: