Psycho-geographies of violence

0747590338Will Self‘s series of columns for the Independent on ‘psycho-geography’ attracted considerable attention (they were published between 2003 and 2007 and then collected in the book shown on the left).  In its original form, of course, psychogeography can be traced back to the Lettrist International and the Situationists, and David Pinder‘s Visions of the city: utopianism, power and politics remains one of the most eye-opening introductions to these and similar experiments.

But in today’s Guardian Self turns to a far from utopian prospect to consider what in less avant-garde and more demotic terms would probably also count as a ‘psycho-geography’ of sorts:  ‘We are passive consumers of the pornography of violence‘.

He begins with a devastating imaginative reconstruction of one of the executions carried out by IS/IS/IL: seen not from the point of view of the video-viewing (or not-viewing) public, or even the executioner, but the victim.  He’s aware of the objections:

Surely, at the end of a year in which the public arena has been fully booked for grand guignol, the last thing anyone needs is such an intrusive – and arguably insensitive – speculation? May we not take this opportunity, on the verge of a new year, to sit back, relax, and turn away from the theatre of horrors – not, of course, because we don’t care about all this suffering, all this hideously violent discorporation, but because at least we know this much about ourselves: we may not be the most ethically motivated, caring, community-minded people around; however, we aren’t like them – we aren’t like those men in Raqqa who beat and burn and stone and rape and enslave and shoot and chop and cut: we aren’t evil. And surely, in the opinionated maelstrom we can all at least agree with David Cameron and Barack Obama on this: to cut off someone’s head is an act of such maleficence that it necessarily, in and of itself, renders those who do it evil; if by evil is understood a will-to-absolute-negation, a nihilism that metastasises through the failing body politic, leaving in its necrotic wake only dead-eyed zombies incapable of any authentic feeling.

And yet I wonder: what I wrote above was an active attempt on my part to sympathise with Abdul-Rahman Peter Kassig, Alan Henning, Steven Sotloff, James Foley and David Haines in the last moments of their lives. It was painful to write because I needed to try and put myself in their heads – possibly it was uncomfortable to read for the same reason; yet reading it was also an activity, requiring the translation of marks on page or screen into ideas, images and sensations. Some attempts to understand these perverse and evil actions are similarly engaged, but for the most part our response to the hostage crisis that unfolded over 2014 was necessarily passive. Passive in part because our government wishes to retain its monopoly both on what it sees as the legitimate exercise of violence, and on the prerogative of mercy as well: there will be no ransoms paid for British hostages, while the knife wielded by the man who has been called Jihadi John will be parried – or so they assure us – by targeted air strikes against Islamic State forces, while our “commitment to the region” is re-emphasised in other ways.

So, our passivity – the passivity of civilians who depend on a professional army to assert our moral will, and the passivity in my case – and quite possibly yours – of citizens who have long since recoiled from the spectacle of this interminable conflict worthy of Orwell’s 1984: the so-called “war on terror”.

There’s more – much more – that takes in themes that will be familiar to many readers but here given new urgency by the torsions of Self’s imagination and the sharpness his prose.  It’s an extraordinary ride, and it grips intellectually, politically and ethically.  One of Self’s central arguments is that even as we are reduced to the status of ‘passive consumers’ of this execrable violence (one that is, as he shows, far from absent from our own history) we are – those of us that live in the United States, Canada, the UK, France and elsewhere – also profoundly implicated not only in what is being staged by IS but also in the administration of military violence by the states that make up the latest ‘coalition’.

‘… we are all kneeling in the desert, staring at the serrations on that knife; the very personal and intimate nature of these murderous beheadings calls to our attention – try as we might to repress it – the cold impersonality of the murders committed in our name; for, just as in recent decades the west found it profitable to outsource manufacturing production to low-wage economies, so our own moral accounting has in the short term benefited from a form of outsourcing: western governments no longer find it expedient to perpetrate violence closer to home (it makes for bad PR and restive electorates); yet in a globalised world the exercise of “legitimate” violence is the one monopoly they continue to operate. Perhaps one way of looking at the Middle East is that it’s one of the most productive “bloodshops” we have, a reliable supplier of conflicts that give the west a showroom within which to demonstrate its overwhelming firepower.’

As I say, there’s much, much more, and Self’s reflections on the braiding threads between imagery, passivity , disembodiment and military and paramilitary violence make this the one essay I’d urge everyone to read and reflect on this week, even this month.  And probably all next year.

The War Corps

The US Congressional Research Service recently released a report, Instances of Use of United States Armed Forces Abroad, 1798-2014:

The instances differ greatly in number of forces, purpose, extent of hostilities, and legal authorization. Eleven times in its history the United States has formally declared war against foreign nations. These 11 U.S. war declarations encompassed 5 separate wars: the war with Great Britain declared in 1812; the war with Mexico declared in 1846; the war with Spain declared in 1898; the First World War, during which the United States declared war with Germany and with Austria-Hungary during 1917; and World War II, during which the United States declared war against Japan, Germany, and Italy in 1941, and against Bulgaria, Hungary, and Rumania in 1942.

Some of the instances were extended military engagements that might be considered undeclared wars. These include the Undeclared Naval War with France from 1798 to 1800; the First Barbary War from 1801 to 1805; the Second Barbary War of 1815; the Korean War of 1950-1953; the Vietnam War from 1964 to 1973; the Persian Gulf War of 1991; global actions against foreign terrorists after the September 11, 2001, attacks on the United States; and the war with Iraq in 2003. With the exception of the Korean War, all of these conflicts received congressional authorization in some form short of a formal declaration of war. Other, more recent instances often involve deployment of U.S. military forces as part of a multinational operation associated with NATO or the United Nations.

Barbara Salazar Torreon, who compiled the report, adds:

The list does not include covert actions or numerous instances in which U.S. forces have been stationed abroad since World War II in occupation forces or for participation in mutual security organizations, base agreements, or routine military assistance or training operations. Because of differing judgments over the actions to be included, other lists may include more or fewer instances.

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abc news has now provided an interactive that maps the data set here, together with a discussion of the original report.

Degrees of intimacy

Drone warsNext month Cambridge University Press is publishing a book of essays edited by Peter Bergen and Daniel Rothenberg, Drone wars: transforming conflict, law and policy, due out from Cambridge University Press at the end of the year.  Here’s the blurb:

Drones are the iconic military technology of many of today’s most pressing conflicts, a lens through which U.S. foreign policy is understood, and a means for discussing key issues regarding the laws of war and the changing nature of global politics. Drones have captured the public imagination, partly because they project lethal force in a manner that challenges accepted rules, norms, and moral understandings. Drone Wars presents a series of essays by legal scholars, journalists, government officials, military analysts, social scientists, and foreign policy experts. It addresses drones’ impact on the ground, how their use adheres to and challenges the laws of war, their relationship to complex policy challenges, and the ways they help us understand the future of war. The book is a diverse and comprehensive interdisciplinary perspective on drones that covers important debates on targeted killing and civilian casualties, presents key data on drone deployment, and offers new ideas on their historical development, significance, and impact on law and policy. Drone Wars documents the current state of the field at an important moment in history when new military technologies are transforming how war is practiced by the United States and, increasingly, by other states and by non-state actors around the world.

And here is the Contents List:

Part I. Drones on the Ground:

1. My guards absolutely feared drones: reflections on being held captive for seven months by the Taliban David Rohde
2. The decade of the drone: analyzing CIA drone attacks, casualties, and policy Peter Bergen and Jennifer Rowland
3. Just trust us: the need to know more about the civilian impact of US drone strikes Sarah Holewinski
4. The boundaries of war?: Assessing the impact of drone strikes in Yemen Christopher Swift
5. What do Pakistanis really think about drones? Saba Imtiaz

Part II. Drones and the Laws of War:

6. It is war at a very intimate level USAF pilot
7. This is not war by machine Charles Blanchard
8. Regulating drones: are targeted killings by drones outside traditional battlefields legal? William Banks
9. A move within the shadows: will JSOC’s control of drones improve policy? Naureen Shah
10. Defending the drones: Harold Koh and the evolution of US policy Tara McKelvey
Part III. Drones and Policy Challenges:
11. ‘Bring on the magic’: using drones in combat Michael Waltz
12. The five deadly flaws of talking about emerging military technologies and the need for new approaches to law, ethics, and war P. W. Singer
13. Drones and cognitive dissonance Rosa Brooks
14. Predator effect: a phenomenon unique to the war on terror Meg Braun
15. Disciplining drone strikes: just war in the context of counterterrorism David True
16. World of drones: the global proliferation of drone technology Peter Bergen and Jennifer Rowland

Part IV. Drones and the Future of Warfare:

17. No one feels safe Adam Khan
18. ‘Drones’ now and what to expect over the next ten years Werner Dahm
19. From Orville Wright to September 11: what the history of drone technology says about the future Konstantin Kakaes
20. Drones and the dilemma of modern warfare Richard Pildes and Samuel Issacharoff
21. How to manage drones, transformative technologies, the evolving nature of conflict and the inadequacy of current systems of law Brad Allenby
22. Drones and the emergence of data-driven warfare Daniel Rothenberg

Over at Foreign Policy you can find an early version of Chapter 6, which is an interview with a drone pilot conducted by Daniel Rothenberg.  There are two passages in the interview that reinforce the sense of the bifurcated world inhabited by drone crews that I described in ‘From a view to a kill’ and ‘Drone geographies’ (DOWNLOADS tab).  On the one side the pilot confirms the inculcation of an intimacy with ground troops, particularly when the platforms are tasked to provide Close Air Support, which is in some degree both reciprocal and verbal:

“Because of the length of time that you’re over any certain area you’re able to engage in lengthy communications with individuals on the ground. You build relationships. Things are a little more personal in an RPA than in an aircraft that’s up for just a few hours. When you’re talking to that twenty year old with the rifle for twenty-plus hours at a time, maybe for weeks, you build a relationship. And with that, there’s an emotional attachment to those individuals.

“You see them on a screen. That can only happen because of the amount of time you’re on station. I have a buddy who was actually able to make contact with his son’s friend over in the AOR [area of responsibility]. If you don’t think that’s going to make you focus, then I don’t know what will.

“Many individuals that have been over there have said, ‘You know, we were really happy to see you show up’; ‘We knew that you were going to keep us from being flanked’; ‘We felt confident in our ability to move this convoy from ‘A’ to ‘B’ because you were there.’ The guy on the ground and the woman on the ground see how effective we are. And it gives them more confidence.”

GREGORY Angry Eyes Extract.001

[The image above is taken from my ‘Angry Eyes’ presentation; the Predator pilot in this instance was involved in orchestrating the air strike in Uruzgan province, Afghanistan on 21 February 2010, and the quotation is taken from the US Army investigation into the incident.  I’m converting the presentation into the final chapter for The everywhere war, and I’ll post the draft as soon as I’m finished.]

But when the pilot in Rothenberg’s interview goes on to claim that ‘Targeting with RPAs is very intimate’ and that ‘It is war at a very intimate level’, he reveals on the other side an altogether different sense of intimacy: one that is strictly one-sided, limited to the visual, and which resides in a more abstracted view:

“Flying an RPA, you start to understand people in other countries based on their day-to-day patterns of life. A person wakes up, they do this, they greet their friends this way, etc. You become immersed in their life. You feel like you’re a part of what they’re doing every single day. So, even if you’re not emotionally engaged with those individuals, you become a little bit attached. I’ve learned about Afghan culture this way. You see their interactions. You’re studying them. You see everything.”

The distinction isn’t elaborated, but the claims of ‘immersion’ and becoming ‘part of what they’re doing every day’ are simply astonishing, no?  You can find more on the voyeurism of ‘pattern of life analysis’ and the remarkable conceit that ‘you see everything’ here.

GREGORY Drones and the everywhere war 2014 Homeland insecurities.001

[The image above is taken from my ‘Drone geographies’ presentation]

The interview emphasises a different bifurcation, which revolves around the alternation between ‘work’ and ‘home’ when remote operations are conducted from the United States:

“”When you’re doing RPA operations, you’re mentally there, wherever there is. You’re flying the mission. You’re talking to folks on the ground. You’re involved in kinetic strikes. Then you step out the ground control station (GCS) and you’re not there anymore…

“Those are two very, very different worlds. And you’re in and out of those worlds daily. I have to combine those two worlds. Every single day. Multiple times a day. So, I am there and then I am not there and then I am there again. The time between leaving the GCS [Ground Control Station] and, say, having lunch with my wife could be as little as ten minutes. It’s really that fast.”

You can find much more on these bifurcations in my detailed commentary on Grégoire Chamayou‘s Théorie du drone here and in ‘Drone geographies’ (DOWNLOADS tab).

There’s one final point to sharpen.  In my developing work on militarized vision, and especially the ‘Angry eyes’ presentation/essay,  I’ve tried to widen the focus beyond the strikes carried out by Predators and Reapers to address the role they play in networked operations where the strikes are carried out by conventional strike aircraft.  Here is what Rothenberg’s pilot says about what I’ve called the administration of military violence (where, as David Nally taught me an age ago, ‘administration’ has an appropriately double meaning):

‘”Flying an RPA is more like being a manager than flying a traditional manned aircraft, where a lot of times your focus is on keeping the shiny side up; keeping the wings level, putting the aircraft where it needs to be to accomplish the mission. In the RPA world, you’re managing multiple assets and you’re involved with the other platforms using the information coming off of your aircraft.

“You could use the term ‘orchestrating’; you are helping to orchestrate an operation.”

***

Drone wars appears just as remote operations over Iraq and Syria are ramping up: you can find an excellent review by Chris Cole at Drone Wars UK here, ‘Drones in Iraq and Syria: What we know and what we don’t.’  The images below are from the Wall Street Journal‘s interactive showing all air strikes reported by US Central Command 8 August through 3 November 2014:

Air strikes in Iraq and Syria

During this period  769 coalition air strikes were reported: 434 in Syria (the dark columns), including 217 on the besieged border city of Kobane, and 335 in Iraq (the light columns), including 157 on Mosul and the Mosul Dam.

Air strikes in Iraq and Syria August-November 2014

But bear in mind these figures are for all air strikes and do not distinguish between those carried out directly by drones and those carried out by conventional strike aircraft.  As Chris emphasises:

‘Since the start of the bombing campaign, US drones have undertaken both surveillance and strike missions in Iraq and Syria but military spokespeople have refused to give details about which aircraft are undertaking which strikes repeatedly using the formula “US military forces used attack, fighter, bomber and remotely-piloted aircraft to conduct airstrikes.”’

Although the USAF has used a mix of MQ-1 (Predator) and MQ-9 (Reaper) drones, F-15E, F-16, F/A-18 and F-22 fighters, B-1 bombers, AC-130 gunships and AH-64 Apache helicopters in these operations, it seems likely that its capacity to use remote platforms to provide intelligence, surveillance and reconnaissance is limited by its continuing commitments in Afghanistan (though Britain’s Royal Air Force has now deployed its Reapers for operations in both Iraq and Syria).

IS (Islamic State) claims to have its own drones too.  In February it released video of its aerial surveillance of Fallujah in Iraq, taken from a DJI Phantom FC40 quadcopter, in August it released video of Taqba air base in Syria taken from the same platform, tagged as ‘a drone of the Islamic State army’, and in September a propaganda video featuring hostage John Cantile showed similar footage of Kobane (below).

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These image streams are all from commercial surveillance drones, but in September the Iranian news agency Fars reported that Hezbollah had launched an air strike from Lebanon against a command centre of the al-Nursra Front outside Arsal in Syria using an armed (obviously Iranian) drone.

You can find Peter Bergen’s and Emily Schneiders view on those developments here, and a recent survey of the proliferation of drone technologies among non-state actors here.

The details of both the state and non-state air strikes remain murky, but I doubt that much ‘intimacy’ is claimed for any of them.

Conflicts without borders

In Finland last month I gave a presentation on Law, violence and b/ordering, in which I began by making two preliminary points about border crossings and (para)military violence: trans-border incursions and transgressions have been facilitated by (i) new stealth technologies deployed by state actors and (ii)  the rise of new non-state and para-state actors.  Here are the relevant slides:

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GREGORY 2 Law, violence and b:ordering.003

GREGORY Law, violence and b:ordering.003

I derived the map showing the advance of IS(IS)/ISIL from the Institute for the Study of War; say what you like about their politics (this is the Kagans we are talking about), their maps and summaries are extremely helpful.

Now Public Intelligence has just published a series of (unclassified) maps of Iraq, Syria, Lebanon and Jordan produced by the Humanitarian Information Unit of the US State Department called Conflicts Without Borders:

‘Conflicts Without Borders refers to a conflict in one country that draws in other governments and non-state actors, exacerbates stresses and conflicts in the neighbouring countries, and generates displacement across borders.’

That’s a definition to think about; there are obvious ironies in the US offering a definition that I suspect is intended to exclude its own part in initiating conflicts (if so, it doesn’t work), and there is the interesting attribution of causal powers to conflicts (which ‘draw in’ other actors like so many black holes).

This map series is dated 9 October 2014; the maps provide a Regional Overview (the first map below) and then show Northern Syria and Turkey, Western Syria and Lebanon, Southern Syria and Jordan and Eastern Syria and Iraq (the second map below).

DoS-Syria-ISIL

DoS-Iraq and Syria-ISIL

You can access a single summary map for late June here (shown below):

DoS Iraq Syria Conflict June 2014

The American way of bombing

I’ve argued elsewhere (in ‘Lines of Descent’ [DOWNLOADS tab] and in ‘The American way of bombing?‘) that it’s important to situate any critical account of drones in a much longer history of air war, and a new book just out from Cornell University Press promises to do just that: The American Way of Bombing: changing ethical and legal norms from Flying Fortresses to drones, edited by Matthew Evangelista and Henry Shue.  And unlike rip-off academic-commercial publishers (most of them in the UK), this is available as an e-edition (Kindle, etc) at a perfectly reasonable price.

Here are the details:

Aerial bombardment remains important to military strategy, but the norms governing bombing and the harm it imposes on civilians have evolved. The past century has seen everything from deliberate attacks against rebellious villagers by Italian and British colonial forces in the Middle East to scrupulous efforts to avoid “collateral damage” in the counterinsurgency and antiterrorist wars of today. The American Way of Bombing brings together prominent military historians, practitioners, civilian and military legal experts, political scientists, philosophers, and anthropologists to explore the evolution of ethical and legal norms governing air warfare.

Focusing primarily on the United States—as the world’s preeminent military power and the one most frequently engaged in air warfare, its practice has influenced normative change in this domain, and will continue to do so—the authors address such topics as firebombing of cities during World War II; the atomic attacks on Hiroshima and Nagasaki; the deployment of airpower in Iraq, Afghanistan, and Libya; and the use of unmanned drones for surveillance and attacks on suspected terrorists in Pakistan, Yemen, Sudan, Somalia, and elsewhere.

American way of bombing

Introduction: The American Way of Bombing
by Matthew Evangelista

Part I. Historical and Theoretical Perspectives

1. Strategic Bombardment: Expectation, Theory, and Practice in the Early Twentieth Century
by Tami Davis Biddle

2. Bombing Civilians after World War II: The Persistence of Norms against Targeting Civilians in the Korean War
by Sahr Conway-Lanz

3. Targeting Civilians and U.S. Strategic Bombing Norms: Plus ça change, plus c’est la même chose?
by Neta C. Crawford

4. The Law Applies, But Which Law?: A Consumer Guide to the Laws of War
by Charles Garraway

Part II. Interpreting, Criticizing, and Creating Legal Restrictions

5. Clever or Clueless?: Observations about Bombing Norm Debates
by Charles J. Dunlap Jr.

6. The American Way of Bombing and International Law: Two Logics of Warfare in Tension
by Janina Dill

7. Force Protection, Military Advantage, and “Constant Care” for Civilians: The 1991 Bombing of Iraq
by Henry Shue

8. Civilian Deaths and American Power: Three Lessons from Iraq and Afghanistan
by Richard W. Miller

Part III. Constructing New Norms

9. Proportionality and Restraint on the Use of Force: The Role of Nongovernmental Organizations
by Margarita H. Petrova

10. Toward an Anthropology of Drones: Remaking Space, Time, and Valor in Combat
by Hugh Gusterson

11. What’s Wrong with Drones?: The Battlefield in International Humanitarian Law
by Klem Ryan

12. Banning Autonomous Killing: The Legal and Ethical Requirement That Humans Make Near-Time Lethal Decisions
by Mary Ellen O’Connell

Style wars

One of these days I’ll set out the advice I give to students about writing essays – and when I do I’ll also include what I wish published authors would avoid too (me included) – but in the meantime you might be interested in these trenchant words of advice:

Keep the language crisp and pungent; prefer the forthright to the pompous and ornate.
Do not stray from the subject; omit the extraneous, no matter how brilliant it may seem or even be.
Favor the active voice and shun streams of polysyllables and prepositional phrases.
Keep sentences and paragraphs short, and vary the structure of both.
Be frugal in the use of adjectives and adverbs; let nouns and verbs show their own power.

They are taken from the CIA’s detailed Style Manual & Writers Guide for Intelligence Publications issued in 2011; you can find Michael Silverberg‘s commentary at Quartz here.

CIA Style Guide

What particularly caught my eye was this admonition:

Do not uppercase the w in Korean war, which was “undeclared”; the same logic applies to Vietnam war and Falklands war, and a similar convention (if not logic) to the Iran-Iraq war.

Shadow-Warfare_FINALHidden in plain sight here is the remarkable fact that the United States has not formally declared war since 1941.  You may think that not much depends on a formal declaration, and you would be right, except that this reluctance says much about executive authority and, crucially, what Larry Hancock and Stuart Wexler call, in their excellent Shadow Warfare (Counterpoint, 2014), ‘the history of America’s undeclared wars’.

In a sense, their book provides the back-story to Jeremy Scahill‘s Dirty Wars:

Contrary to their contemporary image, deniable covert operations are not something new. Such activities have been ordered by every president and every administration since World War II. Clandestine operations have often relied on surrogates, with American personnel involved only at a distance, insulated by layers of deniability.

Shadow Warfare traces the evolution of these covert operations, detailing the tactics and tools used from the Truman era through those of the contemporary Obama administration. It also explores the personalities and careers of many of the most noted shadow warriors of the past sixty years, tracing the decades-long relationship between the CIA and the military.

Shadow Warfare offers a balanced, non-polemic exploration of American concealed warfare, detailing its patterns, consequences, and collateral damage, and presenting its successes as well as its failures. Hancock and Wexler explore why every president, from Franklin Roosevelt on, felt compelled to turn to secret, deniable military action. It also delves into the political dynamic of the president’s relationship with Congress, and the fact that despite decades of warfare, Congress has chosen not to exercise its responsibility to declare a single state of war—even for extended and highly visible combat.

I still haven’t found what I’m looking for

U2 (USAF photograph)

Rummaging around for more people working on militarized vision, I encountered a forum on Military optics and Bodies of difference held at Berkeley’s Center for Race and Gender earlier this year, and through that the research of Katherine Chandler, who holds a Townsend Center for the Humanities Dissertation Fellowship in the Department of Rhetoric.  Her dissertation in progress is entitled Drone Flight and Failure: the United States’ Secret Trials, Experiments and Operations in Unmanning, 1936 – 1973, which promises to fill in a crucial gap in conventional genealogies of today’s remote operations.

As you’ll see if you visit her website here, Katherine is an accomplished artist as well as researcher and critic.  You can read her essay on ‘System Failures’, which includes a discussion of Trevor Paglen‘s Drone Vision and Omer Fast‘s 5,000 Feet is the Best, at The New Inquiry (August 2012) here, and find a fuller discussion of Fast’s video situated within what Katherine calls the ‘knowledge politics’ and political ecologies of remote operations on pp. 63-74 of Knowledge politics and intercultural dynamics here.

Here is the abstract for her talk at the forum, Unmanning Politics: Aerial Surveillance 1960-1973:

u2_spy_plane_incident_newspaper_clippingOn May 1, 1960, Francis Gary Powers’ U-2 plane was shot down over the Soviet Union while on a secret reconnaissance mission. The ensuing diplomatic fallout caused the cancellation of the Paris Summit between Dwight Eisenhower and Nikita Khrushchev. Less well known, in April 1960, Robert Schwanhausser, an engineer for Ryan Aeronautical, briefed the United States Air Force on the possibility that its Firebee target drone, used at the time for air defense training, might be re-engineered as an unmanned reconnaissance plane. In the weeks following the Powers incident, the Air Force began wholesale negotiations with Ryan Aeronautical to develop a pilotless spy plane and, on July 8, 1960, the company was given funding to begin the project. Among the noted advantages were: “political risk is minimized due to the absence of a possible prisoner” (“Alternative Reconnaissance System,” 1960). I investigate the resulting Lightning Bugs, flown for three-thousand reconnaissance missions in Southeast Asia between 1964 and 1973. 

Researching how aircraft were unmanned during the Cold War is instructive both in the ways they mimic contemporary unmanned combat aerial vehicles and trouble assumptions about them. I follow how unmanned systems operated within the logics of American Cold War politics and their perceived usefulness geopolitically – crossing borders as spy aircraft, collecting and jamming electronic signals, and gathering battlefield reconnaissance. I ask how conquest, and the ensuing assumptions of empire, colonialism and race, underlie the unmanning of military aircraft, even while these aspects were purposefully, although, unsuccessfully occluded through the idea that technologies could mitigate political risks. Moreover, unmanned reconnaissance projects were cancelled at the end of the Vietnam War and their failure provides clues about what might be left out of visions of aerial control and the ways politics, and human vulnerabilities, persisted in spite of efforts to engineer systems that would suggest otherwise.

The legitimacy of contemporary drone strikes relies on the ability of unmanned aircraft to “see” enemy targets. Yet, as Isabel Stengers has argued, any representation gives value. Looking at the few available images from these early unmanned reconnaissance flights, I move between what is seen and unseen to examine how values, particularly, secrecy and control, are formed through unmanned reconnaissance. Claiming to produce a mechanical, rather than political, view of the territories surveyed, I show how the supposedly apolitical lens of the drone occludes how politics, industry and military come together to privilege certain positions and target others.

Interesting stuff – especially that first paragraph linking ‘un-manning’ to the U-2.  There is a strange irony here, because until this year the US Air Force had in fact favoured its fleet of 33 U-2 (‘Dragon Lady’) aircraft [one of which is shown at the top of the photograph] over the high-altitude Global Hawk [shown at the bottom], so much so that it had asked for permission to cancel its orders for the new Block 30 Global Hawks and place others in storage.

GlobalHawk_USAFAirmanFirstClassBobbyCummings

You may be surprised to discover that the U-2 is still flying, but the airframe has been repeatedly modified and so too has the network in which it is embedded.  One pilot explained:

“The U-2 started out only carrying a wet-film camera. Now, with today’s technology, I’m alone up there, but I may be carrying 40 to 50 Airmen via data link who are back at a (deployable ground station).”

U-2 flying hours in Afghanistan and Iraq (New York Times)It’s important to remember that Predators and Reapers are not the only platforms streaming imagery to the Air Force’s Distributed Common Ground System.  The U-2 was given a new lease of life by the Gulf War in 1991, when nine U-2s flying out of the UAE  provided 50 per cent of all imagery and over 90 per cent of all ground forces targeting imagery.  During the invasion of Iraq in 2003 U-2s flew only 19 percent of the air reconnaissance missions, but they provided more than 60 per cent of the signals intelligence and 88 per cent of battlefield imagery.  The continuing wars in Afghanistan and Iraq confirmed that the U-2’s original, strategic significance had been eclipsed by its new tactical role.  Chris Pocock explains:

“The U-2 today is more a tactical intelligence gatherer…  It supports ground operations on a daily basis, flying over Afghanistan, flying around Korea, flying in the eastern Mediterranean, doing all those things every day and it’s actually not only providing intelligence that is analyzed for the benefit of those ground troops, but it’s actually in contact with those ground troops in real time.”

And that close contact – akin to the intimacy remote operators in the continental United States claim when they say they are not 7,000 miles but 18 inches from the battlespace, the distance from eye to screen – takes its toll on the U-2 pilots too.  In addition to the extraordinary pressures flying the U-2 imposes on their bodies, one USAF physician insisted that ’emotionally… they’re wrung out from that… When you’re talking to somebody on the radio and there’s gunfire in the background… you’re not taking a nap while that’s happening.’

Writing in the New York Times, Christopher Drew provided a revealing example:

Major Shontz said he was on the radio late last year with an officer as a rocket-propelled grenade exploded. “You could hear his voice talking faster and faster, and he’s telling me that he needs air support,” Major Shontz recalled. He said that a minute after he relayed the message, an A-10 gunship was sent to help.

In fact, that last clause can be generalised; the U-2 has often been deployed in close concert with other platforms, including Predators and Reapers.  Drew again:

The U-2’s altitude [70,000 feet or more], once a defense against antiaircraft missiles, enables it to scoop up signals from insurgent phone conversations that mountains would otherwise block.  As a result, Colonel Brown said, the U-2 is often able to collect information that suggests where to send the Predator and Reaper drones, which take video and also fire missiles. He said the most reliable intelligence comes when the U-2s and the drones are all concentrated over the same area, as is increasingly the case.

Part of the reason for that is that the U-2 has such an advanced imagery system:

Even from 13 miles up its sensors can detect small disturbances in the dirt, providing a new way to find makeshift mines [IEDs] that kill many soldiers.  In the weeks leading up to the [2010] offensive in Marja, military officials said, several of the … U-2s found nearly 150 possible mines in roads and helicopter landing areas, enabling the Marines to blow them up before approaching the town.

Marine officers say they relied on photographs from the U-2’s old film cameras, which take panoramic images at such a high resolution they can see insurgent footpaths, while the U-2’s newer digital cameras beamed back frequent updates on 25 spots where the Marines thought they could be vulnerable.

U-2 preparing for takeoff 'in SW Asia' (USAF/Eric Harris)

For all that,  in the last two years the Air Force’s plan to cut the Global Hawk program was repeatedly over-ridden by Congress, in response to an extraordinary campaign waged by Northrop Grumman, which launched what Mark Thompson called ‘its own ISR – intelligence, surveillance and reconnaissance – mission over Capitol Hill to decide where to strategically target cash-bombs to keep its plane, and more of them, flying for another day’: you can find a  full report at the Center for Public Integrity here.

The Air Force has now accepted the retirement of Lockheed Martin’s ageing Cold warrior, because (so it says) the cost per flying hour of the Hawk has now fallen below that of the U-2 ($24,000 vs. $32,000).  ‘U2 shot down by budget cuts’, is how PBS put it, while the Robotics Business Review triumphantly announced ‘Here comes automated warfare’.

Even so, cost per flying hour is not the whole story, as Amy Butler explains.  Part of the problem is logistical and, by extension, geopolitical: ‘Global Hawks based in Guam have to transit for hours just to reach North Korea, whereas the U-2, based at Osan air base, South Korea, has a shorter commute’ (details of the Hawk’s global basing can be found here).

A second issue is reliability, which bedevils all major UAVs and makes cost per flying hour a dubious index:

‘Intelligence, surveillance and reconnaissance collection is in high demand, and aircraft downtime is extremely worrisome for combatant commanders. In the Pacific, 55% of Global Hawk’s missions were canceled in fiscal 2013; 96% of the U-2’s missions were achieved. The U-2 was also scheduled for nearly three times as many missions. Global Hawk lacks anti-icing equipment and is not able to operate in severe weather.’

Finally, critics continue to complain that the sensors on the U-2 remain superior to those on the Hawk and provide a wider field of view.  According to a report from Eric Beidel,

The Global Hawk carries Raytheon’s Enhanced Integrated Sensor Suite, which includes cloud-penetrating radar, a high-resolution electro-optical digital camera and an infrared sensor. But the U-2’s radar can see farther partly because the plane can fly at altitudes over 70,000 feet, about 10,000 feet higher than a Global Hawk. A longer focal length also gives the U-2’s camera an edge, experts said…

Air Force Chief of Staff Gen. Norton Schwartz has said that the drone’s sensors just weren’t cutting it. Further, the U-2 can carry a larger payload, up to 5,000 pounds compared to 3,000 pounds for the Global Hawk.

“Some of the most useful sensors are simply too big for Global Hawk,” said Dave Rockwell, senior electronics analyst at Teal Group Corp. He referred to an optical bar camera on the U-2 that uses wet film similar to an old-fashioned Kodak. “It’s too big to fit on Global Hawk even as a single sensor.”

All of these technical considerations are also political ones, as Katherine’s abstract indicates, and none of them answers the other questions she poses about what can and cannot be seen…

Securing the volumes

More on war, police and the ‘security forces’ (see also herehere and here).  My copy of Mark Neocleous‘s  War power, Police power (Edinburgh, 2014) has just arrived, and I’m about to work my way through it (you can download the Introduction here).

But I’ve just stumbled upon another new book, by Caroline Holmqvist – Policing Wars: On military intervention in the twenty-first century (Palgrave Macmillan, 2014) – that I obviously need to read in parallel.

COVER_POLICING_WARS-libre

I’ve referred to Caroline’s work before, and in case you can’t read the small print in the image above here’s the blurb:

This interdisciplinary study provides an original account of the US-led wars in Afghanistan and Iraq to show how, why and with what consequences, twenty-first century wars became seen as policing wars.  Holmqvist starts from the assumption that wars always reflect the societies that wage them and combines the analysis of western strategic thinking with a philosophical examination of the core ideas that structure the contemporary liberal imagination. She argues that the US-led interventions in Afghanistan and Iraq were characterised by a widespread understanding of war as ‘policing’ – that is, waged against opponents deemed ‘criminal’ rather than political, and directed at the creation and maintenance of a certain type of ‘order’. Holmqvist turns to themes of social theory and philosophy to offer new perspectives on why the wars in Afghanistan and Iraq were waged in the way they were, and why the fantasy of policing wars came to resonate so widely amongst policy makers and academics alike.

Endless War and the machine

When I wrote ‘Seeing Red: Baghdad and the event-ful city’ (DOWNLOADS tab) I was intrigued by the way in which the US military apprehended the city as a field of events:

‘In Baghdad, these security practices performed a continuous audit that compiled reports of events (Significant Activity Reports or SIGACTS) and correlated the incidence of ‘enemy-initiated attacks’ and other ‘enemy actions’ with a series of civil, commercial and environmental indicators of the population at large: moments in the production of what Dillon and Lobo-Guerrero call a generalized bio-economy.’  

The animating core of the system was the SIGACT  – shown below – and these were eventually fed into a single reporting and analysis platform, the Combined Information Data Network Exchange (CIDNE).

SIGACT

‘The primary transcription of an event, its constitution as a SIGACT, with all its uncertainties and limitations, was transmitted downstream to be digitized and visualized, correlated and ‘cleansed’, so that it could be aggregated to show trends or mapped to show distributions.  All the systems for SIGACT recording and analysis interfaced with visualization and presentation software, which was used to generate ‘storyboards’ at every level in the chain.’

The chain as it was constituted in Iraq in May 2006 is shown below; CENTRIX (top left) is the Combined Enterprise Regional Information Exchange System that provided information exchange across the US-led coalition;  CPoF (scattered across the centre field) is the Command Post of the Future, a distributed GIS system I discussed in the original essay that provided a command-level visualization of the battlespace as a field of events (a system that has since been upgraded multiple times); and at the centre right you can see the key automated data exchanges to and from CIDNE:

MNF-I Event Reporting, May 2006 (Wortman)

Since I wrote, scholars have used SIGACT reports much more systematically to analyse the connective tissue between ethno-sectarian violence and the ‘surge’ – see, for example, Stephen Biddle, Jeffrey Friedman and Jacob Shapiro, ‘Testing the surge’, International Security 37 (1) (2012) 7-40; Nils Weidmann and Idean Saleyhan, ‘Violence and ethnic segregation: a computational model applied to Baghdad‘, International Studies Quarterly 57 (2013) 52-64 – to explore the political dynamics of civilian casualties – see, for example, Luke Condra and Jacob Shapiro, ‘Who takes the blame?  The strategic effects of collateral damage’, American Journal of Political Science 56 (1) (2012) 167-87 – and to conduct more general evaluations of counterinsurgency in Iraq: see, for example, Eli Berman, Jacob Shapiro and Joseph Felter, ‘Can hearts and minds be bought? The economics of counterinsurgency in Iraq’, Journal of political economy 119 (4) (2011) 766-819.

I’ve been revisiting these modelling exercises for The everywhere war, because they require me to rework my essay on ‘The biopolitics of Baghdad’ (though not, I think, to change its main argument).  I’m struck by the idiom they use – my critique of spatial science written in another age would have been substantially different had it been less preoccupied with the detecting of spatial pattern, had its methods been applied more often to issues that matter, and had its architects been less convinced of the self-sufficiency of their methods.

But I’m also struck by the idiom of the SIGACT itself.  We’ve since become much more accustomed to its staccato rhythm through Wikileaks’ release of the Afghan and Iraq War Diaries, whose key source was CIDNE.  Again, these have been visualised and analysed in all sorts of ways: see, for example, herehere, here and here (and especially Visualizing Data and its links here).  The image below comes from Andrew Zammit-Mangion, Michael Dewar, Visakan Kadirkamanathan and Guido Sanguinetti,’Point-process modelling of the Afghan War Diaries’, Proceedings of the National Academy of Sciences 109 (31) (2012) and shows the time-space incidence of events recorded in the Diaries (here I suspect I’m channelling half-remembered conversations with Andrew Cliff….)

F2.large

And here, rather more prosaically, is another version – by Drew Conway and Mike Dewar – that provides a time-sequence of the mounting intensity of the war 2004-2009 (for Danger Room‘s discussion and gloss, see here):

events_by_label_map

Now David Pinder has kindly drawn my attention to an extraordinarily suggestive essay by Graham Harwood,Endless War: on the database structure of armed conflict’ over at rhizome, and to the art-work that is it subject, which together have returned me to my original interest in the ‘event-field’ of later modern war and the automated interactions between its data platforms.

Graham’s central question is deceptively simple: ‘How does the way war is thought relate to how it is fought?’ SIGACTS populate the digital battlespace with events and invite a calculative and algorithmic apprehension of the field of military violence.  To show what this means, Graham and his partner Matsuko Yokokoji (who together compose YoHa: English translation ‘aftermath’) joined with his Goldsmith’s colleague Matthew Fuller to produce an intriguing artwork, Endless War.

It processes the WikiLeaks Afghan War Diary data set as a collection of analytic viewpoints, both machine and human. A software-driven system, Endless War reveals the structure of these viewpoints by using N-gram fingerprints, a method that allows sorting of the text as an anonymous corpus without having to impose predetermined categories on it. Presented as a gallery installation, the system includes a computer that processes the data in real time, projections of the results, and coil pick-up microphones on the central processing unit that sonify the inner working of the machine.

The torrent files released by WikiLeaks in 2010 are the residue of the system that created them, both machine and human. They seem to hint at the existence of a sensorium, an entire sensory and intellectual apparatus of the military body readied for battle, an apparatus through which the Afghan war is both thought and fought.

You can get a sense of the result from vimeo’s record of the installation at the Void Gallery in Derry:

This is a video, obviously, but Endless War isn’t a video.  As the artists explain in a note added to the vimeo clip:

Just as an algorithm is an ‘effective procedure’, a series of logical steps required to complete a task, the Afghan War Diary shows war as it is computed, reduced to an endless permutation of jargon, acronyms, procedure recorded, cross-referenced and seen as a sequence or pattern of events.

Endless War is not a video installation but a month-long real-time processing of this data seen from a series of different analytical points of view. (From the point of view of each individual entry; in terms of phrase matching between entries; and searches for the frequency of terms.) As the war is fought it produces entries in databases that are in turn analysed by software looking for repeated patterns of events, spatial information, kinds of actors, timings and other factors. Endless War shows how the way war is thought relates to the way it is fought. Both are seen as, potentially endless, computational processes. The algorithmic imaginary of contemporary power meshes with the drawn out failure of imperial adventure.

This computational assemblage (think not only of the cascading algorithms but also of the people and the handshakes between the machines: a political technology ‘full of hungry operators’, as Graham has it) is performative: it is at once an inventory – an archive – and a machine for producing a particular version of the military future. Graham again:

‘A SigAct necessarily retains evidential power that reflects its origin outside of the system that will now preserve it, but once isolated from blood and guts, sweat and secretions of the theatre of action (TOA), the SigActs are reassembled through a process of data atomisation. This filter constructs a domain where the formal relation, set theory, and predicate logic has priority over the semantic descriptions of death, missile strikes, or the changing of a tank track and the nuts and bolts needed…

This system of record keeping can be seen as a utopia of war. It is idealized, abstracted, contained; time can be rolled back or forward at a keystroke, vast distances traversed in a query, a Foucauldian placeless place that opens itself up behind the surface of blood-letting and hardware maintenance and the ordering of toilet rolls. A residue that casts a shadow to give NATO visibility to itself. As the ensemble of technical objects and flesh congeal, they create an organ to collectively act to rid itself of some perceived threat—this time from Al Qaeda or the Taliban—faulty vehicles, bad supplies, or invasive politics. This organ also allows NATO’s human souls to imagine themselves grasping the moment, the contingency of now. All of the war, all of the significant events, all of the time, all of the land, coming under the symbolic control of a central administration through the database, affording governance to coerce down the chain of command.’

This is a much more powerful way of capturing – and, through the physical installation itself, conveying – what I originally and imperfectly argued in ‘Seeing Red’:

‘… optical detachment is threatened by a battle space that is visibly and viscerally alive with death; biopolitics bleeds into necropolitics. And yet the Press Briefings that are parasitic upon these visualizations move in a dialectical spiral, and their carefully orchestrated parade of maps, screens and decks reinstates optical detachment. For even as the distancing apparatus of the world-as-exhibition is dissolved and the map becomes the city, so the city becomes the map: and in that moment – in that movement – Baghdad is transformed into an abstract geometry of points and areas and returned to the field of geopolitics. And as those maps are animated, the body politic is scanned, and the tumours visibly shrink, so Baghdad is transformed into a biopolitical field whose ‘death-producing activities [are hidden] under the rhetoric of making live’ (Dauphinee and Masters 2007: xii). In this looking-glass world bodies are counted but they do not count; they become the signs of a pathological condition and the vector of recovery. These processes of abstraction are, of course, profoundly embodied. This is not algorithmic war, and behind every mark on the map/city is a constellation of fear and terror, pain and grief. For that very reason our disclosure of the infrastructure of insight cannot be limited to the nomination of the visible.’

When war comes home

After the US invasion of Iraq there were all sorts of artistic interventions that sought to bring home to Americans what was happening in Baghdad.  I described some of them in ‘War and peace’ (DOWNLOADS tab), noting that many of them seemed to take their cue from Martha Rosler‘s double photomontage of ‘Bringing the war home’, in which she re-staged first Vietnam and then the Iraq war in American domestic interiors:

Captives are paraded around gleaming kitchens on leashes, combat troops stalk in living rooms, while beyond the drapes fires flicker, a grieving woman slumps on the deck, and an Army patrol files by. Domestic critics have frequently noted the interchange between security regimes inside and outside the United States; they insist that the ‘war on terror’ ruptures the divide between inside and outside, and draw attention to its impact not only ‘there’ but also ‘here’. But Rosler’s sharper point is to goad her audience beyond what sometimes trembles on the edge of a critical narcissism (‘we are vulnerable too’) to recognise how often ‘our’ wars violate ‘their’ space: her work compels us to see that what she makes seem so shocking in ‘our’ space is all too terrifyingly normal in ‘theirs’.

Several projects made cartographic transpositions or mash-ups: superimposing the bombing of Baghdad on San Francisco (Paula Levine‘s Shadows from another place) or Boston (Alyssa Wright‘s Cherry Blossoms), for example, or choreographing a situationist tour of Baghdad in Brooklyn.  I’ve been more hesitant about these interventions; I know that these three projects were linked to – and in the last case depended on – ground performances, and I know too that it’s possible to undo the abstractness of conventional cartography, to turn it against itself (here I’m thinking of elin o’Hara slavick‘s brilliant Bomb after bomb).

WRIGHT Cherry Blossoms

I’ve now seen a different cartographic transposition that dramatizes the firebombing of Japan during the Second World War by juxtaposing a map of the United States with a map of Japan.  Almost as soon as the war was over there were several visualizations of a nuclear attack on US cities.  The image below comes from Collier’s Magazine in 1950, for a cover story called ‘Hiroshima, USA’; you can access the original here and read more here.  But projects like these still deflect the critical gaze from the horror of what happened there to the horror of what might happen here.  Indeed, that was precisely the point, as Joseph Masco shows in his brilliant essay, ‘”Survival is Your Business”: Engineering ruins and affect in nuclear America’, Cultural Anthropology 23:2 (2008) 361-98; reprinted in Ann Laura Stoler (ed), Imperial debris: on ruins and ruination (Duke, 2013).

Colliers-03-04-1

The problem is redoubled in the case of Hiroshima and Nagasaki, because those two hideous mushroom clouds have so often blocked our view of the firebombing of Japanese cities that preceded the two nuclear attacks.  Here the work of David Fedman and Cary Karacas on bombing Japan is indispensable, not least for its illuminating discussion of the central role of cartography (see Cary’s bilingual historical archive here).

In fact in 1945 the United States Air Force produced a map in which the earlier bombing campaign was projected on to a map of the United States:

FirebombsMapFinal-1.jpg.CROP.original-original

And this was the starting-point for Alex Wellerstein‘s remarkable intervention, whose critical force comes precisely from its juxtaposition (rather than simple superimposition) of the two maps: what happened in Japan is visibly there, magnified rather than marginalized through the map of the continental United States.  In fact, when you click on the interactive a line appears linking an American city to its equivalent target-city in Japan:

Firebombs-USA-interactive-600x321