More tortured geographies

Posted on October 14, 2015 by Derek Gregory

There have been several attempts to reconstruct the geography of the CIA’s program of extraordinary rendition. I’ve long admired the work of my good friend Trevor Paglen, described in his book with A.C. Thompson, Torture Taxi: on the trail of the CIA’s rendition flights, available in interactive map form through Trevor’s collaboration with the Institute for Applied Autonomy as Terminal Air. (I’ve commented on the project before, here and especially here).

And you can only applaud Trevor’s chutzpah is displaying the results of his work on a public billboard:

The project, which involved the painstaking analysis of countless flight records and endless exchanges with the geeks who track aircraft as a hobby, triggered an installation in which the CIA was reconfigured as a ‘travel agency‘:

At the time (2007), Rhizome – which co-sponsored the project – explained:

Terminal Air is an installation that examines the mechanics of extraordinary rendition, a current practice of the United States Central Intelligence Agency (CIA) in which suspected terrorists detained in Western countries are transported to so-called “black sites” for interrogation and torture. Based on extensive research, the installation imagines the CIA office through which the program is administered as a sort of travel agency coordinating complex networks of private contractors, leased equipment, and shell companies. Wall-mounted displays track the movements of aircraft involved in extraordinary rendition, while promotional posters identify the private contractors that supply equipment and personnel. Booking agents’ desks feature computers offering interactive animations that enable visitors to monitor air traffic and airport data from around the world, while office telephones provide real-time updates as new flight plans are registered with international aviation authorities. Seemingly-discarded receipts, notes attached to computer monitors, and other ephemera provide additional detail including names of detainees and suspected CIA agents, dates of known renditions, and images of rendition aircraft. Terminal Air was inspired through conversations with researcher and author Trevor Paglen (Torture Taxi: On the Trail of the CIA’s Rendition Flights – Melville House Publishing). Data on the movements of the planes was compiled by Paglen, author Stephen Grey (Ghost Plane: The True Story of the CIA Torture Program – St. Martin’s Press) and an anonymous army of plane-spotting enthusiasts.

There’s a short video documenting the project on Vimeo here and embedded below (though strangely Trevor isn’t mentioned and doesn’t appear in it):

Although Trevor subsequently explained why he tried to ‘stay away from cartography and “mapping” as much as possible’ in his work, preferring instead the ‘view from the ground’, the cartography of all of this matters in so many ways – from the covert complicity of many governments around the world in a global geopolitics of torture through to the toll exerted on the bodies and minds of prisoners as they were endlessly shuffled in hoods and chains over long distances from one black site to another.

And now, thanks to the equally admirable work of the Bureau of Investigative Journalism, it’s possible to take the analysis even further. Here is Crofton Black and Sam Raphael introducing their project, ‘The boom and bust of the CIA’s secret torture sites‘:

In spring 2003 an unnamed official at CIA headquarters in Langley sat down to compose a memo. It was 18 months after George W Bush had declared war on terror. “We cannot have enough blacksite hosts,” the official wrote. The reference was to one of the most closely guarded secrets of that war – the countries that had agreed to host the CIA’s covert prison sites.

Between 2002 and 2008, at least 119 people disappeared into a worldwide detention network run by the CIA and facilitated by its foreign partners.

Lawyers, journalists and human rights organisations spent the next decade trying to figure out whom the CIA had snatched and where it had put them. A mammoth investigation by the US Senate’s intelligence committee finally named 119 of the prisoners in December 2014. It also offered new insights into how the black site network functioned – and gruesome, graphic accounts of abuses perpetrated within it.

Many of those 119 had never been named before.

The report’s 500-page summary, which contained the CIA official’s 2003 remarks, was only published after months of argument between the Senate committee, the CIA and the White House. It was heavily censored, while the full 6,000-page study it was based on remains secret. All names of countries collaborating with the CIA in its detention and interrogation operations were removed, along with key dates, numbers, names and much other material.

In nine months of research, the Bureau of Investigative Journalism and The Rendition Project have unpicked these redactions to piece together the hidden history of the CIA’s secret sites. This account unveils many of the censored passages in the report summary, drawing on public data sources such as flight records, aviation contracts, court cases, prisoner testimonies, declassified government documents and media and NGO reporting.

Although many published accounts of individual journeys through the black site network exist, this is the first comprehensive portrayal of the system’s inner dynamics from beginning to end.

At present the mapping is rudimentary (see the screenshot above), but the database matching prisoners to black sites means that it ought to be possible to construct a more fine-grained representation of the cascade of individual movements. The Rendition Project has already identified more than 40 rendition circuits involving more than 60 renditions of CIA prisoners: see here and the interactive maps here.

Joining the dots…

Posted on April 29, 2015 by Derek Gregory

The Bureau of Investigative Journalism and The Rendition Project have just published their first quarterly report on 119 people secretly detained and tortured by the CIA as part of the ‘war on/of terror’.

You can download the brief report as a pdf here, but the infographic below summarises the key findings (and don’t let its stark simplicity fool anyone about the detailed research that went into its production: this is difficult work).

Many commentators have noted that the Obama administration’s determination to end the CIA’s rendition program coincided with a decision to ramp up its covert program of targeted killing. The preference for ‘kill’ over ‘capture’ is complicated by the living death suffered by many of those who were imprisoned in the carceral archipelago of black sites and prisons – and we should surely welcome the determination to widen the focus beyond Guantanamo to include, notably, Bagram.

But the apparent distinction between the two programs becomes even more blurred once you realise that many of the officials in charge of the one were switched to the other. According to Mark Mazzetti and Matt Apuzzo writing in the New York Times:

‘Perhaps no single C.I.A. officer has been more central to the effort than Michael D’Andrea, a gaunt, chain-smoking convert to Islam who was chief of operations during the birth of the agency’s detention and interrogation program and then, as head of the C.I.A. Counterterrorism Center, became an architect of the targeted killing program. Until last month, when Mr. D’Andrea was quietly shifted to another job, he presided over the growth of C.I.A. drone operations and hundreds of strikes in Pakistan and Yemen during nine years in the position…

‘Mr. D’Andrea was a senior official in the Counterterrorism Center when the agency opened the Salt Pit, a notorious facility in Afghanistan where prisoners were tortured. His counterterrorism officers oversaw the interrogation and waterboarding of Abu Zubaydah, Abd al-Rahim al-Nashiri and Khalid Shaikh Mohammed. His actions are described in the withering Senate Intelligence Committee report about torture that was released late last year, although he was not identified publicly.’

(On the Times‘ decision to name names, see Jack Goldsmith‘s interview with Dean Baquet, Executive Editor of the Times).

But the real sting in the tail comes when Mazetti and Apuzzo also note:

‘The confidence [Senator Dianne] Feinstein and other Democrats express about the drone program, which by most accounts has been effective in killing hundreds of Qaeda operatives and members of other militant groups over the years, stands in sharp contrast to the criticism among lawmakers of the now defunct C.I.A. program to capture and interrogate Qaeda suspects in secret prisons.

‘When Ms. Feinstein was asked in a meeting with reporters in 2013 why she was so sure she was getting the truth about the drone program while she accused the C.I.A. of lying to her about torture, she seemed surprised.

‘“That’s a good question, actually,” she said.’

Renditions rendered

Posted on May 22, 2013 by Derek Gregory

Many readers will know of various attempts made, several years ago, to map the CIA’s extraordinary rendition programme. One of the most innovative was artist-geographer Trevor Paglen‘s Terminal Air project (and the idea of (de)basing the travel agency in this way was taken up, in a different register, by Adel Abidin: see here).

Trevor and his collaborators produced a series of visualizations of the flight network between Guantanamo and various black sites, some in digital form (like Terminal Air) — the image below is a screenshot of a remarkable animated sequence —

— and others displayed on physical billboards, like this one:

Today the Guardian publishes the results of a three-year programme of ESRC-funded collaborative research between Ruth Blakeley at the University of Kent and Sam Raphael at Kingston University in association with Reprieve into the system of extraordinary rendition and its associated practices. This is of more than historical interest; they write:

The Rendition Project aims to analyse the emergence, development and operation of the global system of rendition and secret detention in the years since 9/11. In doing so, it aims to bring together as much of the publicly-available information as possible on the detainees who have been held in secret, the detention sites in which they have been held, and the methods and timings of their transfers.

With this data in place, we will seek to identify specific ‘key moments’ that have shaped the operation of rendition and secret detention, both regionally and in a global context. We are particularly interested in the contest between the executive, the judiciary, and the human rights community (comprising human rights lawyers, human rights NGOs, and some academics), over whether and how domestic and international law applies to those detainees held within the system. A key aim of the project is therefore to identify how rendition and secret detention have evolved within the context of this struggle to defend basic human rights.

The Rendition Project also examines the ways in which this system has evolved over time, including during the Obama administration. While President Obama has ordered the closure of CIA-run secret prisons (the so-called ‘black sites’), and revoked authorisation for use by US agents of ‘enhanced interrogation techniques’, many thousands of detainees in the ‘War on Terror’ continue to be held beyond the bounds of US and international law. Moreover, continued rendition and proxy detention have not been ruled out by the US Government, and may still form a central plank of counterterrorism policy.

The website for The Rendition Project includes testimony, profiles and documentation together with a detailed database and an interactive map (produced in collaboration with Craig Bloodworth from The Information Lab).

The composite map is daunting, as befits the terrifying scale of the process itself:

But the ability to disentangle the threads and to interrogate the database changes the terms of the engagement, making it possible to track the experience of individual victims and to identify the major circuits and the global network of complicities in which they were enmeshed.

Chillingly brilliant work.