IED | geographical imaginations

I was supposed to give a shortened version of ‘Little boys and blue skies‘ at the AAG Annual Meeting in San Francisco (about drones and atomic war: available under the DOWNLOADS tab) and fully intended to do so. But in the event – and as I implied in a previous post – I decided to talk instead about Harry Parker‘s Anatomy of a soldier. It was a spur of the moment decision, though it had been pricking away in my mind ever since I read the novel, and I only decided to do it at 10.30 the night before: madness. But it was much closer to the theme of the sessions organised by Kate Kindervater and Ian Shaw on ‘Objects of Security and War: Material Approaches to Violence and Conflict‘ than my original presentation would have been.

I’ve added the presentation to those available under the DOWNLOADS tab (scroll right down).

I hope that most of it will be self-explanatory, but some notes might help. I started out by invoking Tim O’Brien‘s twin accounts of the Vietnam War, The things they carried and If I should die in a combat zone, which provide vivid reminders of the weight – physical and emotional – borne by ground troops and the toll they impose on the soldier’s body.

I talked about this in ‘The natures of war‘ (also under the DOWNLOADS tab) and – following in the footsteps of that essay – I sketched a brief history of the objects soldiers carried in to the killing fields: from the Somme in 1916 through Arnhem in 1944 to Helmand in Afghanistan in 2014 [shown below]. My source for these images was photographer Thom Atkinson‘s portfolio of Soldiers’ Inventories.

But I was more interested now in the objects that carried the soldiers, so to speak, which is why I turned to Anatomy of a soldier.

In order to throw the novel into even sharper relief, I outlined some of the other ways in which IED blasts in Afghanistan have been narrated. These ranged from the US Army’s own schematics [the image below is taken from a presentation by Captain Frederick Gaghan here] to Brian Castner’s truly brilliant non-fiction All the ways we kill and die, in which he describes his investigation into the death of his friend Matt Schwartz from an IED blast in Helmand in January 2012. (This book has taught me more about the war in Afghanistan than anything – I mean anything – I’ve ever read).

All of this prepared the ground for Parker’s novel which tells the story of a young British officer in Helmand, Tom Barnes, who loses his legs to an IED blast – told in 45 short chapters by the different objects involved. Not all of the chapters are wholly successful, but many of them are utterly compelling and immensely affecting. The overall effect is to emphasize at once the corporeality of war – ‘virtually every object-fragment that is proximate to Barnes is impregnated with his body: its feel – its very fleshiness – its sweat, its smell, its touch’ – and the object-ness of military violence.

I juxtaposed the novel to Parker’s own story – he too lost his legs to an IED in Afghanistan in July 2009. Yet he constantly emphasises that he never wanted the novel to be about him.

Still, the body is central to all this – Parker’s body and Barnes’s body – and so finally I drew on Roberto Esposito‘s Persons and Things to draw the wider lesson and, in particular, to nail the treacherous lie of ‘bodiless war’:

I’ve noticed Brian Castner‘s astonishing work before – see my post here – and I’m now deep into his latest book (published on my birthday). I’ll write a detailed response when I’m finished, but it is so very good that I wanted to give readers advance notice of it. It’s called All the ways we kill and die (Arcade, 2016):

The EOD—explosive ordnance disposal—community is tight-knit, and when one of their own is hurt, an alarm goes out. When Brian Castner, an Iraq War vet, learns that his friend and EOD brother Matt has been killed by an IED in Afghanistan, he goes to console Matt’s widow, but he also begins a personal investigation. Is the bomb maker who killed Matt the same man American forces have been hunting since Iraq, known as the Engineer?

In this nonfiction thriller Castner takes us inside the manhunt for this elusive figure, meeting maimed survivors, interviewing the forensics teams who gather post-blast evidence, the wonks who collect intelligence, the drone pilots and contractors tasked to kill. His investigation reveals how warfare has changed since Iraq, becoming individualized even as it has become hi-tech, with our drones, bomb disposal robots, and CSI-like techniques. As we use technology to identify, locate, and take out the planners and bomb makers, the chilling lesson is that the hunters are also being hunted, and the other side—from Al-Qaeda to ISIS— has been selecting its own high-value targets.

This is how Brian himself describes the book:

In January of 2012, a good friend of mine–Matt Schwartz from Traverse City, Michigan–was killed in Afghanistan. Matt was an Explosive Ordnance Disposal technician. We had the same job, but while I had done my two tours in Iraq and went home, Matt deployed again and again and again. He was shot on his second tour, and died on his sixth.

I realize now that I was bound to do an investigation into his death; my training demanded it. But instead of asking “what” killed him–we knew immediately it was a roadside bomb–I asked “who” killed him. It’s a question that would not have made any sense in past wars, not even at the start of this one. But we have individualized the war, we target specific people in specific insurgent organizations, and in the course of my research, I discovered the leaders on the other side do the same in reverse to us.

This is the story of an American family at war, and the men and women who fight this new technology-heavy and intelligence-based conflict. I interviewed intel analysts, biometrics engineers, drone pilots, special operations aircrew, amputees who lost their legs, and the contractors hired to finish the job. They are all hunting a man known as al-Muhandis, The Engineer, the brains behind the devices that have killed so many soldiers in Iraq and Afghanistan.

You can read an excerpt at VICE (‘The problem with biometrics at war‘) and another at Foreign Policy (‘You will know the Bomber by his designs‘).

Reading this in counterpoint to Harry Parker‘s Anatomy of a soldier (see my post here) – both deal with the aftermath of an IED in Afghanistan – is proving to be a rich and truly illuminating experience.