The final arbiter

There have been many interviews with ‘drone operators’ but most of them seem to have been with sensor operators serving with the US Air Force.  Some of the most cited have been ‘whistleblowers’ like Brandon Bryant while some reporters have described conversations with service members allowed to speak on the record during carefully conducted tours of airbases.  Some have even been captured on film – think of the interviews that frame so much of Sonia Kennebeck‘s  National Bird (though I think the interviews with the survivors of the Uruzgan drone strike are considerably more effective) – while others have been dramatised, notably in Omar Fast‘s 5,000 Feet is The Best.

But over at Drone Wars UK Chris Cole has just released something different: a detailed transcript of an extended interview with “Justin Thompson“, a former British (Royal Air Force) pilot who flew Reapers over Afghanistan for three years from Creech Air Force Base in Nevada.  He also spent several months forward-deployed to Afghanistan as a member of the Launch and Recovery element: remember that missions are controlled from the continental United States – or now from RAF Waddington in Lincolnshire – but the Reapers have an operational range of 1, 850 km so they have to be launched in or near the theatre of operations.

He served as a pilot of conventional strike aircraft before switching to remote operations early in the program’s development – the RAF started flying Reapers over Afghanistan for ISR in October 2007; armed missions began the following May – which gives Justin considerable insight into the differences between the platforms:

“The real difference with UAVS is persistence. That’s the big advantage as it allows you to build up a very detailed picture of what is going on in a particular area. So if you are in a particular area and a need for kinetic action arises, generally speaking you have already got knowledge of the kind of things you would need to know to assist that to happen. That’s versus a fast jet that might be called in having been there only five minutes, with limited fuel and with limited information – what it can get from the guys on the ground – Boom, bang and he’s off to get some fuel. That’s a bit flippant. It’s not quite like that, but you see what I mean.

“The big difference is the amount of detail we are able to amass about a particular area, not just on one mission, but over time. If you are providing support in a particular area, you develop a great deal of detailed information, to the point where you can recall certain things from memory because you were looking at this last week and spent two weeks previously looking at it and you know generally what goes on in this particular area. The other thing this persistence gives you is a good sense if something has changed or if something is unusual. You go ‘Hang on, that wasn’t there last week, someone’s moved it. Let’s have a look to see what is going on here.’”

Later, having discussed the Reaper’s entanglement of ISR (intelligence, surveillance and reconnaissance) with lethal strike (‘kinetic’) capabilities, he returns to the theme:

“If you are talking about kinetic action, I think essentially they [conventional aircraft and drones] are no different. It’s a platform in the air that has a sensor on board you are using to look at the ground. The picture you seen in a [Ground Control Station] is essentially the same as you would see in a fast jet. The sort of weapons you are delivering are exactly the same sort as you would be delivering from a fast jet. Essentially all of the principles are the same…

“A lot of things are significantly better in that you get much more extensive and much more detailed information on the area you are looking at and on any specific targets. That’s not because of any particular capability, it’s just because you can spend a hell of a lot more time looking at it.

“A fast jet pilot would, say, do a four month tour in some place. He’s got four months’ worth of knowledge and then he’ll be gone. He might come back in a year or two, but we are there for three years. Constantly, every day, building up massive amounts of knowledge and a detailed picture of what goes on. We come armed with so much information, and so much information is available to you, not just from your own knowledge, but from sources you can reach out to. You’ve got the text. You’ve got phones. You have got other people you can call on and drag into the GCS. You can get other people to look at the video feed. You can get many opinions and views….”

At times, he concedes, that can become an issue (sometimes called ‘helmet-fire’: too many voices in your head):

“If you want it, there can be a lot of other ‘eyes on’ and advice given to you. If you want something explained to you, if you want a second opinion on something, if you want something checked you can say “Guys, are you seeing this?” Or “What do you think that is?” And that is really useful. You can also reach out for command advice, for legal advice. The number of people who can get a long screwdriver into your GCS is incredible and it does happen that occasionally you have to say ‘Please can you get your long screwdriver out of my GCS’. But generally speaking, it’s well managed and people don’t interfere unless they think there is a reason to.”

He makes it clear that as an RAF pilot his was the final decision about whether to strike – he was ‘the final arbiter’ –  and discusses different situations where he over-ruled those other voices.

RAF Reaper strike in Afghanistan, 2010

Justin also talks about the ways his previous flying experience modulated his command of the Reaper (and here I think there are interesting parallels with Timothy Cullen‘s experience as an F-16 pilot and his important study of USAF Reaper crews: see also here):

“… [T]here is an idea that because you are not directly manipulating the control surfaces of an aircraft by being sat in it, that somehow lowers the skill level required in order to successfully operate one of these things. It may change some specifics in motor skills, but then so does an Airbus. Conceptually, you are wiggling a stick, pushing a peddle, turning a wheel. That gets converted into little ‘ones’ and ‘zeros’, sent down a wire to a computer that decides where to put the flying control surfaces and throttles the engines of the aircraft. It’s very similar, at least technically, in a modern airliner as in a Reaper. The level of skill required is similar. Piloting has only ever been 10% hand-flying skills, 90% is judgement and airmanship…

“For me, what I was seeing on the screen was very real. In addition to that for me it was more than just two-dimensional. My mind very easily perceived a three-dimensional scene that extended out of the side of the image. Whether that was because I was used to sitting in a cockpit and seeing that sort of picture I don’t know. Someone whose only background is flight simulators or playing computer games may have a different view. I relate it to sitting in an aircraft and flying it, others may relate it slightly differently…”

There’s much more in those packed 17 pages.  You can find Chris’s own commentary on the interview here, though his questions during the interview are, as  his regular readers would expect, also wonderfully perceptive and well-informed.

One cautionary note.  The time-frame is extremely important in commenting on remote operations, even if we limit ourselves to the technology involved.  The early Ground Control Stations were markedly different from those in use today, for example, while the quality of the video streams, their compression and resolution is also highly variable.  And there is, of course, much more than technology involved.

Bombs, bunkers and borders

Here is the first of a series of updates on Syria, this one identifying recent work on attacks on hospitals and health care which I’ve been reading while I turn my previous posts into a long-form essay (see ‘Your turn, doctor‘ and ‘The Death of the Clinic‘).

First, some context.  Human Rights Watch has joined a chorus of NGOs documenting attacks on hospitals and health care around the world.  On 24 May HRW issued this bleak statement:

Deadly attacks on hospitals and medical workers in conflicts around the world remain uninvestigated and unpunished a year after the United Nations Security Council called for greater action, Human Rights Watch said today.

On May 25, 2017, UN Secretary-General Antonio Guterres is scheduled to brief the Security Council on the implementation of Resolution 2286, which condemned wartime attacks on health facilities and urged governments to act against those responsible. Guterres should commit to alerting the Security Council of all future attacks on healthcare facilities on an ongoing rather than annual basis.

“Attacks on hospitals challenge the very foundation of the laws of war, and are unlikely to stop as long as those responsible for the attacks can get away with them,” said Bruno Stagno-Ugarte, deputy executive director for advocacy at Human Rights Watch. “Attacks on hospitals are especially insidious, because when you destroy a hospital and kill its health workers, you’re also risking the lives of those who will need their care in the future.”

The statement continues:

International humanitarian law, also known as the laws of war, prohibits attacks on health facilities and medical workers. To assess accountability measures undertaken for such attacks, Human Rights Watch reviewed 25 major attacks on health facilities between 2013 and 2016 in 10 countries [see map above]. For 20 of the incidents, no publicly available information indicates that investigations took place. In many cases, authorities did not respond to requests for information about the status of investigations. Investigations into the remaining five were seriously flawed…

No one appears to have faced criminal charges for their role in any of these attacks, at least 16 of which may have constituted war crimes. The attacks involved military forces or armed groups from Afghanistan, Central African Republic, Iraq, Israel, Libya, Russia, Saudi Arabia, South Sudan, Sudan, Syria, Ukraine, and the United States.

More here.

The World Health Organisation reached similar conclusions in its report of 17 May 2017:

Alexandra Sifferlin‘s commentary for Time drew attention to the importance of attacks on medical facilities in Syria:

In a 48-hour period in November, warplanes bombed five hospitals in Syria, leaving Aleppo’s rebel-controlled section without a functioning hospital. The loss of the Aleppo facilities — which had been handling more than 1,500 major surgeries each month — was just one hit in a series of escalating attacks on health care workers in 2016, the World Health Organization (WHO) reported on Friday.

Violent attacks on hospitals and health workers “continue with alarming frequency,” the WHO said in its new report. In 2016, there were 302 violent attacks, which is about an 18% increase from the prior year, according to new data. The violence — 74% was in the form of bombings — occurred in 20 countries, but it was driven by relentless strikes on health facilities in Syria, which the WHO has previously condemned. Across the globe, the 302 attacks last year resulted in 372 deaths and 491 injuries…

After the spate of attacks on Syrian hospitals last November, the WHO reported that three of the bombed hospitals in Aleppo had been providing over 10,000 consultations every month. Two other bombed hospitals in the city of Idleb were providing similar levels of care, including 600 infant deliveries. One of the two hospitals in Idleb was a primary referral hospital for emergency childbirth care.

“The attack…is an outrage that puts many more lives in danger in Syria and deprives the most vulnerable – including children and pregnant women – of their right to health services, just at the time when they need them most,” the WHO said.

The WHO has also provided a series of reports on attacks on hospitals and health care in Syria; here is its summary for last month:

But the WHO’s role in the conflict in Syria has been sharply criticised by Annie Sparrow, who has accused it of becoming a de facto apologist for the Assad regime.  Writing in Middle East Eye earlier this year, she said:

For years now, the World Health Organisation (WHO) has been fiddling while Syria burns, bleeds and starves. Despite WHO Syria having spent hundreds of millions of dollars since the conflict began in March 2011, public health in Syria has gone from troubling in 2011 to catastrophic now…

Yet WHO Syria has been anything but an impartial agency serving the needy. As can be seen by a speech made by Elizabeth Hoff, WHO’s representative to Syria, to the UN Security Council (UNSC) on 19 November 2016, WHO has prioritised warm relations with the Syrian government over meeting the most acute needs of the Syrian people.

Annie singles out three particularly problematic issues.

  • She claims that the WHO parrots the Assad regime’s claim that before the conflict its vaccination programmes had covered 95 per cent of the population (or better), whereas she insists that vaccinations had been withheld from children ‘in areas considered politically unsympathetic, such as the provinces of Idlib, western Aleppo, and Deir Ezzor.’  On her reading, in consequence, the re-emergence of (for example) polio ‘is consistent with pre-existing low immunisation rates and the vulnerability of Syrian children living in government-shunned areas.’
  • It was not until 2016 that the WHO reported attacks on hospitals at all, and when its representative condemned ‘repeated attacks on healthcare facilities in Syria’ she failed to note that the vast majority of those attacks were carried out by the Syrian Arab Air Force and its Russian ally.  The geography of deprivation was erased: ‘It is only in opposition-held areas that healthcare is compromised because of the damage and destruction resulting from air strikes by pro-government forces.’
  • Those corpo-materialities – an elemental human geography, so to say – did emerge when the WHO accused the Assad regime of of ‘withholding approval for the delivery of surgical and medical supplies to “hard-to-reach” and “besieged” locations.’  But Annie objects to these ‘politically neutral terms’ because they are ‘euphemisms for opposition-controlled territory, and so [avoid] highlighting the political dimension of the aid blockages, or the responsibility of the government for 98 percent of the more than one million people forced to live in an area under siege.’

You can read WHO’s (I think highly selective) response here.

Earlier this month 13 Syrian medical organisations combined with the Syria Campaign to document how attacks on hospitals have driven hospitals and health facilities underground (I described this process – and the attacks on the Cave Hospital and the underground M10 hospital in Aleppo – in ‘Your turn, doctor‘).  In Saving Lives Underground, they write:

Health facilities in Syria are systematically targeted on a scale unprecedented in modern history.

There have been over 454 attacks on hospitals in the last six years, with 91% of the attacks perpetrated by the Assad government and Russia. During the last six months of 2016, the rate of attacks on healthcare increased dramatically. Most recently, in April 2017 alone, there were 25 attacks on medical facilities, or one attack every 29 hours.

While the international community fails to protect Syrian medics from systematic aerial attacks on their hospitals, Syrians have developed an entire underground system to help protect patients and medical colleagues as best they can. The fortification of medical facilities is now considered a standard practice in Syria. Field hospitals have been driven underground, into basements, fortified with sandbags and cement walls, and into caves. These facilities have saved the lives of countless health workers and patients, preserved critical donor-funded equipment, and helped prevent displacement by providing communities with emergency care.

But all this comes at a cost:

Donors often see the reinforcement and building of underground medical facilities exclusively as long-term aid, or development work. However, as the Syria crisis is classified as a protracted emergency conflict, medical organizations do not currently have access to such long-term funds.

Budget lines for the emergency funding they receive can include “protection” work, but infrastructure building, even for protective purposes, often falls outside of their mandate. The divide between emergency humanitarian and development funding is creating a gap for projects that bridge the two, like protective measures for hospitals in Syria.

For this reason, as Emma Beals reported in the Guardian, many projects have resorted to crowdfunding:

The latest underground medical project seeking crowdfunding to complete building works is the Avicenna women and children’s hospital in Idlib City, championed by Khaled al-Milaji, head of the Sustainable International Medical Relief Organisation.

Al-Milaji is working to raise money with colleagues from Brown University in the US, where he studied until extreme security vetting – the Trump administration’s “Muslim ban” – prevented him re-entering the country after a holiday in Turkey.

He has instead turned his attention to building reinforced underground levels of the hospital, sourcing private donations to meet the shortfall between donor funding and actual costs…

Crowdfunding was an essential part of building the children’s Hope hospital, near Jarabulus in northern Syria. The project is run by doctors from eastern Aleppo, who were evacuated from the city in December after it was besieged for nearly six months amid a heavy military campaign. Doctors worked with the People’s Convoy, which transported vital medical supplies from London to southern Turkey as well as raising funds to build the hospital, which opened in April. More than 4,800 single donations raised the building costs, with enough left over to run the hospital for six months.

Saving Lives Underground distinguishes basement hospitals (the most common response to aerial attack by aircraft or shelling: 66 per cent of fortified hospitals fall into this category; the average cost is usually around $80–175,000, though more elaborate rehabilitation and repurposing can run up to $1 million); cave hospitals (‘the more effective protection model’ – though there are no guarantees – which accounts for around 4 per cent of fortified hospitals and which typically cost around $200–800,000) and purpose-built underground hospitals (two per cent of the total; these can cost from $800,000 to $1,500,000).

It’s chilling to think that hospitals have to be fortified and concealed in these ways: but even more disturbing, the report finds that 47 per cent of hospitals in these vulnerable areas have no fortification at all.

Seriously ill or wounded patients trapped inside besieged areas have few choices: medical facilities are degraded and often makeshift; access to vital medical supplies continues to be capriciously controlled and often denied; and attempts to evacuate them depend on short-lived ceasefires and deals (or bribes).  In Aleppo control of the Castello Road determined whether ambulances could successfully run the gauntlet from eastern Aleppo either west to hospitals in Reyhanli in Turkey or out to the Bab-al Salama Hospital in northern Aleppo and then across the border to state-run hospitals in Kilis: but in the absence of a formal agreement this was often a journey of last resort.

A victim of a barrel bomb attack in Aleppo is helped into a Turkish ambulance on call at the Bab al Salama Hospital near the Turkish border.

In October 2016 there were repeated attempts to broker medical evacuations from eastern Aleppo; eventually an agreement was reached, but the planned evacuations were stalled and then abandoned.  In December a new ‘humanitarian pause’ agreed with Russia and the Syrian government allowed more than 100 ambulances to be deployed by the Red Cross and the Red Crescent from Turkey; 200 critical patients were ferried from eastern Aleppo to hospitals in rural Aleppo, Idlib or Turkey – but the mission was abruptly terminated 24 hours after it had started.

The sick and injured have continued to make precarious journeys to hospitals in Turkey (Bab al-Hawa, Kilis, Reyhanli and other towns along the  border: see here, here and here), and also Jordan (in Ramtha and Amman, and in the Zaatari refugee camp: see here and here), Lebanon (in Beirut, Tripoli and clinics in the Bekaa Valley), and even Israel (trekking across the Golan Heights into Northern Israel: see here, herehere and especially here).

But there are no guarantees; travelling within Syria is dangerous and debilitating for patients, and access to hospitals outside Syria is frequently disrupted by border closures (which in turn can thrust the desperate into the hands of smugglers).  In March 2016, for example, Amnesty International reported:

 Since 2012 Jordan has imposed increasing restrictions on access for Syrians attempting to enter the country through formal and informal border crossings. It has made an exception for Syrians with war-related injuries.  However, Amnesty International has gathered information from humanitarian workers and family members of Syrian refugees with critical injuries being denied entry to Jordan for medical care, suggesting the exceptional criteria for entry on emergency medical grounds is inconsistently applied. This has led to refugees with critical injuries being returned to field hospitals in Syria, which are under attack on a regular basis, and to some people dying at the border.

In June Jordan closed the border, after an IS car bomb killed seven of its soldiers, and by December MSF had been forced to close its clinic at the Zaatari camp, which had provided post-operative care for casualties brought in from Dara’a.

Tens of thousands of refugees are now trapped in a vast, informal encampment (see image above) between two desert berms in a sort of ‘no man’s land‘ between Syria and Jordan.  From there Jordanian troops transport selected patients to a UN clinic, located across the border in a sealed military zone – ‘and then take them back again to the checkpoint after they are treated.’

(For the image above, and a commentary by MSF’s Jason Cone, see here).

For patients who do manage to make it across any of these borders, it’s far from easy for doctors to recover their medical history – as the note below, pinned to an unconscious patient who was admitted to the Ziv Medical Center in Safed implies – and in the case of Syria (as in Iraq) everything is further complicated by a fraught politics of the wound.

Here, for example, is Professor Ghassan Abu-Sitta, head of plastic and reconstructive surgery at the medical centre in Beirut, talking earlier this month with Robert Fisk:

In Iraq, patients wounded in Saddam’s wars were initially treated as heroes – they had fought for their country against non-Arab Iran.  But after the US invasion of 2003, they became an embarrassment.  “The value of their wounds’ ‘capital’ changes from hero to zero,” Abu-Sitta says.  “And this means that their ability to access medical care also changes.  We are now reading the history of the region through the wounds.  War’s wounds carry with them the narrative of the wounding which becomes political capital.”

In the bleak wars that have scarred Syria, and which continue to open up divisions and divides there too, the same considerations come into play with equal force.

Conflict Urbanism

I’m in Copenhagen – and still bleary-eyed – for a symposium organised by my good friends Kirsten Simonsen and Lasse Koefoed at Roskilde on their current project  ‘Paradoxical spaces: Encountering the other in public space‘.  I’ll be talking about the war in Syria, drawing on my previous work on attacks on hospitals, healthcare workers and patients (see ‘Your turn, doctor‘) – which I’ve now considerably extended as I work on turning all this into  a longform essay: I’ll post some updates as soon as I can – but now adding a detailed discussion of siege warfare in Syria.  More on that in my next post; but for now I wanted to share some remarkable work on Aleppo by Laura Kurgan and her students at the Center for Spatial Research at Columbia:

Conflict Urbanism: Aleppo is a project in two stages.

First, we have built an open-source, interactive, layered map of Aleppo, at the neighborhood scale. Users can navigate the city, with the aid of high resolution satellite imagery from before and during the current civil war, and explore geo-located data about cultural sites, neighborhoods, and urban damage.

Second, the map is a platform for storytelling with data. We are inviting collaborators and students to bring new perspectives and analyses into the map to broaden our understanding of what’s happening in Aleppo. Case studies will document and narrate urban damage — at the infrastructural, neighborhood, building, social, and cultural scales — and will be added to the website over time.

We invite ideas and propositions, and hope to build on the data we have compiled here to create an active archive of the memory of destruction in Aleppo through investigation and interpretation, up close and from a distance.

That last phrase is an echo of Laura’s book, Close Up at a Distance: Mapping, Technology and Politics, published by MIT in 2013.  The new project emerged out of a seminar taught by Laura in 2016:

Students worked collaboratively to develop a series of case studies using a map developed by the Center for Spatial Research, specifically designed to research urban damage in Aleppo during the ongoing civil war. Their work incorporates a range of disciplines, methods and results. Each student was asked to create case studies and add layers to the existing map. The results — spatializing youtube video, interior borders between fighting factions, imagining urban survival during wartime, imaging escape routes, audio memory maps, roads, water, hospitals, informal neighborhoods, religion, communications infrastructure, and refugee camps at the borders — are [available online here].

I’m particularly taken by ‘Spatializing the YouTube War’.   One of the challenges for those of us who follow these events ‘at a distance’ is precisely how to get ‘close up’; digital media and the rise of citizen journalism have clearly transformed our knowledge of many of today’s conflict zones – think, for example, of the ways in which Forensic Architecture has used online videos to narrate and corroborate Russian and Syrian Arab Air Force attacks on hospitals in rebel-held areas Syria; similarly, Airwars has used uploaded videos for its painstaking analysis of US and coalition airstrikes and civilian casualties (see this really good backgrounder by Greg Jaffe on Kinder Haddad, one of the Airwars team, ‘How a woman in England tracks civilian deaths in Syria, one bomb at a time) – and I’ve used similar sources to explore the effects of siege warfare on Aleppo, Homs and Madaya.

Here is how Laura and her students – in this case, Nadine Fattaleh, Michael James Storm and Violet Whitney describe their contribution:

The civil war in Syria has shown how profoundly the rise of cellphones with video-cameras, as well as online video-hosting and emergent citizen journalism, has changed the landscape of war documentation. YouTube has become one of the largest sources (and archives) of information about events on the ground in Syria: since January 2012 over a million videos of the conflict there have been uploaded, with hundreds of millions of views to date. Major news agencies have come to rely on YouTube as a primary source for their reporting, and human rights organizations often cite videos as part of their advocacy and documentation efforts. This independently reported footage has created a new powerful archive, but opens up crucial questions of credibility, verification, and bias. As with all data, every video comes to us bearing the traces of the situation and intentions that motivated its production. This does not disqualify it – quite to the contrary – but it does demand that we approach everything critically and carefully.

We set out to investigate YouTube as archive of the Syrian uprising and to develop a method for organizing that archive spatially. We used the frameworks that we had developed for the Conflict Urbanism Aleppo interactive map, together with a naming convention used by Syrian civic media organizations, in order to sort and geolocate YouTube videos from multiple sources. We then produced a searchable interactive interface for three of the most highly cited YouTube channels, the Halab News Network, the Aleppo Media Center, and the Syrian Civil Defense. We encourage journalists, researchers, and others to use this specifically spatial tool in sorting and searching through the YouTube dataset.

The Halab News Network [above] shows a wide distribution of videos across the city, including the city center and government-held Western side of the city. The Eastern half of the city — in particular the Northeastern neighborhoods of ash-Sha’ar (الشعار), Hanano (هنانو), and Ayn at-Tal (عين التينة) – is the best-documented.

In contrast:

The videos published by the Aleppo Media Center [above] roughly follow the formerly rebel-held Eastern side of the city, with a small number of videos from the central and Western areas. The highest number of videos is in the neighborhood of ash-Sha’ar (الشعار). Particular spots include ash-Sha’ar (الشعار), coverage of which is shared with the Syrian Civil Defense. Another notable concentration are two neighborhoods in the Southwest, Bustan al-Qaser (بستان القصر) and al-Fardos (الفردوس).

They also analyse the video geography produced by the White Helmets [below]: ‘The Syrian Civil Defense, also known as the White Helmets, have uploaded videos primarily in the formerly rebel-held Eastern and Southern areas of Aleppo. Only the Western area of ash-Shuhada’ (الشهداء) falls outside of this trend.’

This, like the other collaborative projects under the ‘Conflict Urbanism’ umbrella, is brilliant, essential work, and we are all in their debt.

You can read more about the project in a short essay by Laura, ‘Conflict Urbanism, Aleppo: Mapping Urban Damage’, in Architectural Design 87 (1) (2017) 72-77, and in another essay she has written with Jose Francisco Salarriaga and Dare Brawley, ‘Visualizing conflict: possibilities for urban research’, open access download via Urban Planning 2 (1) (2017) here [this includes notice of a parallel project in Colombia].

Seeing Civilians (or not)

Very welcome news from Christiane Wilke that her essay, ‘Seeing and Unmaking Civilians in Afghanistan: Visual Technologies and Contested Professional Visions‘, has just been published in Science, Technology and Human Values.

It’s an original, compelling and immensely important analysis of a US air strike on two tankers hijacked by the Taliban and beached on a river crossing near Kunduz (Afghanistan) in September 2009.  The strike was called in by a Bundeswehr officer who claimed – falsely – that he was facing what the military call ‘troops in contact’ which required immediate action; the two American pilots of the F-15s repeatedly questioned his decision but to no avail, and when the smoke cleared somewhere between 26 and 147 civilians who had been siphoning petrol from the stranded tankers had been killed.

I published a preliminary analysis of the attack, ‘Seeing like a military‘, and subsequently heard Christiane give an early version of her own argument at a conference in Lancaster in May 2014; we’ve had a lively dialogue about the strike since then.  Here is the abstract:

While the distinction between civilians and combatants is fundamental to international law, it is contested and complicated in practice. How do North Atlantic Treaty Organization (NATO) officers see civilians in Afghanistan? Focusing on 2009 air strike in Kunduz, this article argues that the professional vision of NATO officers relies not only on recent military technologies that allow for aerial surveillance, thermal imaging, and precise targeting but also on the assumptions, vocabularies, modes of attention, and hierarchies of knowledges that the officers bring to the interpretation of aerial surveillance images. Professional vision is socially situated and fre- quently contested with communities of practice. In the case of the Kunduz air strike, the aerial vantage point and the military visual technologies cannot fully determine what would be seen. Instead, the officers’ assumptions about Afghanistan, threats, and the gender of the civilian inform the vocabulary they use for coding people and places as civilian or noncivilian. Civilians are not simply “found,” they are produced through specific forms of professional vision.

And here is her key conclusion which clearly resonates far beyond Kunduz (see, for example, here and here; I’ve radically reworked the presentation from which those two posts derive, and you can get some sense of where I’m heading here):

In Afghanistan and in situations of armed conflict more generally, the distinction between civilians and noncivilians is a crucial dimension of seeing, intervening in, and responding to violence. The protection of civi- lians is an almost universally proclaimed goal; it is the centerpiece of the ISAF 2009 Tactical Directive. Yet without a reliable understanding of who counts as a civilian and how they can be recognized, the promise of civilian protection rings hollow. The category of the civilian, derived from specific Eurocentric understandings of armed conflict, had been grafted onto Afgha- nistan and Afghans who had to negotiate their security amidst conflict. Yet it is not clear what Afghans should do or avoid in order to be recognized as civilians. Those who shared the aerial viewpoint could not agree on the civilian status of the people near the trucks and neither could those who had extensive personal knowledge of the local social structures. Thus, a shift in perspective did not solve the problem that civilians are not clearly recogniz- able to those who have a mission to spare and protect them. At a deeper level, the lack of consensus about visually identifying civilians indicates a lack of agreement about who counts as a civilian. NATO officers consistently try to stabilize and shrink the category of civilian by juxtaposing it with a capacious category of noncivilians: insurgents, militants, supporters, and Taliban…

Yet civilians don’t simply exist. They are enacted and produced by, among other sites, socially situated interpretation of images produced with the aid of visual technologies. Sociocultural prisms of visibility not only produce counts of legitimate civilians but also legitimize the category of civilian as a workable and meaningful foundation of international law. The people who would like to be regarded as civilians bear the burden of distinguishing themselves from putative noncivilians according to criteria that they can never fully grasp because they don’t know which background knowledges and epistemes will be mobilized by those in charge of distinguishing civilians from combatants.

And – please note – this is not about drone strikes; not only have the vast majority of strikes in Afghanistan been carried out by conventional strike aircraft (why do so many of those who campaign against drones ignore other forms of aerial violence?) but no drones were involved in this particular attack either; the sharp point that Christiane makes applies to all airstrikes – and indeed, to militarised vision more generally.

Logistics in war

I’ve written about military logistics before – here and here (the last is also available under the DOWNLOADS tab as ‘Supplying the war in Afghanistan’) – and that early work, both historical and contemporary, intersects with my current work on casualty evacuation, so it’s good to find a new-ish blog on Logistics in War, managed by David Beaumont; its base is Australia but it casts its remit far and wide and, in a recent post, engages with Deb Cowen‘s work and my own.

It is the purpose of this blog to instigate and inspire, continue and create, a discussion on military logistics that is so often sorely lacking (or if it does occur, does so behind closed doors). Although the blog currently reflects an Australian and Army orientation, its vision is to become broadly applicable; to reflect the many different approaches to logistics as practiced by different military Services, the Joint domain, and militaries of all persuasions.

Furthermore, the blog will support the establishment of an international community of military logisticians that can share ideas, concepts and useful material in an insightful, courteous and professional manner which reflects the values of the militaries and Defence organisations that its readers may serve in. In time, guest posts will be added to the site, including from the international military logistics community.

‘Logistics in War’ aspires to provide life to a topic area that is generally dry, overly technical and grossly specialised. Its practical perspective serves the logistician and commander alike. Logistics is, after all, the conjunction of military strategy and operational concepts with the realities and practicalities of war. It deals with facts and the compromises of commanders who must shape their decisions upon the limitations and constraints of their force. As Thomas Kane, in the great Military logistics and strategic performance, puts it, logistics is an ‘arbiter’ in battle and in war. It is therefore well worth our while to understand it.

Aleppo in London and Berlin

A common response to mass violence elsewhere is to imagine its impact transferred to our own lives and places.  It’s a problematic device in all sorts of ways.  After Hiroshima and Nagasaki US media became obsessed with imagining the impact of a nuclear attack on US cities – though, as I’ve also noted elsewhere, there were multiple ironies in conjuring up ‘Hiroshima, USA’ – and in the wake of the US-led invasion of Iraq there were several artistic projects that mapped the violence in Baghdad onto (for example) Boston, New York or San Francisco (I discussed some of them in the closing sections of ‘War and Peace’: DOWNLOADS tab).

This may be one way to ‘bring the war home’, as Martha Rosler‘s mesmerising work has shown, and even constitute a counter-mapping of sorts, but sometimes it can devolve into a critical narcissism: rather than being moved by the suffering of others, we place ourselves in the centre of the frame.  To forestall any misunderstanding about Rosler’s own work, let me repeat what I wrote in ‘War and Peace’:

Domestic critics have frequently noted the interchange between security regimes inside and outside the United States; they insist that the ‘war on terror’ ruptures the divide between inside and outside, and draw attention to its impact not only ‘there’ but also ‘here’. But Rosler’s sharper point is to goad her audience beyond what sometimes trembles on the edge of a critical narcissism (‘we are vulnerable too’) to recognise how often ‘our’ wars violate ‘their’ space: her work compels us to see that what she makes seem so shocking in ‘our’ space is all too terrifyingly normal in ‘theirs’.

So it’s with somewhat mixed feelings that I record Hans Hack‘s attempt to transfer violence in Aleppo to London and Berlin.

He explains his Reprojected Destruction like this:

The United Nations Institute for Training and Research (UNITAR) has recently published a map which “illustrates the percentage of buildings damaged in the city of Aleppo” based on satellite imagery analysis. The map shows the levels of destruction in each of Aleppo’s districts. For this project “Reprojected Destruction” information from that map has been reprojected onto figure-ground maps of Berlin and London. As a geographical reference point, the historical center of Aleppo (The Citadel of Aleppo) has been superimposed on that of Berlin (Museum Island) and London (The Tower of London). The reprojected destruction is indicated by randomly selected buildings marked in red. To make it more representative, the distribution of the reprojected destruction has also been mapped with respect to Aleppo’s administrative borders provided by OCHA. The overall aim of the exercise is to help viewers imagine the extent of destruction that might have been visited upon the UK and German capitals had these cities stood at the centre of Syria’s current conflict.

Hans told Reuters:

For me it’s hard to understand in the news what it means, how strongly Aleppo was destroyed. I wanted to take this information and project it onto something I know personally that I can have some reference to. So I chose Berlin and London.

But the key question for me is simply this: why is it so hard?

MOAB and the moral economy of bombing

In Reach from the Sky, my Tanner Lectures which I’m presently preparing for publication, I sketched what I called a ‘moral economy of bombing’:

It’s the last of these claims that concerns me here: bombing represented as ‘law-full’.  In the lectures I discussed the legal armature of aerial violence – referring to the combined bomber offensive against Germany in the Second World War Air Chief Marshall Arthur Harris famously insisted that ‘In this matter of the use of aircraft in war there is, it so happens, no international law at all’, a claim that was, I suppose, literally true in so far as it applied to the specific application of air power; I tried to show what has (and has not) changed since then, not least through the development of international humanitarian law and the juridification of later modern war – and the insistence that air power is an effective means of imposing a legal order on the nominally ‘lawless’ (a claim registered through colonial ‘air policing’ and continued in the US and Pakistan air strikes on the Federally Administered Tribal Areas of Pakistan: see ‘Dirty Dancing’ (DOWNLOADS tab).

In the ghastly light of the Trump administration’s decision last month to drop (for the first time in combat) what the US Air Force calls ‘the Mother Of All Bombs‘ (MOAB), the GBU-43/B,  on an IS ‘tunnel complex’ in eastern Afghanistan, Michael Weinman has written an excellent essay for Public Seminar on ‘Ordnance as ordinance‘ that elaborates the second part of my claim about bombing being ‘law-full’:

[B]oth the decision to name this weapon MOAB and the decision to deploy it in Afghanistan is tightly linked with what Judith Butler called a “new military convention” begun by Colin Powell when he described the deployment of “smart bombs” during the first Iraq War as “the delivery of ordnance.” In “Contingent Foundations,” Butler noted that Powell “figures an act of violence as an act of law” by substituting “ordnance” (munitions, agents of destructive violence) for “ordinance” (a law or decree). Powell’s speech act, apparently delivered in an unscripted moment during a press conference in January 1991, is an important instance of the “illocutionary force” of language that Butler explores throughout the work she did in the late 1990s and early 2000s — her most impressive and important work in my view. This aerial bombardment of Iraqi installations with technologically advanced munitions, viewable in real time on network and cable TV for the first time, was itself a phenomenon. But it was the declaration that such a display in itself was an act of law enforcement that truly brought us into a new era. An era in which, thanks to Powell and the Bush (41) administration, the alignment of violence and law against a regime that violates international law figures state violence, even where it might be in contradiction of international agreements, as the very agent of law and legitimation. Watching the media response to the recent deployment of MOAB in Afghanistan, it is clear we still haven’t learned Butler’s lesson.

The deeper resonance of reading this particular ordnance as a form of ordinance requires that we attend to a different resonance of its chosen acronym, MOAB. Not the “Mother of All Bombs” nomenclature, which bespeaks its terrifying awesomeness — in the literal sense of the term “awesome,” connoting utter sublimity. That is part of the story too, but it is not the heart of it. Rather, continuing Butler’s pursuit of the line of thought by which Saddam (Hussein) was recast as (the Biblical) Sodom,[1] we must turn instead to the Biblical Moab, patriarch of the Moabites. Crucially, we must bear in mind that, within the Hebrew Bible, this people, whose lands lay across the Dead Sea, is cast as a hostile neighboring people — indeed, the Moabites are depicted as the neighboring tribe most inherently in conflict with the people of Israel. Viewed in this light, there is continuing power in Powell’s fantasy that the deliverance of ordnance is the way “we” publicly declare the ordinance that those who defy international law will be vanquished by the synthesis of law and force executed by the United States military as the leader the coalition of the willing. This vision remains the reigning principle behind the self-image of the United States as an actor on the international scene. And this is so because, deeply steeped in an “Old Testament morality” (a morality wherein the enemies of the United States are figured as the ancient enemies of the people of Israel), this vision justifies a view of America as the model exemplar of a “Judeo-Christian” civilization. A civilization that is — as it ever was — waging a war, engaging in a “clash of civilizations.” Of course we would name our most deadly non-nuclear weapon “Moab” (or M.O.A.B., if you like): what other name than that of the oldest and deepest “frenemy” of Israel could the United States military have possibly dreamt up?

There is more that could be said, I think, especially if one stays with Butler and thinks of this episode as a speech-act.  After all – and repeating a line that was repeated endlessly during the Rolling Thunder campaign against North Vietnam – MOAB was originally developed in 2002 for the ‘Shock and Awe’ campaign that heralded the US-led  invasion of Iraq, and the Pentagon claimed that deploying the MOAB was an act of communication (really): it sent ‘a very clear message’ to IS that it would be ‘annihilated‘.  (The message-in-a-bomb line shouldn’t be confused with the terse messages that ground crews have scrawled on bombs in war after war after war, and I suppose it is less grotesque than the description of bombing Syria as a form of ‘after-dinner entertainment‘ for the US President – which sends an even more terrifying message to anyone with a shred of decency or understanding).

If the bombing in Afghanistan did send a message to IS – and to state actors elsewhere in the world – it also sent a message to innocent others in the vicinity of the blast:

“There is no doubt that Isis are brutal and that they have committed atrocities against our people. But I don’t see why the bomb was dropped,” said the mayor of Achin, Naweed Shinwari. “It terrorised our people. My relatives thought the end of the world had come. Every day fighter jets, helicopters and drones are in the area.”

In that vein, and to return to the colonial genealogy I mentioned at the start, the use of the global South as a laboratory for weapons testing and demonstration has a long history, as Scott Beauchamp‘s report here documents:

…the most interesting commentary probably came from former Afghanistan president Hamid Karzai, who tweeted that “This is not the war on terror but the inhuman and most brutal misuse of our country as a testing grounds for new and dangerous weapons.”

He’s got a point. There is a dark history of Western military powers testing novel weapons and strategies on technologically overmatched non-Western (and non-white) populations. It’s a legacy that mixes the brutal arrogance of colonialism with the technological promise of an easy fix. There are of course numerous examples of this cruel dynamic at play in the centuries leading up to the 20th — conquistadors with dogs and swords, gunpowder in general — but the disparity that currently exists between the material advantages of Western countries and the technological capability of enemies abroad continues to be exploited in ways that conform to a recognizable pattern.

PS Much as I’ve enjoyed Michael’s essay, I think Stephen Fry also had a point.

The rise of Forensic Architecture

Andrew Curry has an interesting essay on Eyal Weizman‘s development of his Forensic Architecture research agency out of his work on the role of architecture in enacting and enforcing the Israeli occupation and colonisation of the West Bank here.

En route Andrew illuminates the combination of patient, meticulous analysis with imaginative, affective public engagement that is the signature of the ‘forensis‘ to which Eyal constantly appeals (and demonstrates):

Since Weizman, 46, founded FA in 2010, it has established itself as a unique hybrid of architecture studio and human rights investigator. The agency’s reports balance high-flown architectural theory with cold facts. “To build a quasi-discipline requires a combination of theoretical, historical, experimental, and technical capacity—along with serious historical analysis and serious theoretical understanding of the relationship between the architectural materiality and events,” Weizman says. “On the other hand, we’re very practical. It’s important to provide evidence to convince people and win cases.”

… The agency’s flair for showmanship is thanks in no small part to Weizman himself, who manages to marry undisputed intellectual heft—he’s published more than a dozen books (Forensic Architecture: Violence at the Threshold of Detectability comes out in May) and teaches at the University of London and Princeton University—with undeniable stage presence. Take his appearance outside an Israeli Army base in the West Bank, filmed for a 2014 Al Jazeera documentary called The Architecture of Violence: Weizman initiated a shouted exchange with an unseen (but presumably armed) soldier concealed inside a tall concrete watchtower. “Is this place only yours? It’s everybody’s place,” Weizman yelled in Hebrew, with an exaggerated wave and theatrical shrug. “Why are you here, anyway? Is that tube your home? It’s not even your home and you’re sitting in that tube telling me what to do?”

Point made, Weizman turned his back on the tower and strode through a scrubby field back to the waiting camera, sporting a toothy grin under aviator shades. “Fuck them,” he said dismissively. “Doesn’t he look ridiculous, inside his pipe house? Like he’s king of the hill, inside his tube?”

UPDATE:  There’s a first look at Eyal’s new book of essays, Forensic Architecture: violence at the threshold of detectability, at We make money not art here.

Violence and imagination

While I was working on ‘Gabriel’s Map’ (DOWNLOADS tab) Trevor Barnes introduced me to Tom McCarthy‘s mesmerising novel C which, among many other things, contains some extraordinary passages describing a young British pilot soaring high over No Man’s Land on the Western Front in the First World War.  His job was to identify the location of enemy artillery batteries and then direct (‘range’) the British guns on to them:

‘Serge feels an almost sacred tingling, as though he himself had become godlike, elevated by machinery and signal code to a higher post within the overall structure of things, a vantage point from which the vectors and control lines linking earth and heaven … have become visible, tangible even, all concentrated at a spot just underneath the index finger of his right hand which is tapping out, right now, the sequence C3E MX12 G…

‘‘Almost immediately, a white rip appears amidst the wood’s green cover on the English side. A small jet of smoke spills up into the air from this like cushion stuffing; out of it, a shell rises. It arcs above the trench-meshes and track-marked open ground, then dips and falls into the copse beneath Serge, blossoming there in vibrant red and yellow flame. A second follows it, then a third. The same is happening in the two-mile strip between Battery I and its target, and Battery M and its one, right on down the line: whole swathes of space becoming animated by the plumed trajectories of plans and orders metamorphosed into steel and cordite, speed and noise. Everything seems connected: disparate locations twitch and burst into activity like limbs reacting to impulses sent from elsewhere in the body, booms and jibs obeying levers at the far end of a complex set of ropes and cogs and relays.’

Serge is using the clock code to range the guns on to their target, but the passage is remarkable for McCarthy’s imagery of ‘machinery and signal code’ and ‘ropes and cogs and relays’. Some of those who survived the war used the same mechanical imagery, perhaps nobody more effectively than Ernst Jünger:

‘The modern battlefield is like a huge, sleeping machine with innumerable eyes and ears and arms, lying hidden and inactive, ambushed for the one moment on which all depends. Then from some hole in the ground a single red light ascends in fiery prelude. A thousand guns roar out on the instant, and at a touch, driven by innumerable levers, the work of annihilation goes pounding on its way.’

What distinguishes McCarthy, I think, is his realisation that more is happening than lights setting levers in motion. Later he has Serge recognise that he is the messenger of death but insist that

‘he doesn’t think doesn’t think of what he’s doing as a deadening. Quite the opposite: it’s a quickening, a bringing to life. He feels this viscerally, not just intellectually, every time his tapping finger draws shells up into their arcs, or sends instructions buzzing through the woods to kick-start piano wires for whirring cameras, or causes the ground’s scars and wrinkles to shift and contort from one photo to another: it’s an awakening, a setting into motion.’

This is much on my mind today for two reasons.  First, while I’ve been recovering from my eye surgeries last month I’ve been reading more diaries from the First World War (reading is apparently good therapy!), and in one of them Captain Henry Wynard Kaye of the Royal Army Medical Corps describes several visits to a friend in command of a Royal Flying Corps squadron on the Western Front.  He describes exactly that sense of ‘a quickening, a bringing to life’ – and death – that McCarthy evokes so perceptively.  Here is Kaye’s entry for 12 August 1915:

 ‘Two of his officers went off at 5 to destroy some trenches up by Hooge. The observer had the spots on which they were going to put shells marked on his map, and off they sailed saying they would be back at 8. Their programme was to fly up to the place, and directly they secure a suitable place for observing the observer sends a wireless signal to the Battery Commander telling him to begin. Thereafter the observer directs the battery about each shot by wireless until the job is done…  In an artillery job he clearly regards himself as running the whole show, and talks about ‘I’m going to shoot’, ‘I’m going to put shells there and there’, regarding the Battery Commander only as the man who puts his orders into effect’.

 

I drew on McCarthy’s work in “Gabriel’s Map’ because, so it seems to me, there are times when nominally ‘fictional’ writing captures with distilled perfection what ostensibly ‘factual’ sources labour to bring into partial view: the ‘truth’ of fiction, if you like.  So much so that I’ve written elsewhere about the lazy distinction between ‘fact’ and ‘fiction’ (though since I wrote that the US election has clearly made that distinction even more tense).

And so my second reason for returning to all this: Brad Evans‘s interview in the latest Los Angeles Review of Books with Tom McCarthy, which pivots around his new collection of essays Typewriters, Bombs, Jellyfish, and the intricate imbrications between philosophy and literature throughout his work:

I try to undo the distinction that’s usually made between “fiction” and “reality,” as though “fiction” were synonymous with fakery. I don’t think that’s the right layout to work with; I think there’s something else going on. In Typewriters, Bombs, Jellyfish, I try to argue that “fiction” is best understood in terms of a gap or interim, a delay or décalage — what Hamlet calls an out-of-jointness. Another way of thinking about this would be (and this perhaps goes back to Faulkner’s ripple image) as a kind of asynchronic overlay. And vitally, what this overlay gives rise to, in its collisions and its recesses, is a possibility — and an ethics — of witnessing. Tell him we were here, says Vladimir to the boy-angel amid all the replays and repetition loops and waiting periods of Godot: Don’t turn up here tomorrow and deny you ever saw me. Then, watching Estragon sleeping, he asks himself, “Was I sleeping, while the others suffered?”; and he muses that someone is also watching over him (Vladimir) and thinking: “He is sleeping, he knows nothing, let him sleep on.” Now, of course someone is watching him — it’s a play! But beyond that, I think Beckett is invoking the notion of literature as a shared or consensual hallucination in which the act of witnessing, of affirming the existence of “the others,” becomes possible. This is not a journalistic or “scientific” act; it’s ultimately an imaginative one, an act of the imagination.