Selling War

When there were endless real bookshops for me to haunt, I lost count of the number of times I’d take a book from the shelf, seduced by its lead title, only to put it back once I saw what came after the colon.   But that isn’t always a fail-safe strategy, and I’ve received news of a new book by Alex Fattawhere that really wouldn’t be smart.  Guerrilla Marketing has a relevance far beyond Colombia (interesting and important though that is in its own right):

Brand warfare is real. Guerrilla Marketing details the Colombian government’s efforts to transform Marxist guerrilla fighters in the FARC into consumer citizens. Alexander L. Fattal shows how the market has become one of the principal grounds on which counterinsurgency warfare is waged and postconflict futures are imagined in Colombia. This layered case study illuminates a larger phenomenon: the convergence of marketing and militarism in the twenty-first century. Taking a global view of information warfare, Guerrilla Marketing combines archival research and extensive fieldwork not just with the Colombian Ministry of Defense and former rebel communities, but also with political exiles in Sweden and peace negotiators in Havana. Throughout, Fattal deftly intertwines insights into the modern surveillance state, peace and conflict studies, and humanitarian interventions, on one hand, with critical engagements with marketing, consumer culture, and late capitalism on the other. The result is a powerful analysis of the intersection of conflict and consumerism in a world where governance is increasingly structured by brand ideology and wars sold as humanitarian interventions.

Full of rich, unforgettable ethnographic stories, Guerrilla Marketing is a stunning and troubling analysis of the mediation of global conflict.

The resonance of Guerilla Marketing clearly transcends its subtitle, as this tantalising extract makes clear:

Total mobilization is no longer a matter of a fluid transition from peace to war, but a matter of the continual co-presence of the two in a hot peace in which everywhere is always a potential scene of violence.  As commentators frequently note, the Global War on Terror is unbounded in scope and duration, an unending concatenation of episodes that render the world a battlefield from Waziristan, which has borne the brunt of drone warfare, to suburban Watertown, Massachusetts, in the wake of the Boston Marathon bomb attacks of 2013. What connects sites as disparate as Waziristan and Watertown is not only the War on Terror but marketing as a system of global provisioning that is productive of affective attachments. I borrow the idea of affect as a form of infrastructure from anthropologist Joseph Masco, who deftly teases out continuities between the Cold War and the War on Terror. For Masco, this affective infrastructure is built by the national security state, expansive in the wake of the “ongoing injury” of the September 11 attacks.  “Affect,” Masco writes, “becomes a kind of infrastructure for the security state, creating the collective intensities of feeling necessary to produce individual commitments, remake ethical standards, and energize modes of personal, and collective, sacrifice.”

The layering of national security affect, primarily paranoia and fear, I argue, cannot be separated from the aspirational affect of consumer culture, for the two have coevolved. At the height of the Cold War, for instance, advertisements pitched “Luxury Fall- Out Shelters” to people who would prefer to wait out a nuclear apocalypse in comfort. Such advertisements normalized the very idea of nuclear warfare and the paranoia it generated. Similarly, George W. Bush’s call on Americans to go shopping one week after September 11, 2001, mobilized consumption as a means of coping with the Global War on Terror. I take as given the idea, demonstrated by historical accounts of the coevolution of marketing and warfare in the twentieth century, that marketization and militarization are deeply interpenetrated. I am fascinated by how their convergence shapes an affective mode of governance in the early twenty-first century, a moment when simmering fears of an everywhere war and the rising aspirations of the global middle classes expand in tandem. It is more than a little curious that in the 2000s, just as war diffused further into everyday life, everything—nations, militaries, cities, universities, individual selves— became brands.

The language of the convergence of marketing and militarism is revealing. Targeting, for example, serves as a switch that connects the marketing nation and the security state. As marketers study, segment, and create new publics to target, the military compiles lists of targets to monitor and, at the right moment, destroy. A drive toward ever- greater precision unites both practices of targeting. Each year marketers improve their ability to micro- target tightly defined demographic groups by tracking users across the internet with algorithmic intelligence.  Similarly the military, through the use of special forces and drone warfare, creates micro-kill zones. In the words of Grégoire Chamayou, a French theorist of drone warfare, “The zone of armed conflict, having been fragmented into miniaturizable kill boxes, tends ideally to be reduced to the single body of the enemy-prey”— modern warfare as hunting. Whether it’s data capitalism’s drive to psychologically profile individual consumers or the whack- a-mole logic of twenty-first-century counterinsurgency, this scaling down to the individual approaches a vanishing point: advertising as nonadvertising, war as nonwar. Neither negation is neutral, nor is their entanglement haphazard. To the contrary, I would like to suggest that in this double negation there lies a key to understanding the state of the relationship between war and capitalism in the early twenty- first century.

Enter the double meaning of this book’s title, guerrilla marketing, which in business parlance is code for a bundle of tactics, most of which seek to invisibilize the sales pitch. Tom Himpe, an advertising intellectual, describes this tendency as “advertising that blends in seamlessly with real entertainment, real events or real life to the extent that it is not possible to tell what is advertising and what is not.”  Drawing upon the legacy of guerrilla warfare as articulated by Che Guevara and Mao Zedong, guerrilla marketing draws its strength from camouflage. But marketing’s camouflage aspires not merely to blend into the background but to act upon it. Branding, I argue, operates as an activist form of camouflage that seeks to subtly transform the environment. As an instrument of total mobilization, brands have proved to be modular weapons of productive persuasion, from the black flag of ISIS and its calls to mobilize individuals alienated from the West to a real estate mogul’s use of brand strategies to bluster his way to the White House. As an emergent phenomenon of extraordinary political consequence, brand warfare is ripe for critical analysis.

Since Guerilla Marketing comes from a US publisher (Chicago UP) the paperback is not pitched at a silly-extortionate price; there’s an e-book too.  More here.

Counter-mapping and ecologies of military power

ecologies-of-power

Just caught up with Ecologies of Power by Pierre Bélanger and Alexander Arroyo (MIT Press), which – as the subtitle reveals – is a fascinating countermapping of the Pentagon’s logistical landscapes and military geographies:

This book is not about war, nor is it a history of war. Avoiding the shock and awe of wartime images, it explores the contemporary spatial configurations of power camouflaged in the infrastructures, environments, and scales of military operations. Instead of wartime highs, this book starts with drawdown lows, when demobilization and decommissioning morph into realignment and prepositioning. It is in this transitional milieu that the full material magnitudes and geographic entanglements of contemporary militarism are laid bare. Through this perpetual cycle of build up and breakdown, the U.S. Department of Defense –the single largest developer, landowner, equipment contractor, and energy consumer in the world – has engineered a planetary assemblage of “operational environments” in which militarized, demilitarized, and non-militarized landscapes are increasingly inextricable.

In a series of critical cartographic essays, Pierre Bélanger and Alexander Arroyo trace this footprint far beyond the battlefield, countermapping the geographies of U.S. militarism across five of the most important and embattled operational environments: the ocean, the atmosphere, the highway, the city, and the desert. From the Indian Ocean atoll of Diego Garcia to the defense-contractor archipelago around Washington, D.C.; from the A01 Highway circling Afghanistan’s high-altitude steppe to surveillance satellites pinging the planet from low-earth orbit; and from the vast cold chain conveying military perishables worldwide to the global constellation of military dumps, sinks, and scrapyards, the book unearths the logistical infrastructures and residual landscapes that render strategy spatial, militarism material, and power operational. In so doing, Bélanger and Arroyo reveal unseen ecologies of power at work in the making and unmaking of environments—operational, built, and otherwise—to come.

orbital-urbanization

Here is the legendary Claude Raffestin on the project:

Among its remarkable achievements, Ecologies of Power offers a new way of analyzing and representing the complex apparatus commonly called ‘war’ through its military infrastructures, logistical territories, and the material, energetic, informational, and financial flows that make and move through them. Deftly traversing a multitude of scales and landscapes, the book mobilizes a vast body of transdisciplinary work on the complex subject of power and its modes of spatial and semiotic representation. This ambitious and long-awaited volume is an essential reference for all scholars across the arts and sciences whose work aims to rethink how we engage—and disengage from—contemporary forms of conflict.

You can get an illustrated preview from Regine at We make money not war here.  She lists the book’s five core case studies:

  • The first case study is Diego Garcia, an atoll in the Indian Ocean. Strategically located between East Africa, the Middle East and Southeast Asia, the atoll is a vital anchor for the Afghanistan campaign and for supplying US naval forces with fuel.

fuel-chain

  • A second case looks at the high number of blast trauma and death from improvised explosive devices in the Helmand Valley and investigates the intimate connections between the use of IED by local groups and the production and movements of opium.
  • The third case study… looks at nutritional politics and at DoD’s surveys of rare earths and other high-volume minerals in the territories the U.S. attempts to control.
  • A fourth case study explores the complexities and ‘indeterminacies’ inherent to technological systems such as drones.
  • The last case study zooms in on Washington D. C.’s landscape of defense apparatus.

The images I’ve used here are from the Graham Foundation‘s webpage on the project.

Wounding the world

BOURKE Wounding the world

Joanna Bourke‘s new book, Wounding the world, has just been published in the UK by Virago (the North American edition, re-titled Deep Violence: Military Violence, War Play, and the Social Life of Weapons, is due from Counterpoint early next year).

Wars are frequently justified ‘in our name’. Militarist values and practices co-opt us, permeating our language, invading our dream space, entertaining us at the movies or in front of game consoles. Our taxes pay for those war machines. Our loved ones are killed and maimed.

With killing now an integral part of the entertainment industry in video games and Hollywood films, war has become mainstream.

2014 marks the 100th anniversary of the declaration of the First World War, and with it comes a deluge of books, documentaries, feature films and radio programmes. We will hear a great deal about the horror of the battlefield. Bourke acknowledges wider truths: war is unending and violence is deeply entrenched in our society. But it doesn’t have to be this way. This book equips readers with an understanding of the history, culture and politics of warfare in order to interrogate and resist an increasingly violent world.

Here is the list of chapters:

PART ONE: WAR WITHOUT END

Introduction

PART TWO: THE SOCIAL LIFE OF WEAPONS

It’s only words

The circulation of violence

PART THREE: INCITEMENT TO MURDER

Kind-hearted Gunmen

Wounding the Innocent

The Dark Art of Ballistics

PART FOUR: MILITAINMENT

Playing War

Violent Gaming

PART FIVE: THE END OF WAR

Protest

You can read the introduction here, from which I’ve snipped this extract:

Our garrisons are maintained throughout the world and yet the military campaigns we wage abroad seem as real to most of us as the metaphorical wars on drugs or obesity. It is not uncommon to hear people waxing lyrical about the sanctity of life – including that of the two-cell embryo – while revering the troops on Remembrance Day. Militarist incursions into our ways of thinking, talking and enjoying ourselves are barely acknowledged. The blurring of entertainment and war, the infiltration of ‘violence-as-fun’ into the popular imagination (‘militainment’) and the advent of warbots – a generic term for drones, robotic weapons, unmanned vehicles, and suchlike – have led many of us to take for granted that war is without end and without borders. Unwittingly, we have effectively been turned into citizen-soldiers.

We have inherited a toxic genealogy. Its names are legion but its purpose is singular: violence. It is precisely its everyday nature – the way it creeps up on us by stealth – that makes it so powerful. But we are not merely passive observers, in thrall to a set of amorphous, militaristic ideologies or corrupting institutions. We are involved in the production of violence: it constitutes who we are and might be and, as such, can be resisted.

There is an early review by Yvonne Roberts in today’s Guardian here.

rimini_protokoll_situation_rooms_2_jo_rg_baumann

It’s a timely book in all sorts of ways, but I’m particularly pleased it’s available now because next month I’ll be in Berlin as part of Hebbel am Ufer’s Waffenlounge (Weapons Lounge):

After the USA and Russia, Germany is the third largest arms exporter in the world. The global market constantly demands better, more effective and ‘cleaner’ weapons. This month HAU Hebbel am Ufer is presenting a new production by Hans-Werner Kroesinger, “Exporting War,” as well as the Berlin premiere of “Situation Rooms,” a groundbreaking installation by Rimini Protokoll, created in co-production with HAU. Both works take up the paradoxical relationships that societies maintain to weapons, and both make use of personal biographies, current military conflicts as well as historical and political contexts. Under the motto “Weapons Lounge” HAU will also be presenting performances, installations, expert talks, and a project by the Houseclub with Kreuzberg pupils.

I’ll be talking about drones, but I’ve been thinking about what Joanna calls ‘the social life of weapons’ and also about the global arms trade (see my early post on ‘The death merchants’ here), so I’m looking forward to reading what she has to say.