Virtual Gaza

idffacebook

I had originally thought The everywhere war would include a reworked and extended version of my discussion of cyberwarfare and Stuxnet which appeared in the Geographical Journal (DOWNLOADS tab), but the chapter is now about ‘virtual’ battlespaces more generally – which are far from being purely ‘virtual’, of course – and includes some of the jottings I’ve made on the role of digital media in later modern war (see here and here).  With that in mind – but rather more than that in mind – I should update the part they are playing in Israel’s latest war on Gaza where, as the Wall Street Journal‘s headline on 23 July had it, ‘Israel and Hamas take fight to social media’.

The IDF is no stranger to information warfare and to the power of social media.  John Timpane explains the back-story succinctly:

In November 2012, Israel launched Operation Pillar of Defense – on Twitter. It thereby became the first nation to initiate hostilities by social media. Starting with a YouTube video of the aerial assassination of Hamas leader Ahmed al-Jabari, Pillar of Defense escalated the social-media war. The Israeli Defense Force (Twitter following: 292,000) tweeted times and places of rocket strikes against Israel. A rag-tag bunch of pro-Hamas Twitter feeds (such as the oft-shut-down @alqassam, with 11,000-plus followers), Facebook pages, and YouTube videos published images of torn bodies and bombed schools.

As of 2014, “both sides,” says [Lawrence] Husick, “have become remarkably more sophisticated in how they use social media to engage with the rest of the world.”

To provide some idea of the scale of operations, al-Jazeera has produced this remarkable representation of the unfolding of a global Twitterstorm about the war; what appears below are screenshots and you really need to watch the whole thing:

#Israelunderfire

#Gaza under attack

The resources each side has at its disposable are far from equal.  According to Harriet Sherwood:

The propaganda war between Israel and the Palestinians is not new, but this battle-round is being fought with unprecedented ferocity. And like the asymmetry in the military conflict, the strength and resources of the Israel social media troops outweigh those of Hamas and other Palestinian organisations.

And those asymmetries have increased. Max Schindler reports,

With dueling Twitter hashtags, Facebook posts and YouTube channels, the Israeli Defense Forces and Hamas, the Palestinian militant group, are trading not just fire but also barbs over social media, in an attempt to win hearts and minds around the world. But Hamas, barred from certain platforms, faces additional challenges in the Internet war.

In this round of violence, the social media battle has become increasingly important. Israel’s ability to wage its campaign in Gaza depends on the level of international criticism it sustains.

On Wednesday, Twitter suspended several accounts used by Hamas…. Twitter’s terms of service block use of the website to “a person barred from receiving services under the laws of the United States or other applicable jurisdiction.” Hamas is classified as a terrorist organization by the State Department, denying it access to American commercial products…. Facebook maintains a similar policy, and has deleted dozens of Hamas accounts due to American government restrictions.

All of this has still wider implications because many of the tweets and the cell-phone videos uploaded to YouTube(see below) re-circulate through mainstream media too – though my strong suspicion is that the cautionary ‘cannot be verified‘ tag is used more often to diminish the suffering of people in Gaza than to call into question the IDF’s hasbara (public diplomacy/propaganda, take your pick).

These are more than military (or paramilitary) media operations, but the remainder is not only the work of individual ‘citizen-journalists’.  Ali Abunimah reports on a social media ‘war room’, set up on the first day of the current offensive by students at the Interdisciplinary Center Herzliya, a private university, to ‘explain’ Israel’s actions to overseas audiences: ‘israelunderfire’ originated here.  Some 400 volunteers from around the world are now involved in targeting online forums and producing their own (dis)infographics (more – and affirmative – reporting from the the Jerusalem Post here).

IDC Herzliya %22War Room%22

But most of the running is being made by the  IDF’s own concerted media campaign, and as I noted earlier Rebecca Stein has provided a timely analysis of ‘How Israel militarized social media’ that debunks some of the myths that have grown up around its ‘success’ (see also the link to her previous work here):

‘What’s been lost in this coverage – in this story of surprise — is the history of the Israel’s army presence on social media. For in fact, the military’s move to social media as a public relations platform has been rife with improvisation and failure, a process that runs counter to IDF narratives about its innovative work in this regard (the IDF lauding itself as a military early adopter). The army’s interest in the wartime potential of social media can be traced to the first few days of the 2008-2009 Gaza incursion….

In the years that followed, the IDF investment in social media would grow exponentially both in budgetary and manpower allocations, building on this ostensible wartime triumph.

But the process was rife with challenges and missteps…

Today, Israelis are also concerned about losing the media war. But they tell the story differently. In their rendering, the Israeli media problem is a by-product of damning or doctored images (this was the spirit of Netanyahu’s infamous “telegenically dead” remarks), of Palestinian media manipulation, of global anti-Israeli cum anti-Semitic bias. The Israeli media manages these problems by removing most traces of Palestinian dead and wounded from national news broadcasts.’

This feeds in to a deeper narrative in which both Palestinian casualties and Israeli culpability disappear from view, deftly characterised by Yonatan Mendel:

‘”We can forgive the Arabs for killing our children,” Golda Meir said in 1969, ‘but we cannot forgive them for forcing us to kill their children.’ Forty-five years on, in the third week of the Israeli attack on Gaza, with more than 800 Palestinians killed, about a quarter of them children, Israel’s government, its media and Israeli society have turned Meir’s idea of Israel being ‘forced’ to do unacceptable things into a vast and dangerous superstition. It refuses to take responsibility for the killing, just as it refused to take responsibility for the military occupation and the blockade: these, it tells itself, are what it has been forced into. Killing in Gaza in 2014, killing in 2012, and in 2008. But Israel has convinced itself, despite the rising numbers of dead, that isn’t killing anyone in Gaza. Hamas are the people doing the killing; they are responsible for the siege, the destruction, the underdevelopment, the poverty, the absence of peace talks, the postponement of a ceasefire and the use of UNRWA schools for military purposes.’

One final, crucial qualification. Even as he explains how the IDF and Hamas are fighting a media war, a battle to control the story on social media, John Tirmane insists that ‘the real war is of steel and fire, flesh and blood.’  What the countervailing voices of the ‘Twitterstorm’ seek to enable and to disable is an all too material firestorm.

StateTube

An update to my post on social media and late modern war (also here): Rebecca Stein writes with the excellent news that she has published an extended version of her MERIP commentary on Israel’s Twitter-war on Gaza: “StateTube: Anthropological reflections on social media and the Israeli state”, in Anthropological Quarterly 85 (3) (2012) 893-916.  The essay complicates what she calls the usual narrative about digital militancy (which is the theme of a special section of the journal): ‘the notion of new technologies that organically liberate from below, and of states invested chiefly in their repression from above.’

That said, some Israelis seem to have an astonishingly obdurate view of the power of social media – Rebecca quotes one member of Likud claiming that “Facebook pages … have as much impact as a tank – and sometimes even more” – and, as she notes, remarkably little sense of the countervailing possibilities.

The social network

All of which makes me wonder about a sequel to David Fincher‘s film about Facebook founder Mark Zuckerberg, The social network (2010): in the light of Rebecca’s ethnographic work, the original poster (reproduced above) suggests an altogether different scenario….